Rob Redman
Rob is Editor of ImagineFX magazine and also works as creative director of his own studio, Pariah Studios, producing 3D animation, film, and VFX for a variety of clients.
He started his career as a photographer, slowly adding 3D, film, and visual effects to his toolbag, working across TV, web, and print, with clients ranging from Blackmagic Design and HMV to Games Workshop and Royal Mail.
When not at his desk, he can be found building and playing guitars or out in the wilderness with his dog.
Latest articles by Rob Redman

By Rob Redman Published
NEWS The PXW-Z300 will sit at the top of the range, alongside, rather than replacing the Z280. It will be the first camcorder with C2PA authentication

By Rob Redman Published
Review If you are restricted on space and budget, this little video switcher could prove to be exactly what you are after.

By Rob Redman Published
Review If you are on the hunt for a high quality shotgun mic, that fits into a compact form factor, this could well be the main contender

By Rob Redman Published
NEWS With its sights set on the coveted top spot of the shotgun mic list, Sony has developed a microphone that is something special, but it comes at a cost

By Rob Redman Published
Review I’ve often fallen for the idea that spending on high-end glass really pays off when it comes to your final results, but 7Artisans would suggest not

By Rob Redman Published
Review Blackmagic promises a lot with its stripped-down 12K cine camera but does it deliver where needed?

By Rob Redman Published
Review Viltrox’s DC-A1 is a well rounded 7” field monitor that aims to make daytime shooting a breeze

By Rob Redman Published
Review Viltrox proves having a more humble bank balance doesn't mean you need go without top features.

By Rob Redman Published
Review I tried Laowa’s anamorphic zooms and they really hit the spot

By Rob Redman Published
Review Could the Tilta Nucleus Nano II be the perfect wireless follow focus for the indie filmmaker?

By Rob Redman Published
Review This single handed, lightweight audio recorder could be your go-to for field recording and more

By Rob Redman Published
Review This may be a small, lightweight audio recorder but it packs a punch for many users

By Rob Redman Published
Review If you are looking for your first matte box and want an all-inclusive kit, then you'd be hard-pushed to find a better option

By Rob Redman Published
Review Can you do away with hoods and visors with this large and bright field monitor?

By Rob Redman Published
Review Could this be the best video transmitter for your filmmaking projects?

By Rob Redman Published
Review Could DJI's Transmission be the last video transmitter you'll ever need?

By Rob Redman Published
Review Zoom's F6 recorder offers top-notch recordings, without breaking the bank

By Rob Redman Published
Review Could this be the best small daylight COB light for your kit?

By Rob Redman Published
Review Affordable but with great build quality – there is a lot to like about these full-frame anamorphic lenses from Blazar

By Rob Redman Published
Review A budget-friendly on-camera monitor package – with all the trimmings

By Rob Redman Published
Review The first box-style camera from Blackmagic has sparked some debate but turns out to be a powerhouse of potential for many filmmakers

By Rob Redman Published
Review Could this be the only LED panel light you need?

By Rob Redman Published
Review Does Smallrig’s inexpensive matte box have what it takes to beat the big boys in light control?
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