The best Micro Four Thirds cameras are among the best cameras, period. While some online trolls like to look down on the system, the truth is that these are incredibly powerful imaging machines that also offer unbeatable portability.
Whether you're a total beginner, you're looking for an everyday carry or you're a pro thinking about switching systems, the best Micro Four Thirds (MFT) cameras have plenty to offer. Trust me – I've made plenty of money as a pro with my MFT gear!
People are often quick to criticize MFT sensors due to their size, being even smaller than APS-C, saying that they offer poor quality and bad low-light performance. Nonsense. I've use the best Micro Four Thirds cameras professionally for over a decade, shooting for clients like Aston Martin and Elinchrom, with images used on magazine covers.
Yes, the sensors are smaller – but that also provides huge advantages, such as doubling the effective focal length of lenses (thanks to the 2x crop factor) and rendering greater depth of field, which is ideal for macro work or keeping subjects in focus in low light. Not to mention the small size of the cameras and lenses themselves!
In my view, the best Micro Four Thirds camera right now is the OM System OM-3 – which combines the flagship horsepower of the OM System OM-1 II with the classic looks of a film camera. But there are plenty more options to tempt you, with Panasonic's Lumix line offering incredible video – and a superb compact camera in the Lumix L10.
So, here are my top picks across a range of categories, having used the best Micro Four Thirds cameras since the very first one back in 2008!
MFT has been my primary system since 2014, and since then I've used every camera from Olympus / OM System and Panasonic – 70 in total! While I also have full-frame and medium format systems, I use the best Micro Four Thirds cameras for the majority of my personal and professional work.
Best Micro Four Thirds cameras
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Over the years I've used all kinds of Micro Four Thirds cameras all over the world. I've used them to shoot motorsport, taken them on safari, used them for vlogging and video… they're simply my personal preference for my everyday photographic needs. Here are my picks for the best cameras across different categories.
Best Micro Four Thirds camera overall
✅ You want in-camera creativity: Pre-produce your images with film simulations, Art Filters and the Color Creator.
✅ You value aesthetics and handling: The OM-3 is beautiful to look at, and inspires you to pick it up and shoot with it.
❌ You need memory peace of mind: There's only a solo SD card slot; if you want twin cards, go for the OM-1 Mark II.
❌ You want branded film simulations: The film sims are inspired by stocks like Tri-X, unlike Fujifilm's official simulations.
Since 2016, there's one camera I've picked up over everything else – including my full-frame Canon EOS R5 and the medium format Hasselblad X2D – when I'm on a creative photoshoot: the Olympus PEN-F.
Almost a decade later, OM System has given us the spiritual successor to the PEN-F – and the OM-3 is the new king of creativity. Its stunning looks, styled after the original Olympus OM-3 film camera from 1983, inspire you to pick it up and shoot… and its incredible capabilities empower you to create images other cameras can only dream of.
Underneath the sleek metal finish (with IP53-certified weather sealing) is the same technology found in the flagship OM-1 Mark II. However, the OM-3 adds tools and tricks to put that firepower directly at your fingertips.
The Creative Dial has been imported from the PEN-F, enabling you to instantly switch between stunning color and monochrome film simulations, over a dozen Art Filters, and a Color Creator that enables you to dial in or out hues to embellish and enhance your scene. Plus, they can be applied to your videos as well.
Then there's the Computational Photography button, which instantly summons the same incredible tech found in the OM-1 Mark II – including the Live GND filter and Live ND filters that are truly game-changing for outdoor photography.
Really the only downside here is that there's only a single card slot and no joystick. If you want those, the OM-1 Mark II is the place to look. But if you want a camera that's beautiful to behold and (at least in my opinion) the most fun camera you'll ever take photos with, the OM-3 is where it's at.
Read my full OM System OM-3 review
Best budget Micro Four Thirds camera
✅ You want great value: It's more affordable than most other mirrorless models, even when bundled with a kit lens.
✅ You want to stay small: The E-M10 Mark IV is one of the smallest bodies around, keeping your setup supremely compact.
