There's no substitute for the best gimbals when it comes to shooting smooth, professional-looking video footage. If you want to avoid the amateurish shaky-cam look that comes with unstabilised moving footage, then a gimbal should be your first port of call. Modern cameras and some high-end smartphones do have internal stabilisations systems that help somewhat, but they've got nothing on a good gimbal.
For the uninitiated, a gimbal is a mechanical stabilizer that uses at least two, and more commonly three, axes of rotation to keep a camera steady. A gimbal compensates for unwanted movements, such as unintentional hand movements by the camera operator, using three internal motors and a series of algorithms. They're so sophisticated these days that they know the difference between intentional and unintentional camera movements, and this allows the user to create shots with smooth, professional-looking movement. Which is all to the good, as nothing marks a video out as amateur more quickly than jerky, choppy camera moves.
Even if you only want to shoot video on an amateur level, you'll be blown away by how much more pleasant the results are with a gimbal. What's more, many of them are highly affordable, allowing you to get professional results at amateur prices.
The best part is that you can find a suitable gimbal no matter what kind of camera you're using. If you're shooting films on a DSLR or quick TikTok videos on a smartphone, there will be a good gimbal for you, which will fit your device perfectly. It's just a matter of sussing out which one is right for you! That's why we've divided our guide up into sections for the different types of camera people use for video:
Best gimbals for smartphones: Essentially a stabilised selfie-stick, this type of gimbal comes with a smartphone mount that can be adjusted to fit a variety of models.
Best gimbal cameras: These neat, pocket-sized gimbals have their own built-in cameras, and do everything you need in a single package.
Best gimbals for action cameras: While more recent action cams from the likes of GoPro and DJI have their own stabilisation systems, a gimbal will smooth out wild and erratic camera movements to give your videos a more professional look.
Best gimbals for DSLR and mirrorless cameras: If you're planning more serious vlogging and filmmaking, these gimbals can take the weight of full-size camera and lens combination. Mirrorless cameras are typically a little lighter, but bigger gimbals can handle heavier DSLRs too.
Let's get into it, and look at the best gimbals for filmmaking right now!
The best gimbal stabilizers in 2021
Best gimbals for smartphones
DJI's Osmo Mobile gimbals have been leading the market in smartphone stabilisation for some time now. Nothing else really offers the same balance of functionality and build quality, never better exemplified than in the DJI OM 4 (a refreshed naming convention; no relation to the Olympus OM4 film SLR).
This lightweight device is the best gimbal you can buy for your smartphone right now. The new magnetic mounting system is a godsend (provided you don't mind leaving the clasp attached to your phone) making it easier than ever to attach and detach the device. The 3-axis stabilisation is, of course, excellent, providing smooth movement and making it easy to achieve effects like a classic Hitchcockian dolly zoom. There's also a suite of functionality for your smartphone once you connect it via the app.
The motor on the OM 4 has been upgraded to handle heat much better, and it is generally a smoother, more polished experience than the Osmo Mobile 3. If budget is a concern, you may want to look at the Osmo Mobile 3 as a cheaper alternative.
The Zhiyun Smooth X is a great piece of kit in a compact and lightweight package. It features a plastic build, but the affordable price tag helps make this smartphone gimbal a very tempting proposition for anyone looking to upgrade their smartphone videography or vlogging. Plus, the ability to swivel the gimbal head into portrait orientation helps make this gimbal an indispensable piece of kit for any vlogger.
One of our only niggles with the Zhiyun Smooth X is that the ZY Cami app that you need to use in order to set up the gimbal isn't compatible with every phone. However, most phones are capable of running the app, so check the compatibility list here if you're unsure.
Read more: Zhiyun Smooth X review
A huge percentage of video that’s uploaded to the internet every year is shot on an iPhone. And this isn’t just cat videos and Instagram Stories – more and more professional content creators are turning to the iPhone as a reliable means of capturing great footage. Gimbal-wise, the best buy for the iPhone user right now is the Zhiyun-Tech Smooth 4 stabilizer, a gimbal that refines what’s come before to provide a great stabilization solution at an attractive price. Its generous on-body controls include a large wheel that can be used for focusing or zooming, which makes using the gimbal a pleasingly tactile experience. When paired with the app, the Smooth 4 also allows for creation of many useful effects such as moving time-lapse, and there’s a special ‘Vertigo’ function that produces a perspective-shifting dolly zoom effect. Bear in mind that the Smooth series has something of a reputation among Android users for unreliability, so this is definitely one for the iPhone crowd.
With plenty of different gimbals on the market, it's always worth paying attention to those that add a little something extra to stand out. The Zhiyun Smooth Q3 adds a built-in reversible fill light to the usual 3-axis stabilisation, which opens up a few more options for smartphone video shooters. Though the build is somewhat plasticky and the handle a bit small, the Zhiyun Smooth Q3 generally does a good job of keeping smartphone footage stable, especially for the price. Its tracking modes function well, and integrate well with the aforementioned ZY Cami app. Though we do wish the app could be a little less intrusive; does it really need to know our location and personal details just to keep a smartphone balanced?
