With the best neutral density filters, or ND filters, you have one of the most tried-and-tested tools for controlling light. Making long exposures possible in any and all light conditions, ND filters may seem simple, but they're vital for creating the kinds of photographic effects that simply aren't possible to replicate in post-processing. Any serious landscape photographer should have a set of ND filters in their bag – but which to choose?
A primer for the uninitiated: an ND filter is essentially a piece of darkened glass placed over the front of a lens. Made from high-quality elements in order to retain sharpness, an ND filter reduces the amount of light that reaches the camera sensor, thereby allowing for longer shutter speeds to be used. This makes it possible to create long-exposure effects like smooth water, traffic trails or ghost crowds at different times of day.
ND filters come in two varieties – square and circular. Square filters slot in and out of a holder that is attached to the lens in advance, making them easy to slot on and off once you're set up and ready to go. Circular lenses screw directly onto a lens, so require less paraphernalia. However, many of them can't be used with ultra-wide lenses that have bulbous front elements. Neither type is better: it's all about personal preference and what best suits your setup.
ND filters also come in different strengths – stronger filters cut down more light. They can be referred to in different ways; you might see terms like "ND 1.8" or "ND64" being used. The best thing to do is check the stop count, which all ND filters will specify. So in this instance, both the ND names we specified just then will cut down your exposure by six stops. It's much simpler to think of it that way!
Some filters, particularly cheaper ones, can have a marked effect on the colour of an image, giving a warmer or cooler cast. This can be corrected easily enough in software, but is always worth being aware of before you choose your filter.
The other thing to pay attention to is thread size, as it's how you make sure a filter will fit your lens. Any lens that can take a filter will come with a specified thread size. Most filters come in different sizes, so make sure you get the right one for your lens.
Ben Andrews
Ben is the Imaging Labs manager, responsible for all the testing on Digital Camera World and across the entire photography portfolio at Future. Whether he's in the lab testing the sharpness of new lenses, the resolution of the latest image sensors, the zoom range of monster bridge cameras or even the latest camera phones, Ben is our go-to guy for technical insight. He's also the team's man-at-arms when it comes to camera bags, filters, memory cards, and all manner of camera accessories – his lab is a bit like the Batcave of photography! With years of experience trialling and testing kit, he's a human encyclopedia of benchmarks when it comes to recommending the best buys.
Kase’s outsized filters are ideal for wide-angle lenses, whose field of view is too great for regular-sized filters, and they’re scratch-resistant too. Read more below...
This selection of filters goes both smaller and bigger than the typical range, and the quality of the glass is first-class as well. Read more below…
Best neutral density filters in 2024
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Best square ND filter overall
(Image credit: Angela Nicholson / Digital Camera World)
We've been hugely impressed by Cokin’s Nuances Extreme ND filters, which is why we've made the Z-Pro option our number-one pick for the best ND filters you can buy. Made with tempered mineral glass, these high-quality filters provide flawless color accuracy, and pitch-perfect sharpness in all corners of the frame. This is thanks to the nano metallic alloy coating, as well as the quality of the glass.
Our testing proved that the filters were as good as their marketing promised. The Z-Pro filters also precisely matched their f-stop light reduction range, so you know exactly what you're getting when you fix one on. The "Extreme" designation is there because the lenses are hardy and drop-resistant, a quality complemented by the Cokin EVO filter holder, which has an effective foam gasket to guard against light leaks.
These aren't the cheapest option for ND filters, but they really are superb. The Nuances Extreme ND filters come in 6-stop and 10-stop densities, and are available in three sizes: P-size (84x100mm), Z-Pro (100x100mm), and X-Pro (130x130mm).
The H&Y name may be relatively new to the filter scene, but the company has actually been manufacturing filters for other brands for many years, and having recently made waves with its innovative magnetic filter frames, H&Y is now putting its name to the filters themselves.
The K-series (100x100mm) square ND filters come in useful 6-stop and 10-stop densities. Both use multi-coated glass that avoids color casts while also resisting moisture, fingerprints and scratches.
Our testing revealed the 6-stop filter to be perfectly color-accurate, while the 10-stop was just 1.2% off the mark, most likely due to the 6-stopper being fractionally less dense than its 10-stop sibling. Both filters produced a flawless image sharpness result.
The filters are even more appealing as they come with H&Y’s nifty magnetic filter frame. It makes the filters much easier to fit and means you never touch the glass. The only drawback is the foam gasket doesn’t quite seal the filter perfectly against light leakage.
