The King’s Man shot and graded using affordable Blackmagic gear

The King's Man
(Image credit: Marv Studios)

The spectacular ‘Kingsman’ prequel used Davinci Resolve Studio (opens in new tab) for the whole digital production process. It’s a pro-level video editor from Blackmagic Design, but no more expensive than rivals like Premiere Pro (opens in new tab) and Final Cut Pro (opens in new tab) and also available as a very effective free edition direct from Blackmagic.

Resolve was used to ‘grade’ the footage by production company Goldcrest using a bespoke film emulation LUT developed in-house, and adapted during production to give scenes in the World War 1 trenches a more somber, desaturated look, while adding a “dusty yellowish” look to scenes of the Boer War to contrast with the greenness of England. Another scene in the Russian royal palace was given extra opulence using Resolve’s curves and HSL keyer tools to increase the richness of the gold and decoration.

It’s a sign of how even top movie productions are beginning to use regular camera gear, though in fairness this production did also require high-end computer workstations, a petabyte of shared storage, professional video monitors and projectors, so there's a way to go yet before we can do this on our laptops.

Davinci Resolve Studio is Blackmagic's pro video editing software but is also available as a powerful free edition. (Image credit: Blackmagic)
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The Blackmagic Pocket Cinema Camera 6K Pro was used for action sequences in The King's Man. (Image credit: Blackmagic)
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Blackmagic shoots action scenes

It’s not just Davinci Resolve that played its part. Second unit director Bradley Allan used the Blackmagic Pocket Cinema 6K (opens in new tab) and Micro Studio Camera 4K for key action sequences. The Micro Studio Camera was mounted on a Ronin S gimbal – another ‘consumer’ device – with a Blackmagic Video Assist 4K external monitor and Arri WCU-4 Wireless Lens Control for focus pulling.

While the King’s Man features Blackmagic software and cameras heavily, it shows the speed at which smaller and more affordable video gear from many different camera and accessory makers right across the board is working its way into the film industry.

Read more:

Best video editing software (opens in new tab)
Best cinema cameras (opens in new tab)
Best 4K cameras for video (opens in new tab)
Best camera gimbals (opens in new tab)
Best on-camera monitors (opens in new tab)
Best wireless focus pullers (opens in new tab)

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Rod Lawton

Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at (opens in new tab) but also writes about photo-editing applications and techniques at (opens in new tab)