Best Leica M lenses in 2025: every current Leica M rangefinder lens
Looking for the best Leica M lens? These are all the Leica-made rangefinder lenses for Leica cameras

- Best Leica M lenses: our top picks
- Best Zoom for M-mount
- Best budget 21mm
- Best 21mm prime
- Best 24mm
- Best 28mm overall
- Best modern-day classic
- Best compact 35mm
- Best 35mm overall
- Best 50mm for travel
- Best for clarity
- Best 50mm overall
- Best 75mm
- Best 90mm
- Best for reach
- Leica lens names explained
- How we test lenses
If you’re looking for the best Leica M lens for your rangefinder, there’s no shortage of choice. In this guide, I break down the full lineup, highlighting the strengths of each lens and where to find the best deals right now.
Leica M cameras are a distinctive, premium option prized by photographers who value manual focus and timeless design. While they can take some getting used to if you're coming from modern autofocus systems, seasoned Leica users have been mastering these tools for decades.
The latest Leica M11, with its 61MP full-frame sensor, follows in the footsteps of the 40MP M10-R and the monochrome-only M10 Monochrom. With their combined viewfinder and rangefinder system, M cameras have remained a favourite among discerning shooters for over 60 years - perfect for street photography, portraits, and quiet, observational work thanks to their compact size and near-silent shutter.
That philosophy of simplicity extends to Leica’s M-mount lenses. They’re compact, lightweight, and optically superb - known for exceptional resolution, contrast, tonal depth, and colour accuracy.
Scroll down to discover which M lens might be your next.

Sebastian has spent nearly two decades working as a photographer, with his images published internationally. He began in equestrian sport, shooting for names like the FEI, The Jockey Club, and Horse & Hound.
He’s worked across 35mm, medium, and large format with systems from Leica, Phase One, Hasselblad, and Sinar, and has experience with cinema cameras including Sony, RED, and ARRI. In his spare time, he shoots black and white street and documentary photography with his Leica M-E or M2.
Best Leica M lenses: our top picks
Think ultra-wide zooms and you’re probably thinking of big, hefty lenses. Typical of Leica M-mount optics, however, this one is refreshingly small and lightweight.
Read more below
If you’ve been looking for the ultimate 28mm lens to fix onto your Leica for street, reportage, or even landscapes then this Summilux is the one to get, but be prepared to pay handsomely for it.
Read more below
As a Summicron 50mm, this lens has the same f/2 aperture rating as its APO sibling, but in a slightly smaller and lighter build. It’s also much lighter on the wallet, at only about half the cost.
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If you are looking for a great portrait lens then this 70mm APO Summicron is the perfect choice for quality, contrast, and sharpness
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If you want that extra reach over the 75mm the 90mm Summicron is a great choice for those looking to capture all types of action.
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The longest focal length in the Leica lineup this lens is perfect for sports, landscape and everything in-between, and being able to stop down to f/22 makes this a versatile lens.
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Best Leica M lenses
Why you can trust Digital Camera World
Best Zoom for M-mount
1. Leica Tri-Elmar-M 16-18-21mm f/4 ASPH.
Specifications
Reasons to buy
Reasons to avoid
✅ You to carry just one lens: with three focal ranges in one lens this is the perfect wide-angle soon for the Leica system
✅ You shoot with filters: due to its front thread of 67mm (via adaptor) you can shoot landscapes with ND filters to your heart's content
❌ You want a fast aperture: With its fastest aperture being f/4 you are losing up to 2-stops of light when compared to prime alternatives
❌ You want frame lines: Leica's widest framing in all its cameras is 28mm - to see wider you will have to buy an external viewfinder that will cost you a pretty penny!
Think ultra-wide zooms and you’re probably thinking of big, hefty lenses. Typical of Leica M-mount optics, however, this one is refreshingly small and lightweight.
Especially useful for landscape photography, it also features an adapter that serves as a 67mm filter attachment thread. Minimal distortion and field curvature make it a great choice for architectural photography as well.
This is the perfect solution for anyone looking to have three lenses in one, and it's the only Leica zoom that lets you zoom in between its 16-18-21 focal lengths so you can make sure your images are the best that they can be at the time of taking the shot, so no need to crop them later.
