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How to shoot nightscapes: camera gear and exposure settings

a night sky landscape
(Image credit: Shutterstock)

Experienced nightscape photographers seek out ultra-dark places away from civilization and only work under moonless skies. However, there is no need to wait for such a privileged situation to get started. For now, your back garden will do nicely, as the two most important things you need to learn are the camera settings required and how to operate your camera in total darkness.

Nightscape photography is the art of collecting limited light, and while having the best low-light cameras (opens in new tab) can help when shooting at night, they won't guarantee good results. Like any photography, that will come from balancing aperture (opens in new tab) (how much light reaches the image sensor), ISO (opens in new tab) (the light sensitivity of the imaging sensor) and shutter speed (opens in new tab) (how long the image sensor is exposed to light).

First, switch off all the lights at the back of your house; if there’s even a tiny light, your camera will find it during a long exposure. With your camera on a tripod, switch to MF (manual focus) on your lens and turn the focus dial to infinity (the ∞ symbol). In Manual mode on your camera (opens in new tab), switch the white balance to tungsten and set the aperture to as wide open as the lens goes, maybe f/4.5 on a kit lens or f/2.8 on a wide-angle lens. 

Set the ISO to 800, line up a shot that includes some of the night sky, and open the shutter. Your choice of lens will limit how long you can have the shutter open before stars begin to noticeably blur (after all, Earth is rotating at around 1,600kph). A 24mm lens can be open for around 20 seconds, and anything wider up to 25 seconds. Too dark? Increase the ISO to 1600 or 3200. Now too bright? Reduce the exposure time to 20 seconds. 

Experiment, but before you do too much you need to check the focus because the infinity point on a lens isn’t always accurate. On the camera’s LCD, zoom in on a star in one of your photos and check how sharp it is. Experiment with the focus dial, and a few laborious test shots later you should have it (mark it on your lens with a sticker so you can go straight back to it next time).

With all that done you can concentrate on what’s really important; composition. Stars alone will not produce an eye-catching photograph, and the ‘rule of thirds’ applies; always put something interesting in the foreground, ideally around ten meters away.

a night sky landscape

(Image credit: Shutterstock)

Get set up for shooting nightscapes

Like all photographers, nightscapers and astrophotographers obsess over the best cameras and equipment. Should you go for the very best mirrorless camera (opens in new tab) to get the best results? Do you need a full-frame camera (opens in new tab)? The answer to both of those questions is a resounding no, you do not; nightscaping is far more about how often you get outside at night and practice. 

Yes, full-frame cameras produce a cleaner, brighter and more detailed image than a crop-sensor camera when shooting the night sky, but when you’re starting out, it’s really not important. All you need to get started is a manual camera, one that enables you to independently control ISO, shutter speed and aperture, and manually fix the focus on infinity. 

Some compact cameras (opens in new tab) can do that, but you will also need a wide-angle lens – somewhere in the region of 14mm-18mm – to fit as much of the night sky as possible into one shot. That makes an interchangeable DSLR or mirrorless camera preferable, though if you don’t have a wide-angle lens you can still get started with the kit lens that came with your camera.

Add a tripod and a few more accessories – not forgetting a warm coat and fingerless gloves – and you’re ready for the night.

Specific gear you need to shoot nightscapes

nightscape gear

(Image credit: Future)

Manual camera
You will need to manually control focus, ISO, aperture and shutter speed, so you’ll need a camera with manual controls (a DSLR, mirrorless or a capable compact). Full frame (opens in new tab) is best but not essential.

Wide-angle lens (opens in new tab)
What lens you use will make a big difference. Use the widest angle lens you can get your hands on, such as 14mm, though an 18-55mm kit lens is fine to start with. A full-frame camera has a wider field of view than a crop-sensor camera. 

Tripod
All night-sky photography requires long exposures, so you need to keep your camera as steady as possible. Small travel tripods (opens in new tab) are fine, but bigger tripods put everything at head height so are more convenient.

Remote shutter release cable
Any movement during a long exposure introduces blur, and that includes the vibrations from depressing the shutter button. So set a shutter delay of ten seconds, or use a wired remote shutter release cable (opens in new tab) to keep your camera perfectly still. 

Large-capacity SD card
Always shoot in RAW (opens in new tab). RAW image files contain minimally processed data from the image sensor. However, they are also much larger in size, so a larger SD card is helpful, especially for star trails, meteor showers and long trips. Check out the best SD card deals (opens in new tab) if you need any recommendations.

Intervalometer
An intervalometer attaches to a camera and controls how many shots are taken, how often, and for how long. It effectively makes your camera completely autonomous, which is handy when taking multiple long-exposure shots. Find out more about how to use an intervalometer (opens in new tab).

If you want to improve your astro shots, check out the best camera for astrophotography and the best lenses for astrophotography. You'll find inspiration from the Astronomy Photographer of the Year, and we've also got more technical astrophotography tips to help you out too.

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Jamie has been writing about all aspects of technology for over 14 years, producing content for sites like TechRadar, T3, Forbes, Mashable, MSN, South China Morning Post, and BBC Wildlife, BBC Focus and BBC Sky At Night magazines. 


As the editor for www.WhenIsTheNextEclipse.com, he has a wealth of enthusiasm and expertise for all things astrophotography, from capturing the Perseid Meteor Shower, lunar eclipses and ring of fire eclipses, photographing the moon and blood moon and more.


He also brings a great deal of knowledge on action cameras, 360 cameras, AI cameras, camera backpacks, telescopes, gimbals, tripods and all manner of photography equipment.