The Vimble 2 has been around for a while and can now be found at rock-bottom prices. And it’s not just the low cost that’s attractive, as the Vimble 2 has an unusual party piece. Pull the handle away from the lower arm and a four-section telescoping pole is revealed, allowing the gimbal to double as a selfie-stick. It’s useful if you’re vlogging and need to capture a larger group in selfie mode, though with only 18cm of extension, we’d wager the folding compactness of the competing DJI Osmo Mobile 3 will be a more useful feature on a daily basis.
We’ve got no complaints when it comes to stablisation, as the Vimble 2 is effective straight from powering up. The phone’s holder can be manually moved using a joystick on the handle, and for additional features like face and subject tracking, there’s the Feiyu ON app. This enables digital camera zoom via the physical slider on the Vimble 2 handle, as well as reliable object tracking.
Build quality and ergonomics aren’t quite up there with the Osmo Mobile 3, however, and at 428g the Vimble 2 is a touch heavier. The 5-hour battery life is also significantly shorter than you get from the DJI.
If you like the look of the Zhiyun Smooth X above, but could do with something a little smaller (and cheaper!) then the Zhiyun Smooth XS might just fit the bill. It only stabilises on two axes, not three, but that's reflected in the price, and for the applications it's intended for – TikTok, YouTube vlogging, and that sort of thing. With a telescopic selfie stick, the Smooth XS makes selfie-shooting a breeze; in fact, some users might feel that it's oriented a little too heavily around a phone's lower-quality selfie camera. But if that's the camera you use most of the time, then this gimbal will provide you with loads of useful features, at a great price.
As its name suggests, the VLOG Pocket is all about portability. A hinged lower arm enables the gimbal to fold into a 109 x 56 x 146mm package - noticeably smaller than the folding DJI OM4. What’s more, at just 272g, this is one of the lightest smartphone gimbals on the market.
However, some compromises have been made to achieve this, as material quality is very plasticky, and the handle section feels especially cheap. You also have to do without a physical joystick control for manual movement, but it’s easy to switch between portrait and landscape orientation. There’s also Bluetooth connectivity, which combined with the Feiyu ON app enables trick features like object tracking, time-lapse photography, slow motion and dolly zoom effects.
Stabilisation is smooth and effective, though the experience isn’t quite as intuitive as with the uncannily smart DJI OM4. The pared-down gimbal arm dimensions also mean you’ll need to mount a larger phone carefully to avoid it knocking against the arm during some movements.
Despite the ultra-low weight, the built-in rechargeable 1300mAh battery is capable of a long 8-hour runtime. And if this black version is a little too pedestrian for you, the VLOG Pocket is also available in pink.
Best all-in-one stabilized camera
If you want a best-in-class tool when it comes to combining stable video and pocketable size, nothing else trumps the DJI Pocket 2. As part of the Creator Combo, external audio and the ultra-wide lens are excellent additions, and it’s basically a pocket studio. Noise handling is probably the Pocket 2’s weakest area, and it struggles with highlights, though in most well-lit environments, the convenience, versatility, and stabilization it offers can’t be overstated.
Read more: DJI Pocket 2 review
Easy to use, but at times frustrating, the Benro Snoppa Vmate is capable of producing very attractive 4K video and 12MP images – especially if you switch from shooting JPEGs to DNG raw files. There’s the odd glitch in the gimbal movements, but it’s good at making watchable footage from video captured when you’re walking or running and it’s great for spontaneous recording.
Read more: Benro Snoppa Vmate review
Best gimbals for action cameras
A legacy left over from the ill-fated GoPro Karma drone, the Karma grip is still an excellent handheld stabilizer in its own right, and its detachable grip means it can also double up as a wearable Steadicam tool. Offering a broad range of camera controls thanks to integrated buttons on the grip, this well-designed stabilizer is very easy to introduce into your shoots, allowing you to offload footage without disconnecting the camera. While it’s an expensive option, if you’re firmly committed to the ecosystem, this gimbal is arguably the best GoPro buy you can make. Note that this is NOT compatible with the GoPro Hero8 Black or GoPro Hero9 Black.
Great battery life. Functionality control via the app. Physical controls. An OLED status LCD screen for quick checking of settings. A splashproof design. The FeiyuTech G6 ticks a hell of a lot of boxes for the action camera user, and is a really solid choice of stabilizer whether you’re using a GoPro Hero, Sony RX0 or some other type of action camera such as a Yi 4K. It’s designed to operated at an angle where the gimbal never obscures the camera’s screen, meaning you can always get a precise read of what you’re shooting. Just be wary if you're using the on-board mic; the gimbal motor sits rather close and sometimes gets picked up.
With strong, rugged weatherproofing, the Removu S1 makes a great pairing with a GoPro camera, and is compatible with the majority of contemporary models. Like the Karma Grip its handle is detachable, meaning you can easily also use it as a wearable stabilizer, and there’s also remote control functionality built into the grip to allow you to operate the camera with it even when the two are separated. While the Li-Ion battery doesn’t last especially long compared to competitors, the fact that it’s removable means it’s easy to simply pack a spare if you know you’re in for a long shoot.