Final thought
The Leica Tri-Elmar-M 16-18-21mm f/4 ASPH. is a rare gem in the M system—a zoom lens in disguise. Offering three ultra-wide focal lengths in one compact package, it’s ideal for architectural work, tight interiors, or dramatic street scenes. While it’s slower than Leica’s prime lenses and requires an external viewfinder for accurate framing, its optical performance is superb across the board. For those who crave versatility without compromising on image quality, the Tri-Elmar is a unique and highly capable tool that earns its place in any serious M shooter’s kit.
Best budget 21mm
2. Leica SUPER-ELMAR-M 21 f/3.4 ASPH
Specifications
Reasons to buy
Reasons to avoid
✅ You want compact: due to its small aperture Leica has made this the most compact 21mm in its range, great for keeping on your camera all the time
✅ You want a 'cheap' Leica lens: while expensive in terms of Leica quality this is a bargain!
❌You're on a budget: while it's a cheap alternative it's still over 2K - which is a lot!
❌ You have big hands: due to its size it can be rather fiddly to select apertures or adjust focus on-the-fly
Compactness meets relative affordability in this Super-Elmar ultra-wide-angle prime. It’s a wonderfully small, lightweight lens for when you’re trekking across challenging terrain and will reward you with epic landscape images, thanks to its superb sharpness and contrast, along with minimal distortion and vignetting. A metal screw-in hood helps to fend off flare.
Final thoughts
he Leica Super-Elmar-M 21mm f/3.4 ASPH. is a compact, high-performing wide-angle lens that punches well above its weight. Known for its sharpness, minimal distortion, and excellent contrast, it’s a favourite among landscape, architecture, and reportage photographers who value precision and subtlety. While it’s not the fastest 21mm in Leica’s lineup, its small size, superb optics, and reliable performance make it a go-to choice for those who want wide without the weight. Quietly brilliant, it’s a lens that delivers consistently beautiful results without drawing attention to itself.
Best 21mm prime
3. Leica SUMMILUX-M 21 f/1.4 ASPH.
Specifications
Reasons to buy
Reasons to avoid
✅ You want the best: With an aperture of f/1.4 this is the fasted 21mm you can buy from Leica.
✅ You want great optical performance: thanks to its f/1.4 aperture and its solid construction from Leica you will be sure to achieve superb image quality with your images.
❌ You want lightweight: at a hefty 580g this is no lightweight and its size also makes it rather cumbersome
❌ Your saving money: This lens will eat away at any sensible savings you have, costing over 7K
More than twice the weight, and the price of the Super-Elmar 21mm lens, this Summilux has a super-fast f/1.4 aperture and a more complex optical path.
With minimal distortion or vignetting, especially for such a wide-angle lens, it’s eminently suitable for landscape and architectural photography. The rectangular lens hood is highly effective as well as enabling the use of Series VIII filters.
Final thoughts
The Leica Summilux-M 21mm f/1.4 ASPH. is a powerhouse of a wide-angle lens, delivering stunning performance even in the most demanding low-light situations. With its ultra-fast aperture and exceptional sharpness corner to corner, it’s a favourite among photojournalists, street photographers, and those who want to shoot wide and fast without compromise. It’s larger and heavier than other M-mount 21mm options, but the creative flexibility it offers more than makes up for the added bulk. For those who want it all—speed, sharpness, and that signature Leica rendering—this lens doesn’t disappoint.
Best 24mm
Specifications
Reasons to buy
Reasons to avoid
✅ You want fast focus: With a quarter-turn from 0.7 to infinity you can be sure to hit critical focus lightning fast - perfect for street photography
✅ You shoot interiors: 24mm is the perfect range to showoff those fancy interiors to the masses
❌ You're not willing to wait: This 24mm is the best, and because of that it's not in stock at most retailers and now will be a special order at some.
❌ You want a focus tab: Oddly this 24mm Summilux does not have the traditional focus tab, which means its tricky to focus when your used to have one
Overall, the Leica 24mm Summilux-M f/1.4 lives up to its legendary status however, there are some caveats when choosing such a lens. The lack of a focus tab being one of them when the rest of the Leica wide-angle lineup features it is a bit of a mystery, yet once you get the hand of focusing normally, with its quarter turn from 0.7-infinity you will be able to achieve critical focus within an instant.
