A lens filter changed my whole relationship with photography – maybe it can do the same for you

Kase Wolvering Magnetic Circular Filters Kit
If you’ve never used a physical lens filter before, perhaps now’s the time to invest in your first physical filter (Image credit: Future)

An awful lot of photographers have never used lens filters and, thanks to the ever-increasing dynamic range of modern mirrorless cameras, the frankly mind-boggling capabilities of the latest photo editing software and even a few clever in-camera effects (I’m looking at you, OM System), there have never been fewer reasons to ignore lens filters altogether.

But if any of that sounds at all familiar to you, and especially if you’ve never used a lens filter before, then I’m here to tell you: that is a great shame. Using lens filters isn’t just fun; I think it’s an important step in almost every photographer’s journey.

Motorsport photography

Very slow motorsport pans can require the use of an ND filter, if conditions are otherwise too bright to reach the slow shutter speeds required (Image credit: Mike Harris)

Don’t get me wrong, how often you use lens filters will depend on the genre(s) that you shoot. But if you’re a prolific photographer, you’ll almost certainly encounter a situation where a physical lens filter would fit the bill at some point.

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For example, I capture a lot of motorsport photography and a neutral density filter is a useful asset when capturing pans with extremely slow shutter speeds. Because many races take place during the brighter months and in the middle of the day, it can often prove impossible to reach shutter speeds such as 1/20 sec without using an ND.

But I digress; the whole point of this article is to explain how using a lens filter changed my whole relationship with photography.

How a simple lens filter changed my relationship with photography forever

A before and after photo showcasing the effects of an ND filter to create a long exposure of a waterfall

Software can get close, but in my opinion, nothing beats an ND grad for capturing long exposures (Image credit: Future / Mike Harris)

Perhaps the most cliched piece of photography advice is "get it right in-camera".

I generally agree with the sentiment, but there are times when I oppose it. For example, if your image is sharp, you’ve got enough resolution to play with and you didn’t have time to refine your framing, I see nothing wrong with heavy cropping at all.

However, you should absolutely aim to get it right in-camera where possible. That’s where lens filters come in.

Filters enable you to produce all manner of effects in-camera. And I believe that to be extremely important for several reasons, but by far the most important is that it enables you to realize the image you have in your mind’s eye as you take it.

I remember the first time I used a filter; unsurprisingly, I was using an ND filter to restrict the amount of light entering my camera, so I could use a very slow shutter speed to blur a body of water. It was like watching a magic trick happen right before my eyes.

I couldn’t believe that I’d managed to create what I was seeing on my camera’s playback screen without the use of digital editing software. It was all me and my camera!

Photographer adjusting a neutral density filter on a tripod-supported camera in a coastal landscape

(Image credit: Digital Camera World)

That was a huge confidence booster – and boy did it ramp up my love for photography. I don’t think it’s hyperbole to say that using a filter for the first time can transport you right back to when somebody first handed you a camera as a child.

I love photo editing more than most. But at its core, photography is about using a device that exposes a light-sensitive material to light, enabling you to capture a moment in time.

A lens filter doesn’t take away from that process; it adds to it. It interacts with the light as it enters your camera – shapes the light, if you will – and leaves you to marvel at the results.

If you’ve never thought about using a filter before, get yourself a cheap one I don’t care whether it’s an ND, ND grad, polarizer, diffusion filter or anything else; every photographer should try a physical lens filter at least once.

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Mike Harris
How To Editor

Mike studied photography at college, honing his Adobe Photoshop skills and learning to work in the studio and darkroom. After a few years writing for various publications, he headed to the ‘Big Smoke’ to work on Wex Photo Video’s award-winning content team, before transitioning back to print as Technique Editor (later Deputy Editor) on N-Photo: The Nikon Magazine.

With bylines in Digital Camera, PhotoPlus: The Canon Magazine, Practical Photography, Digital Photographer, iMore, and TechRadar, he’s a fountain of photography and consumer tech knowledge, making him a top tutor for techniques on cameras, lenses, tripods, filters, and more. His expertise extends to everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...

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