❌ You want the latest AF: The face detection algorithm is good, but the contrast-detect autofocus isn't as robust as phase-detect AF.
❌ You're a video-first shooter: The 180° flip screen flips the wrong way for tripod use and there is no microphone jack.
If you're a Lumix shooter, the Panasonic Lumix G97 is a going to be a more familiar bet. However, for anyone else, the OM-D E-M10 Mark IV is far and away the best budget option – and an especially good choice for beginner or casual shooters.
Despite being incredibly well priced, the E-M10 Mark IV offers an exceptional suite of features. Chief among these is in-body image stabilization, which offers great shake compensation whether you're shooting stills or video.
The touchscreen also flips 180°, which isn't just useful for selfies and handheld video – the severe degree of tilt is also very useful for general shooting, even if you're not in the frame. (It should be noted, though, that it flips down rather than up, so it's no use for self-shooting on a tripod.)
My favorite thing about this camera, though, is that it's super-compact and lightweight – making it perfect for street photography, travel or simply as an everyday carry where you want a capable camera without the weight. In this respect, it's a perfect pairing with the super-slim M.Zuiko 12-42mm EZ Pancake lens.
The E-M10 Mark IV also packs a wealth of in-camera Art Filters and effects, giving you control over things like vignettes and grain. Of particular note, it features Taylor Swift's favorite camera filter (Vintage I) – in fact, the E-M10 is actually the camera that Taylor Swift uses!
Read our full Olympus OM-D E-M10 Mark IV review
Best Micro Four Thirds camera for pros
✅ You're an outdoor shooter: Software-based ND and grad filters, plus weather sealing, make this an outdoor dream.
✅ You need great stabilization: With 8.5 stops of in-body image stabilization, kiss goodbye to camera shake.
❌ You're a video shooter: Its video features are very good, but the Panasonics are just better for pure videography.
❌ You want maximum megapixels: The G9II and GH7 both have higher resolution (both native and via pixel shift).
If I could only use one camera for the rest of my days, it would be this one.
The OM-1 Mark II simply does things that no other camera can do, thanks to its unrivaled suite of computational tricks. Want to leave your lens filters at home? No sweat, use the software-powered ND and ND grad filters.
Sick of shooting hundreds of bracketed shots, and want the camera to actually stack them into a single finished image for you? No problem. Want to correct converging verticals in-camera before you shoot? Sure thing. Want to shoot lightning, fireworks and light painting with no fuss? You got it.
Following its predecessor as the world's only IP53 weather-sealed camera, it's the only camera I have 100% confidence in when shooting outdoors.
The original OM-1 was the first-ever Cross Quad Pixel AF camera. The Mark II adds more processing power and updated algorithms to give the autofocus more stickiness (especially when photographing animals), more stamina (twice the buffer capacity) and speedier (up to 120fps) than ever.
I was amazed at how good the AF was at tracking birds in flight and identifying all kinds of animals. This is by far the best Micro Four Thirds camera for birding and wildlife.
The processor improves the image stabilization algorithms, too, giving this up to a ridiculous 8.5 stops of compensation. If you want to go beyond the 20.4MP resolution, Hi-Res Shot gives you 50MP handheld or 80MP on a tripod thanks to pixel-shift magic.
A top tier photographic tool, it can also capture up to 4K 60p footage – but its video features are unspectacular, and you're better off going for one of my Panasonic picks.
Read my full OM System OM-1 Mark II review
Best Micro Four Thirds compact camera
While compact cameras like the Fujifilm X100VI and Leica Q3 are hugely popular, there's one big limitation: the lens. While they have beautiful prime lenses, they're exactly that – primes. Fixed, single focal length primes.
The Panasonic Lumix L10 leverages the power of its 25.2MP Micro Four Thirds sensor (the same as found in the G9II and GH7) to deliver a compact with a supremely versatile zoom lens – Leica's superb Summilux 24-75mm f/1.7-2.8 – and immaculate image quality.