This lens is beautifully built, but it will cost you a fortune. However, if you are looking for this to be your one lens to rule them all, it is a wise investment and can give a unique look to your images.
Read our full Leica 24mm Summilux-M f/1.4 review for more details
Final thoughts
he Leica Summilux-M 24mm f/1.4 ASPH. is a masterfully engineered wide-angle lens that delivers both speed and subtlety in equal measure. Its fast f/1.4 aperture makes it a natural choice for low-light shooting, while its sharpness, contrast, and beautifully rendered bokeh give images a distinct Leica character. Slightly narrower than a 21mm, it offers a more natural perspective without losing that immersive wide-angle feel. It’s not the smallest lens in the lineup, but for those who want fast glass with impeccable performance, the 24mm Summilux is a standout.
Best 28mm overall
Specifications
Reasons to buy
Reasons to avoid
✅ You want background separation: with outstanding background separation this lens makes your image highlight the subject you are shooting
✅ You shoot street: 28mm is considered the 'gold-standard' wide-angle for street photography and this does not disappoint
❌ You want compact: while it is smaller than most lenses in the Summilux line - this is still rather large to carry every day
❌ You want something cheap: At over 6K this isn't cheap - but it is if you're only shooting this lens for the rest of your life.
If you’ve been looking for the ultimate 28mm lens to fix onto your Leica for street, reportage, or even landscapes then this Summilux is the one to get, but be prepared to pay handsomely for it.
The Leica 28mm Summilux-M f/1.4 ASPH. is built like a tank with only the best materials used, and functions as expected from the renowned German manufacturer. But it will cost you a small fortune to own such a legend of a lens; however, if you’re looking for this to be your one lens to use on every occasion and be strapped to your camera for the end of time, it is a wise investment.
A lens like this carries a lot of prestige with photographers around the world and if they own one they hold on to it, or if they find it, it's never in stock for long, so if you find one in stock then go for it!
Read our full Leica 28mm Summilux f/1.4 ASPH. review for more details
Final thoughts
The Leica 28mm Summilux-M f/1.4 ASPH. is a fast wide-angle lens that strikes a perfect balance between versatility and character. With its bright aperture, it excels in low light and delivers beautifully shallow depth of field when needed—something rare at this focal length. Sharp, contrast-rich, and full of the signature Leica rendering, it’s ideal for reportage, street, and environmental portraiture. While it’s larger than the 28mm Elmarit or Summicron, the Summilux rewards you with flexibility and creative control. For those who favour the 28mm view and demand the best, this lens is a clear choice.
Best modern-day classic
Specifications
Reasons to buy
Reasons to avoid
✅ You want compact: by far the most compact lens Leica makes, this pancake lens is perfectly compact without compromise
✅ You want to 'set it and go': perfect for setting and forgetting this turns your Leica into a fast point-and-shoot
❌ You want a faster lens: at only f/5.6 it means you will need to up your ISO when the sun goes down
❌ You don't want contrast: built to Leica's original lens groups blueprint this lens produces masses of contract, which isn't suited to some.
The Leica 28mm Summaron-M f/5.6 is one of those lenses that you think could be a bit of a gimmick, a recreation of an old lens for the modern day. But that is far from the case, as this is without a shadow of a doubt the most fun lens I have used within the Leica lens lineup.
It produces stunning images filled with the punchy contrast and clarity that make your images stand out from the crowd. It is a tiny marvel of lens engineering and allows for the most compact package that Leica has ever made.
The cost is rather high for a lens with a maximum aperture of f/5.6, but when you look past that and really see how this lens performs in the field, and how it renders images, I think it is worth every penny!
Read our full Leica Summaron-M-M 28mm f/5.6 review for more details
Final thoughts
The Leica Summaron-M 28mm f/5.6 is a lens that leans fully into the charm of minimalism. Compact, lightweight, and beautifully built, it delivers a vintage rendering that harks back to classic reportage photography—crisp, contrasty, and full of character. With its modest aperture, it’s not made for low-light or shallow depth of field, but that’s not the point. This is a lens for quiet, thoughtful shooting—perfect for daylight street photography or travel, where discretion and simplicity matter most. For those who appreciate timeless design and a unique visual signature, the Summaron is a little gem.
