Keks M-Meter review: The ultimate light meter upgrade for Leica film cameras

Ditch Sunny 16 – Why every Leica M film shooter needs the Keks M‑Meter

5 Star Rating
Keks M-Meter on a Leica M2
(Image: © Future / Sebastian Oakley)

Digital Camera World Verdict

Mounting the Keks M‑Meter on my 1965 Leica M2 felt like giving it a second life -seamlessly blending vintage charm with modern functionality. It looked right at home in the hot shoe, echoing the classic Leica MR meter but replacing guesswork with a crisp digital display and dead-on accuracy. The Sunny 16 rule has its place, but in challenging light, the Keks delivered spot-on exposures every time. My negatives have never looked better, and with the confidence it gave me, I found myself shooting more boldly than ever.

Pros

  • +

    Great value for money

  • +

    User-friendly controls

  • +

    Excellent battery life

Cons

  • -

    Works on only certain Leica film cameras

  • -

    A bit bulky

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Shooting with a classic Leica M film camera is a tactile, deliberate experience—one rooted in simplicity and mechanical precision. But for those of us using meterless models like the M2, M3, or M4, that simplicity often comes at the cost of accurate exposure metering. While the romanticism of the Sunny 16 rule has its charm, it rarely holds up in unpredictable light.

Enter the Keks M‑Meter: a modern, rechargeable light meter designed specifically to complement the Leica aesthetic while offering reliable, real-time exposure readings. I’ve spent the past few weeks putting it through its paces on my 1965 Leica M2, and it’s safe to say—this little device might just be the best upgrade a vintage Leica shooter can make.

Keks M‑Meter: Specification

Swipe to scroll horizontally

Meter type

Ambient

Measuring modes

Shutter Priority

Shutter speed range

1/1000 to 30 seconds

ISO range

6 to 3200

Display

OLED

Battery

Built-in rechargeable

Connectivity

USB-C

Keks M‑Meter: Build & Handling

From the moment you mount the M‑Meter, it’s clear Keks has done its homework. It borrows the footprint and coupling system of Leica’s original MR meter, yet updates it for the modern age with a body machined from aluminum or brass and a discreet yet bright OLED screen up top.

The unit couples directly to the M2’s shutter speed dial, turning in unison as I adjust settings - a tactile delight and a welcome break from metering apps or handheld devices. What impresses me most is how intuitive it is.

Everything is controlled via a simple rear button, and navigating the menu couldn’t be easier. Within seconds, I was setting minimum and maximum aperture ranges for whichever lens I was using - especially helpful when switching between a fast 28mm and a slower vintage 90mm.

Exposure compensation is just as slick: three quick clicks and I’d dialled in a +1 stop for some dreamy overexposure, ready to go. It feels like the M‑Meter was designed not just for Leica shooters, but by one.

(Image credit: Future / Sebastian Oakley)

Keks M‑Meter: Performance

In use, the M‑Meter doesn’t falter. I’ve tested it across a range of situations - bright beaches, shadowy interiors, and mixed light - and it metered them all with confidence.

What makes it truly versatile is the ability to switch between single reading mode and a clever continuous mode. A quick double press on the back button activates the latter, and a subtle “C” appears on the display to let you know it’s watching the light for you.

This is perfect when you're on the move - street photography, family trips, or scenes with rapidly shifting light. For those who prefer a slower, more deliberate pace, single mode is ready out of the box: one press for a reading, then it powers down until summoned again. And the battery life? Outstanding.

I charged it fully via USB-C in under an hour and, two weeks later - after shooting 12 rolls of film - I still had 30% left. That’s the kind of reliability you want when you’re miles from the nearest power socket.

(Image credit: Future / Sebastian Oakley)

Keks M‑Meter: Final verdict

The Keks M‑Meter isn’t just a light meter - It’s a reinvention of a beloved concept, refined for modern film shooters who crave both function and aesthetic.

It fits beautifully onto a Leica M2, M3, M4, M-A, or any of the older meterless models, and it does so without disrupting the visual harmony of these timeless machines.

It’s one of those rare accessories that actually improves your shooting experience while staying entirely out of the way. The build quality is excellent, the interface is slick and intuitive, and it offers just the right amount of customization to make it feel personal to your workflow.

At around $120 to $140, it’s a very small price to pay for the precision, peace of mind, and polished experience it delivers. And the fact that it comes in chrome, black, or black paint shows just how much Keks understands its audience.

This isn’t a gimmick - it’s a serious tool that feels right at home on one of the world’s most iconic cameras.

(Image credit: Future / Sebastian Oakley)
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Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.

He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.

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