Crucially, the L10 (like the LX100 II and Leica D-Lux 8 before it) employs multi-aspect ratio shooting – which means that you don't get the full resolution, since the lens' image circle is larger than the sensor.
However, you do get 20.4MP stills regardless of whether you're shooting 3:2, 4:3 or 16:9 images – and you can shoot them at up to 30fps bursts, making this a great camera for creative street photography and fast action alike. It even boasts a hot shoe for external flash, cementing it as a superb stills machine.
But it's a fiercely capable video device, too, offering up to 5.2K 60p capture along with FullHD all the way up to 240p, supported by a fully articulating touchscreen. Thus, this is a great device for content creators on the move.
Resolution aside, the only real compromise on the Lumix L10 is the lack of in-body image stabilization. While the lens itself is optically stabilized, the lack of sensor-based stabilization does mean that handheld video will be very choppy – making this great for handheld photography, but a tripod or gimbal is best for video.
Read our full Panasonic Lumix L10 review
Best Micro Four Thirds camera for video
✅ You're a video-first shooter: From open gate recording to ProRes RAW capture, the GH7 can do it all.
✅ You need unlimited capture: With no recording limits, you can film as long as you like without any worries.
❌ You want a small body: Micro Four Thirds is supposed to be small, but this is bigger than some full frame cameras!
❌ You want the best battery life: Because it's such a powerful performer, it can be a bit thirsty for juice.
The GH series has traditionally been Panasonic's flagship video line, and the Lumix GH7 proudly continues the family tradition. It's an absolute video production powerhouse whether you're a professional filmmaker or a budding content creator.
Its video capabilities are too multitudinous to list here, but highlights include internal Apple ProRes 4:2:2 and ProRes 4:2:2 HQ, and internal Cinema 4K 4:2:0 10-bit at 120fps. And at long last, the GH series also gets reliable autofocus thanks to the game-changing phase detect AF system.
Also worth mentioning for high-end shooters, in addition to the usual V-Log, Panasonic has also teamed with Arri to offer LogC3 and Arri Looks – though this comes as a paid add-on that costs a couple of hundred bucks.
It offers open gate recording, which means that it can capture the entire readout of its image sensor – enabling you to crop down to your desired aspect ratio, depending on your needs, to maximize the available resolution. For me this is the most useful feature here, as it absolutely transforms my workflow for the better!
Speaking of resolution, the GH7 has the highest resolution of any current consumer Micro Four Thirds camera. Its 25.2MP sensor also has more pixels than many APS-C and full-frame cameras – and for stills, it can employ pixel-shift technology to produce 100MP images (but this has a lot of caveats, so I don't use it very often).
The in-body image stabilization is truly phenomenal, capable of silky smooth handheld shots even without the benefit of a gimbal. And the handling is superb, all the way down to the menu system that makes sense to my brain and is easy to navigate.
While technically this is an unbeatable performer, I just can't excuse the sheer size of the GH7. The whole point of Micro Four Thirds is to offer a smaller system – and while that's still very much the case, when you take lenses into account, the GH7 is bigger and heavier than the full-frame Panasonic S5 II (which is already a tank, even for full frame cameras!). So if you want to stay small, look elsewhere.
Read our full Panasonic Lumix GH6 review
Best Micro Four Thirds camera for low light
✅ You shoot in challenging light: The advanced sensor and ISO magic make this a capable low light performer.
✅ You need resolution: Its 24.2MP sensor is also capable of 50.5MP or 100MP photographs via pixel shift.
❌ You want to stay small: Micro Four Thirds? The G9II is the same size as the full-frame Panasonic Lumix S5 II!
❌ You want the best video: The GH6 is still best for video, thanks to more options and unlimited record times.
This is a tough category, because Micro Four Thirds sensors are so small – and, therefore, have less surface area (and smaller individual pixels) to gather available light.
However, the days of "Micro Four Thirds is no good in low light!" are long behind us, thanks to advancements in sensors and general electronics.