Best compact 35mm
7. Leica SUMMICRON-M 35mm f/2 ASPH
Specifications
Reasons to buy
Reasons to avoid
✅ You want compact: weighing in at just 255g this f/2 35mm is wonderfully compact to an everyday carry
✅ You want a classic look: 35mm has been used the many photography greats and gives off a classic look
❌ If you want to use filters: at a weird 39mm you can use filters on this lens but they will cost you more than they should
❌You're scared of getting close: a 35mm comes into its own when you are close to your subject when others might like to remain unseen
Weighing in at just 255g, this lens nevertheless packs in seven optical elements including an aspherical element. The 35mm focal length is a classic choice in street photography, for which handling is up to Leica’s typically impeccable standards.
Image quality is razor-sharp, even when shooting wide-open, with a beautifully smooth bokeh that remains very good when stopping down a little, thanks to the well-rounded 11-blade diaphragm.
Final thoughts
The Leica Summicron-M 35mm f/2 ASPH. is as close to a do-it-all lens as you’ll find in the M system. Compact, fast, and razor-sharp, it delivers beautifully balanced images with superb contrast, detail, and that classic Leica glow. Whether you’re shooting street, documentary, portraits, or travel, the 35mm focal length offers a natural, storytelling perspective that never feels too wide or too tight. It’s small enough to carry everywhere and performs well in almost any situation. For many, this is the definitive M lens—practical, poetic, and endlessly reliable.
Best 35mm overall
8. Leica SUMMILUX-M 35 f/1.4 ASPH
Specifications
Reasons to buy
Reasons to avoid
✅ You want the best 35mm around: considered the best 35mm in the Leica line-up this lens delivers stunning results
✅ You want low-light performance: with its f/1.4 aperture this lens draws in tons of light
❌ You're on a budget: at over 5K this lens is a heavy investment for most
❌ You want good ergonomics: the lens is rather heavy and bulky which makes it front heavy and substantial to hold
Although undercutting the Summicron 35mm f/2 lens for the price, this one has a faster f/1.4 aperture rating that makes it arguably more versatile in low-light photography and anytime you want a really tight depth of field.
It can’t focus as close as the f/2 lens but, even so, the floating elements behind the diaphragm blades ensure image quality remains outstanding at short focus distances.
Final thoughts
The Leica Summilux-M 35mm f/1.4 ASPH. is a legendary lens that perfectly blends speed, sharpness, and character. Its fast f/1.4 aperture opens up creative possibilities in low light and delivers a beautifully shallow depth of field, all while maintaining impressive sharpness and contrast across the frame. Compact enough to carry daily yet powerful enough for professional work, it’s a favourite among street and reportage photographers for good reason. With its smooth bokeh and signature Leica rendering, the 35mm Summilux isn’t just a lens—it’s a creative companion that elevates every frame.
Best 50mm for travel
Specifications
Reasons to buy
Reasons to avoid
✅ You're on a budget: at just over 2K this lens offers incredible image quality for the money
✅ You like to travel: with its retractable lens hood and compact stance this lens is great for travel
❌ You want street cred: this is an amazing lens, but it's not the APO which is regarded as incredible
❌ You want f/1.4: at f/2 your not far off, but an f/1.4 will offer better light-gathering when the sun goes down
As a Summicron 50mm, this lens has the same f/2 aperture rating as its APO sibling, but in a slightly smaller and lighter build. It’s also much lighter on the wallet, at only about half the cost.
Contrast and corner-to-corner sharpness are fabulous, even wide-open at f/2, while distortion is negligible. It’s arguably the best buy in the 50mm line-up.
See our full Leica SUMMICRON-M 50 f/2 review.
Final thoughts
The Leica Summicron-M 50mm f/2 is a true classic—arguably the most iconic lens in the M system. Known for its perfect balance of size, performance, and character, it delivers exceptional sharpness, rich contrast, and a beautifully natural rendering that suits everything from portraits to street to everyday scenes. Compact and discreet, it’s the kind of lens you can leave on your camera and never feel limited. For many Leica shooters, the 50mm Summicron is the gold standard—a timeless optic that continues to prove that simplicity, when done right, is all you really need.