Best gimbals for DSLR and mirrorless cameras
The DJI RSC 2 has pretty much everything you could ask for, including a clever folding design for easy storage and a ‘briefcase’ shooting mode, an OLED display so that you don’t have to adjust everything with its companion smartphone app, new Titan stabilisation algorithms, a 3kg payload that can handle mirrorless cameras and DSLRs, even with quite big lenses, and a 14-hour battery life. Even balancing the camera is made easy (well, as easy as it can be). It doesn’t work with every camera, though.
Read more: DJI RSC 2 review
DJI's Ronin-SC has been specifically designed for mirrorless camera setups up to 2kg in total weight. That’s considerably less than DJI’s bigger Ronin-S can support, but the Ronin-SC is 400g lighter at 1.1kg. Despite this, construction quality still feels first class.
The SC’s capacity is plenty for a camera like a Canon EOS R or Fujifilm X-T4, but it’s best to steer clear of bulky and heavy lenses, as these can be tough and sometimes impossible to balance properly. At least each axis can be individually locked, making initial balancing much easier, and, and the SC folds surprisingly compact.
Once you’re ready to shoot, there are plenty of features to explore. Arguably the most impressive is Active Track 3.0. This uses your phone’s camera and a very clever DJI app to automatically track subjects. The system requires your phone to be mounted on top of your main camera, but a hot-shoe clamp is provided. The only issue with this arrangement is it makes your camera quite top-heavy, so you’ll need to re-calibrate some pivot points.
• Read DJI Ronin-SC review
Given the relative lightness of mirrorless cameras, one-handed gimbals are a boon for the filmmaker using light CSCs like those made by Sony or Panasonic. The Feiyu MG Lite is a great example, blending a lightweight build with impressive depth of functionality. Its design allows the camera to move in 360 degrees in all directions, allowing for total freedom of movement while shooting. The MG Lite can be set in three modes: Panning, Panning/Tilting and Lock, allowing you to restrict it to just the kind of movements you want, and the four-directional control stick also allows for manual control of the camera’s angle. It packs down well too, making it a good choice for the travelling filmmaker.
Promising moving footage that’s smoother than smooth, the Gudsen MOZA Air 2 is capable of handling heavier DSLR and cinema camera setups with long professional lenses, up to a maximum payload of 4.2kg. It offers a 3-axis stabilization system and produces impressive footage when moving, as well as providing eight follow modes. There’s also a nice selection of time-lapse functions, and users planning for a long day’s shoot will be pleased to note that its four batteries give it a total battery life of up to 16 hours (though be aware that this requires a 5-hour charge time).
Also included in this newer version of the original MOZA Air are a quick-release plate, auto-tune modes that assess a camera’s weight and compensate accordingly, and useful physical controls including a joystick and rotating wheel, making handling a pleasingly tactile experience. For the price, it’s impressively featured, and is a great way to expand your filmmaking potential without breaking the bank.
The Zhiyun Crane 3S is a heavy duty powered stabilizing gimbal for larger mirrorless, DSLR or cinema cameras. It's a total redesign from previous Zhiyun gimbals, with the addition of detachable handle options, a large 6.5kg payload, an updated axis-locking system, external power input, and the ViaTouch 2.0 motion control system. It's an update to the previous Zhiyun Crane 3 Lab, but with a payload increase of around 45%.
The Crane 3S gives very smooth and steady footage and can handle a huge range of cameras. The performance and smoothness of the camera movements are impressive. But while it certainly boasts a great payload capacity and long battery life, it's heavy to carry as a run-and-gun gimbal, so this isn’t something you’d take out with you and use all day. But if you need to shoot handheld or ground-level video with cine gear that's a step up from a regular mirrorless camera, this is the tool for the job.
The AK4500 sits at the top of FeiyuTech's gimbal range and can support a whopping 4.6kg of camera and lens - easily enough for a full-frame DSLR and 24-70mm f/2.8. The gimbal's 1.6kg weight is impressively low considering how stout it is, but add a hefty camera/lens and the 5kg+ combined weight can get tiresome. Fortunately FeiyuTech has thought of this, and the AK4500 can be fitted with a secondary handle, itself incorporating additional gimbal controls, making low-angle tracking shots much more comfortable.
An LCD touchscreen on the main handle provides stabilisation info and, combined with the multi-function ‘Magic Ring’ control dial, allows remote control of camera functions like focus and zoom, as well as ISO and exposure - camera-compatibility permitting. FeiyuTech’s Feiyu ON app connects to the gimbal via Bluetooth and offers additional control options. Power comes from four standard 18650 Li-ion cells good for 12 hours stabilization, and FeiyuTech includes a separate charger.
The AK4500 gives effective stabilization for larger DSLR setups, though careful initial balancing is essential to achieve best results. You'll also need to experiment with the various stabilization modes, as we found it initially tricky to smoothly follow moving subjects.
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