All things being equal, the OM-1 Mark II and G9II are about on par when it comes to low light performance; when it comes to noise and dynamic range, in broad brush strokes, the OM is a little better at lower sensitivities while the Panasonic is a little better as the ISO increases.
However, the G9II has two very important tricks up its sleeve. The first is dual output gain (not to be confused with dual base ISO, which you'll find on the Lumix GH5S), which combines the output from parallel paths at ISOs above 800 to give cleaner readouts for shadows and highlights.
Then there is DR (dynamic range) Boost, which gives you about an extra stop of latitude when shooting mechanical stills or at video up to 60p.
The sensor is an improved version of the one found in the GH6, but the improvements aren't limited to low light performance; the new phase detect autofocus leaves the entire GH family crying in the dust.
However, if you're a video shooter then the GH6 is still favorite (despite the creaky AF) thanks to the cooling system, which in turn gives it unlimited shooting, with a better selection of internal recording options thanks in part to having a CFexpress card slot.
Read our full Panasonic Lumix G9II review
Best Micro Four Thirds camera for street photography
✅ You shoot in all seasons: With IP53 weather sealing, this camera keeps going in all conditions (with a sealed lens!).
✅ You want to stay steady: With a maximum 7.5 stops of stabilization, your handheld shots can stay pin-sharp.
❌ Video is top priority: Limited to 8-bit, footage is fine – but there are better options if you're a video-first shooter.
❌ You want subject recognition: There are no advanced animal or vehicle autofocus algorithms here.
The E-M5 and OM-5 family has always been my workhorse, and I use mine more than any other camera I own.
In particular it's great for street and outdoor photography, thanks to it being so small and light that I can always have it slung on my shoulder. It's incredibly nimble and responsive, whether I'm relying on the snappy phase detect autofocus or I'm focusing manually.
The OM-5 Mark II makes a great pairing with the M.Zuiko 17mm f/1.8 (an equivalent 34mm lens), thanks to its street photo-friendly field of view and its manual focus clutch. But I also love using it with my Helios and Takumar vintage lenses, which are so easy to adapt – and work great either with old-school zone focusing or focus peaking.
Articulating screens are generally seen as a video thing, but I find them invaluable for stills. Sometimes I use it like a waist-level finder, as if I'm shooting on old medium format kit.
But I can also use it to get low-angle portrait-orientation shots without having to get belly down on the floor (or indeed, high-angle without having to stand on something).
The IP53 weather sealing means I don't need to worry if the weather starts to turn, and the incredible stabilization system goes all the way up to 7.5 stops of compensation – perfect for handheld shooting, even at night when I want to keep my ISO low.
It's not often that the 20.4MP resolution isn't enough for me, but I can shoot 50MP handheld shots if I need them thanks to the pixel-shift High Res Shot (or 80MP if I use a tripod). The OM-5 Mark II is pretty much my go-to for everything, but for street shooting there's simply no camera I prefer using.
I really dig the pictured sand beige color, but it's also available in SLR-style silver and stealthy black.
Read my full OM System OM-5 Mark II review
How to choose the best Micro Four Thirds camera
While Micro Four Thirds is an open format, with everyone from Leica and Logitech to Blackmagic and DJI producing cameras, there are two primary players: OM System (formerly Olympus) and Panasonic. And the chances are, unless you have very specific requirements, you're going to buy a camera from one of these two.
As a Micro Four Thirds user myself, the most obvious distinction between the two is that OM cameras tend to excel at photography (up until recently their autofocus in particular was miles ahead) while Panasonic cameras are better at video (with vastly superior recording options and outputs). So depending on what you want to shoot, that should help narrow things down.
Historically, OM / Olympus cameras have had hands-down the best autofocus. This is because the E-M5 / OM-5 and E-M1 / OM-1 cameras feature the more advanced phase detect AF technology, while until recently Panasonic cameras have relied on the older contrast detect system that is clunkier and tends to lose focus. Currently, the Lumix G9II is Panasonic's only Micro Four Thirds camera with phase detect.
