
Rob Redman
Rob is Editor of ImagineFX magazine and also works as creative director for his own studio, Pariah Studios, producing 3D animation, film and VFX for a variety of clients.
He started his career as a photographer, slowing adding 3D, film and visual effects and film into his toolbag, working across TV, web and print, with clients ranging from Blackmagic Design and HMV to Games Workshop and Royal Mail.
When not on at his desk he can be found building and playing guitars or out in the wilderness with his dog.
Latest articles by Rob Redman

Amaran Ray 120c review: I've been using this new portable video light, and it's more than I bargained for
By Rob Redman published
Review Amaran's Ray 120c is a pocket-sized powerhouse

I keep picking up my Fujifilm X100 compact camera and completely ignoring my pro-grade Sony A7R IV
By Rob Redman published
opinion It may not be the 'best' camera, but for me it is the best

Kiwibit Beako Smart Bird Feeder review: I’ve added a 4K feeder to my yard, and I can’t stop watching the footage!
By Rob Redman published
Review Kiwibit’s Beako feeder makes a natural world cinema out of your backyard, and helps out your feathered friends at the same time

Revopoint Miraco review: this all-in-one handheld 3D scanner makes light work of big jobs
By Rob Redman published
Review Revopoint's Miraco handles everything internally, so there's no need to be tethered to a computer, and that is a big win

Why would I buy a new film camera? My 50-year-old Nikon F2 is already perfect!
By Rob Redman published
My rock-solid 35mm SLR camera is 50 years old – but still going strong!

Viltrox NexusFocus F1 review: I turned my manual cine lenses into autofocus glass – and it’s completely changed my workflow
By Rob Redman published
Review Viltox’s clever NexusFocus F1 system brings autofocus capability to PL cine lenses with minimal rigging

Trust me, a medium-format film camera will make you a better photographer
By Rob Redman published
Opinion Three good reasons for going big and shooting on roll film

Eastman Kodak is taking back control and releasing more film stocks. Is film photography about to go mainstream again?
By Rob Redman published
Opinion While a slightly complex situation to get your head around, the changes happening to Kodak could be great for us film photographers.

Ars-Imago Lab-Box review: Develop film in daylight? Yes please!
By Rob Redman published
Review I've been testing Ars-Imagos daylight developing tank and it's made me reconsider my process.

Hollyland Vcore review: I'd never considered my phone a viable field monitor, until now!
By Rob Redman published
Review Hollyland's compact Vcore transmitter takes the hassle out of video transmission and I'm all for it.

Matter and Form Three review: 3D scanning can be frustrating, but this makes it easy and fun
By Rob Redman published
Review With built-in computing, all you need is a web browser to access the controls of this portable 3D scanner, and I love the ease of use

Revopoint Range 2 review: I didn't want to scan anything big before, but this makes me want to scan everything!
By Rob Redman published
Review Aimed at larger-scale scanning, the Range 2 from Revopoint is the ideal solution for automotive, VFX, and archival projects

Valoi 360 Professional Scanning Kit review: I’ve been scanning my own film since the 90s, and this piece of kit has made it a joyful process
By Rob Redman published
Review Valoi’s 360 Professional makes it easy to scan various formats of negatives for camera scanning

Accsoon Toprig S60 review: I found motion-controlled shots a breeze with this slider
By Rob Redman published
Review Accsoon's Toprig S60 motorised slider is a great way to add controllable, repeatable camera moves to your projects

Hollyland Pyro 5 review: a beast of a small field monitor
By Rob Redman published
Review I've been testing the Pyro 5 and it has just as much bang for its buck as its big brother

I've been using 7Artisans' Infinte cine lenses and I'm shocked
By Rob Redman published
Review The time has come when budget-friendly cine lenses can compete with the big boys. Mostly.

Hollyland Pyro 7 review: this has become my favourite field monitor and here’s why
By Rob Redman published
Review A wireless monitor that can transmit and receive, along with a full suite of shooting tools, in a 7” package? Yes please to that

Sony has just announced the PXW-Z300, a full-fat camcorder, perfect for fast-paced ENG and documentary work
By Rob Redman published
NEWS The PXW-Z300 will sit at the top of the range, alongside, rather than replacing the Z280. It will be the first camcorder with C2PA authentication

RGBlink mini ISO review: I'm truly impressed by how much is packed into this almost pocketable video switcher
By Rob Redman published
Review If you are restricted on space and budget, this little video switcher could prove to be exactly what you are after.

Sony ECM-778 shotgun microphone review: I’ve spent countless hours searching, but I may have just found the one mic to rule them all
By Rob Redman published
Review If you are on the hunt for a high quality shotgun mic, that fits into a compact form factor, this could well be the main contender

Sony’s new ECM-778 shotgun mic aims to become king of the hill for sound recording – but it may empty your wallet
By Rob Redman published
NEWS With its sights set on the coveted top spot of the shotgun mic list, Sony has developed a microphone that is something special, but it comes at a cost

7Artisans Vision 50mm T1.05 review: I tried these cheap cinema lenses and was blown away by how they performed
By Rob Redman published
Review I’ve often fallen for the idea that spending on high-end glass really pays off when it comes to your final results, but 7Artisans would suggest not

Blackmagic Ursa 12K LF review: I tested Blackmagic's new cinema camera, and it’s hard to go back
By Rob Redman published
Review Blackmagic promises a lot with its stripped-down 12K cine camera but does it deliver where needed?
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