I can't decide if Photoshop’s Generative Fill is a threat or just frivolous fantasizing

Generative Fill in Photoshop
(Image credit: Adobe)

It is uncannily effective at replacing objects, hiding objects or adding completely new objects into your digital images, but Photoshop's Generative Fill is bound to divide opinions amongst photographers.

The biggest dangers, for many, will revolve around trust, authenticity and truth, though there's also a secondary worry, that the ability for anyone to create anything they can imagine with just a simple text prompt will undermine the skill and craft of trained artists. The best photo editing software now makes it easy for anyone to achieve what was once the preserve of skilled professionals.

So how worried should we be?

For a start, questions about trust, authenticity and trust aren't new. There's very little that Photoshop's Generative fill can do that skilled Photoshop operatives couldn't do already. It might make image generation easier and quicker, but it's hardly the opening of Pandora's Box. More people with perhaps baser motives can produce more convincing fake imagery more easily than before, but to me that seems like an evolutionary change rather than a revolution.

Artists have always created things with their imaginations, and photography has been used as an artistic medium for a very long time. Sometimes photo-montages have been constructed in an obvious way to as an artistic statement, and sometimes they have been carefully disguised for propaganda or product marketing. Photography has often been used to create a 'idealized' vision of the world where the ugly has been hidden, the beautiful has been enhanced and things have been brought together that never existed side by side in real life.

What has changed is that instead of requiring a good deal of skill as they did in the past, synthetic 'generative' images, composites, 'altered realities' or 'idealized images' can now be made more easily by many more people than before.

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

Rod Lawton

Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com but also writes about photo-editing applications and techniques at lifeafterphotoshop.com