The next thing that helps me choose a camera is that "micro" part. The whole point of this system is to provide cameras that are as compact yet capable as possible. In this regard, OM is at a huge advantage because its cameras are not huge – unlike Panasonic, whose bodies are bigger and heavier (such as the G9II, which is the same size and weight as the full-frame Lumix S5II).
A trait of all the OM / Olympus and Panasonic cameras on this list is that they have superb in-body image stabilization (IBIS) – in fact, it's better than any APS-C or full frame stabilization. This is because the Micro Four Thirds sensor is so small, making it much easier to keep steady. However, the OM-5 and OM-1 Mark II can achieve the highest degree of shake compensation, at 7.5 and 8.5 stops respectively.
Comparisons and Lab Data
How we test Micro Four Thirds cameras
As a Micro Four Thirds shooter for over ten years, I know the system intimately – so I know what it's good at and where it struggles, which means I can really put each camera through its paces to see what it's made of.
When I test a camera, I always use it in real-world environments – sometimes including professional shoots – so I can see how it performs in live shooting scenarios. When I shoot for my own projects or portfolio, I can see if a camera does what I want it to; when I'm shooting for clients or publications, I can see if a camera does what I need it to do!
Once I've evaluated its performance in the field, the next stage of testing is conducted by my colleague Ben Andrews – manager of our lab, where he performs tests under carefully controlled conditions. The purpose of the lab tests is to get an exact picture of what the sensor can do; he measures resolution using ISO resolution charts, and also uses DxO Analyzer test equipment to measure dynamic range and analyze noise.
FAQs
Is Micro Four Thirds still worth it?
Despite being the catalyst for the mirrorless revolution, the format has long been the subject of skepticism from much of the market – largely due to the smaller Micro Four Thirds sensor, which is often accused of being "no good for low light," or "not having enough resolution," or "not being big enough to make large prints".
These are very outdated notions. While larger sensors can inherently gather more light, and tend to have greater ISO tolerances, modern Micro Four Thirds sensors are capable performers in low light (which often comes down to the skill of the user, as there are many options beyond just brute forcing the ISO).
Likewise, the image quality of today's sensors is excellent. Panasonic's sensors have as much as 25.2MP resolution, which is actually more than many APS-C and full-frame cameras, and both Panasonic and OM have bodies with high-resolution stills modes – offering up to 100MP photographs.
What is Micro Four Thirds best for?
As a system designed to be as small and lightweight as possible, it is ideal for any imaging genre or shooting situation where you need your kit to be as compact and unobtrusive as possible.
Travel photography and street photography are two obvious genres, where you might want a small body and one or two small lenses. Outdoor photography is a big one, as landscape or wildlife photographers who have to hike while carrying kit will benefit from having the minimum size and weight possible.
The format is ideal for those with injuries or physical disabilities. I have a neck injury, for example, so I can't have a heavy camera dangling round my neck. I have spoken to so many photographers who have said that Micro Four Thirds cameras have extended their careers, because they couldn't or didn't want to lug around big bodies and lenses.
Macro is a genre that uniquely benefits from the properties of the Micro Four Thirds sensor, which has an inherently greater depth of field (effectively it's twice as great as a full-frame sensor). This means that you can get much more of your subject in focus even without having to stop down the aperture.
Likewise, wedding or low light photography – because the depth of field is effectively twice that of a full-frame camera, you can shoot wide open without suffering the penalty of a shallow depth of field. Great for photographing a married couple in a dimly lit church, for example, and getting both faces in focus.
Essentially, Micro Four Thirds is best for any photographer or videographer who wants to keep their kit light and compact.
What is the highest resolution Micro Four Thirds camera?
The Panasonic GH7 has the highest native resolution of any current Micro Four Thirds body, at 25.2MP – and with the pixel-shift based High Resolution Mode it can generate 100MP files. The OM-1 Mark II and Lumix G9 II also offer high-resolution pixel-shift models for producing ultra-large files.