Best for clarity
Specifications
Reasons to buy
Reasons to avoid
✅ You want the best f/2 around: the APO 50mm f/2 is recorded as the best 50mm out there (some say even better than the Summilux) it surpasses everything in its price range
✅ You want great build quality: Built to the highest standards from the glass to the lens barrel this is pure quality
❌ You want street cred: this is an amazing lens, but it's not the APO which is regarded as incredible
❌ You want f/1.4: at f/2 your not far off, but an f/1.4 will offer better light-gathering when the sun goes down
The Leica 50mm APO Summicron-M f/2 ASPH is one of Leica’s most popular lenses in its APO line-up. Its characteristics are legendary for producing exceptional sharpness, even wide-open to its full control of the Red, Blue, and Green waveform to produce lifelike images with a distinct pop that only a Leica lens can produce.
Its price might be in a different orbit from the “normal” Leica price, ok it's double that, but from what this lens produces, this is a lifetime investment and one that will serve you well for your whole life.
This lens offers zero chromic aberration, a 3D pop that only a Leica lens can produce while producing outstanding images in low-light conditions.
Read our full Leica 50mm APO Summicron-M f/2 ASPH review for more details
Final thoughts
The Leica APO-Summicron-M 50mm f/2 ASPH. is a technical masterpiece—one of the sharpest and most optically refined lenses Leica has ever produced. Designed to deliver near-perfect performance even wide open, it offers astonishing resolution, minimal aberrations, and a clinical level of precision, all while maintaining a subtle, elegant rendering. It’s compact, discreet, and built with absolute attention to detail. While it comes at a premium, the APO-Summicron isn’t just a 50mm—it’s the benchmark. For those who demand the very best from their glass, this lens sets the standard.
Best 50mm overall
12. Leica SUMMILUX-M 50 f/1.4 ASPH.
Specifications
Reasons to buy
Reasons to avoid
✅ You want the best: While the APO is recorded as the best, the Summilux is regarded as the one to have!
✅ You want street cred: Summilux is renowned all over as the best lens and other photographers admire your lens from afar
❌ You want lightweight: It is hefty, but compact which makes it a bearable weight to carry for its amazing images
As in the 35mm camp, the big money is on the APO Summicron lens whereas this faster Summilux has an f/1.4 aperture that makes it more ideal for low-light photography and gaining a tighter depth of field, helping to isolate the main subject within a scene.
Again, it gives an entirely natural viewing perspective and delivers sharp, high-contrast images even at its widest aperture setting.
Final thoughts
The Leica Summilux-M 50mm f/1.4 ASPH. is the quintessential fast fifty—offering a perfect blend of speed, character, and technical excellence. Wide open, it produces beautifully smooth bokeh with that signature Leica glow, while still delivering crisp detail where it counts. As you stop down, the lens sharpens to a fine edge, making it incredibly versatile for everything from portraits to low-light street work. Compact and impeccably built, it’s a lens that feels just right on any M body. For many photographers, this is the dream 50mm—fast, expressive, and endlessly inspiring.
Best 75mm
13. Leica APO-SUMMICRON-M 75 f/2 ASPH.
Specifications
Reasons to buy
Reasons to avoid
✅ You shoot portraits: the best prime for portraits in the Leica lineup
✅ You're on a budget: Really 'affordable' for Leica
❌ You want compactness: it is rather larger for 75mm, and makes it unbalanced in the hand
A highly versatile short telephoto lens, this Summicron 75mm works well for shooting nature and landscapes as well as for portraiture.
The f/2 aperture rating enables a tight depth of field although, in this respect, it naturally can’t compete with the Noctilux 75mm. Even so, image quality is fabulous in all respects, it’s less than half the weight of the Noctilux and only about a third of the price.
Final thoughts
The Leica APO-Summicron-M 75mm f/2 ASPH. is a short telephoto lens that blends reach, precision, and compactness in a way few others can. Designed with apochromatic correction, it delivers exceptional sharpness, rich microcontrast, and true-to-life colour with virtually no aberration—ideal for portraits, detail work, or tighter compositions. Despite its optical sophistication, it remains relatively small and balances beautifully on any M body. For those who want a bit more intimacy in their framing without sacrificing image quality, the 75mm APO-Summicron is a quietly brilliant choice.
Best 90mm
14. Leica APO-SUMMICRON-M 90 f/2 ASPH.
Specifications
Reasons to buy
Reasons to avoid
✅ You want extra reach: 90mm is perfect for when our out and about.
✅ You want low-light performance: with an aperture of f/2 this is a great lens to shoot when you have less available light
❌ You're on a budget: It's a rather expensive lens for the reach when you compare with other brands
❌ You plan to carry it all day: with its large f/2 aperture and being a 90mm it's a rather large and heavy lens to carry all day long
Arguably the best compromise between quality and purchase price among Leica’s M-mount 90mm primes, this lens boasts APO performance and an aspherical design, complete with a fast f/2 aperture.
Its suitability extends from photojournalism to theatre and portrait photography, with excellent sharpness and contrast when shooting wide-open, along with a tight depth of field and beautiful bokeh.
Final thoughts
The Leica APO-Summicron-M 90mm f/2 ASPH. is a stunning example of optical precision in a classic portrait length. With apochromatic correction and aspherical design, it delivers breathtaking sharpness, lifelike colour, and virtually no distortion or fringing—even at f/2. Despite being a 90mm, it handles beautifully and remains compact enough for handheld shooting. Its shallow depth of field and creamy bokeh make it a favourite for portraiture, while its clarity and compression suit everything from travel to fine art. If you’re after reach without compromise, the 90mm APO-Summicron is as good as it gets.
Best for reach
15. Leica APO-TELYT-M 135mm f/3.4
Specifications
Reasons to buy
Reasons to avoid
✅ You want extra reach: this 135mm is the longest focal length you can buy an help want you want to get closer to the action
✅ You want to stop down: with its highest aperture being f/22 you can really get every single detail in focus
❌ You want less bulk: this is a rather long lens and can be cumbersome to travel with it not using it all the time
❌ You want something cheap: this will set you back over 3K, but the older (and bigger) 135mm f/2.8 can be had for under $300/£300 secondhand
Topping the M-mount range in terms of telephoto reach, this lens really covers the distance. It’s brilliant for compressing perspective and for any time you can’t get as physically close as you might like to the subject you’re shooting.
It also works really well for tight head-and-shoulders portraits, enabling you to shoot from a comfortable distance. As you’d expect, image quality is exemplary in all respects.
Final thoughts
The Leica APO-Telyt-M 135mm f/3.4 is a specialised telephoto lens that rewards patience and precision. Offering remarkable sharpness, minimal chromatic aberration, and excellent compression, it’s ideal for tight portraits, distant subjects, and detail-rich compositions. Its slower aperture and narrow depth of field demand careful focusing—often best done with a magnifier or EVF adapter—but the results speak for themselves. Compact for its focal length and built to Leica’s exacting standards, the APO-Telyt-M 135mm isn’t for casual shooting, but in the right hands, it’s a powerful and rewarding tool.
Leica lens names explained
Leica lenses go by a variety of names. It can be confusing for the uninitiated, but the underlying simplicity is that the names refer to aperture ratings. In ascending order of speed, the Summaron has an aperture of f/5.6, whereas it’s f/4 for the Elmar, around f/3.4 to f/3.8 for the Super-Elmar, and f/2.8 for the Elmarit.
Ramping things up into super-fast territory, there’s the f/2 Summicron, f/1.4 Summilux, and ultra-fast f/0.95 to f/1.25 Noctilux range.
As a photographic brand, Leica is somewhat legendary for the exacting standards of its German high-tech design and precision engineering. That’s still generally the case but, to get around import tariffs in the USA, be aware that some M-mount lenses are now also made in Portugal and are available at reduced prices in the States. Let’s take a look at all of the lenses in the current M-mount line-up.
How we test lenses
We test lenses using both real world sample images and lab tests. Our lab tests are carried out using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths / picture height – a measurement widely used in lens and camera testing.
1. Sharpness (Imatest): Here we measure sharpness at different apertures from the centre to the outer edge. We shoot the chart pictured and Imatest outputs a figure based on line width divided by picture height – high numbers are better.
2. Distortion (Imatest): This test measures the distortion caused by the lens. We shoot the simple, lined chart pictured above and then output an accuracy percentage in Imatest. The most accurate result (ie, the best) would be 0%.
3. Fringing (Imatest): This test measures the occurrence of chromatic aberration. We shoot the chart pictured above, then analyze the photos using Imatest. The results are expressed in pixels, with lower numbers being better.
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For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.
He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.