Available densities: 2-stop, 3-stop, 4-stop, 6-stop, 10-stop, 15-stop
Reasons to buy
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Sublime image quality
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Wide range of density options
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Versatile filter sizes
Reasons to avoid
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Quality doesn't come cheap
In terms of sheer quality, it's hard to beat Lee Filters. The firm's recent ProGlass IRND range delivers a new benchmark in ND filter performance; while, like all Lee stuff, it is not cheap, it's really some of the best you can get. With six density options going from two stops all the way up to a mega 15 stops, it's a superb choice for the photographer who needs the best.
The IRND name indicates that the filters are coated to block infrared and ultraviolet light, delivering better image contrast and clarity. Lee filters of years past were well known for having a cool color cast, but this is no longer the case, with the IRND line-up delivering pitch-perfect color accuracy in our testing. Sharpness was also top-notch, in both the corners and the center of the frame.
It does all take a bit of setting up: you'll need a 100mm filter holder (Lee, predictably, recommends the LEE100 holder) as well as an adapter ring to get it onto your lens. Also, calculating exposures with such an extreme filtering effect can be a bit of a head-scratcher, so Lee has considerately made it easier with its companion app, which helps you work out the optimal exposure time for a balanced image.
Available densities: 3-stop, 4-stop, 6-stop, 10-stop and 16-stop
Reasons to buy
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Good selection of densities and sizes
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Minimal color cast
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Durable glass
Reasons to avoid
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No light seal unless you use the Kase holder
Kase’s Wolverine range of filters is named to suggest toughness: each filter is coated to make it scratch-resistant, as well as water-repellent and anti-reflective. There are a choice of different sizes – some square, some rectangular – that go right up to 150 x 150mm, which can accommodate the broader field of view in a wide-angle lens. There’s a choice of five densities between three stops and a massive 16 stops – something for nearly everyone, in other words.
The filters fit into any standard holder of the correct size, but Kase chooses to place the light seal on the filter holder rather than the filter – so if you use another company’s holder that doesn’t have a seal, you could let some light in.
During our testing, we spotted a very slight color cast that is easily corrected, but no lessening of detail. We also liked the tough feel to the filters, and the fact that they are easy to clean.
Available densities: 10-stop (6-stop Little Stopper also available)
Reasons to buy
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Powerful light-stopping abilities
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Easy to attach and detach
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Minimal vignetting
Reasons to avoid
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Only four thread sizes
While the Lee Big Stopper has been beloved of landscape photographers for many years now, some decried the fact that it was only available in the square format, requiring a separate holder to attach to a lens. Well, no longer – Lee Filters has heard your cries, and unveiled a version of its 10-stop ND, the Big Stopper, in a screw-on circular version.
The Big Stopper is unrivaled in its ability to tame powerful light, rendering long exposures possible in even bright conditions, and the high-quality Lee glass also means that vignetting is kept to minimum.
Bear in mind that the Elements Big Stopper is currently only available in four filter thread sizes – 67mm, 72mm, 77mm and 82mm – so check your lens is compatible before buying. And if 10 stops feels like overkill, the 6-stop Little Stopper is also available as a Lee Elements circular filter.
Hoya’s Pro ND range of circular filters comes in ND4 to ND1000 variants for a 2-stop to 10-stop shutter speed reduction. Most common filter thread diameters are catered for by the 49mm-82mm size range, though the frame is slightly deeper than with some rival filters, which could introduce minor vignetting when shooting with a very wide lens.
As you’d expect, Hoya is keen to promote the ProND’s color neutrality and exposure accuracy, with features like a Metallic ACCU-ND coating on both sides of the glass. And whatever this really is, it does work. We tested the ND64 (6-stop) and ND1000 (10-stop) ProND versions and found them to have no negative impact on image sharpness at any point in the frame. Color accuracy was a shade off the standard set by the best square filters, but a 0.5% deviation from the ND64 and a 1.3% difference from the ND1000 won’t be visible in real-world shooting.
A 77mm ProND 1000 compares well with similar rival filters on price, making it reasonable value for its decent image quality.
Available densities: 2-stop, 3-stop, 4-stop, 6-stop, 10-stop
Reasons to buy
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18 different sizes to choose from
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Maintains sharpness well
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Accurate ratings
Reasons to avoid
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Inconsistent cast while using AWB
If you own a lens with an especially small or large diameter, your choice of screw-in filters can be pretty limited – which is where companies like Urth come in. Its circular filter range comes in no fewer than 18 different sizes, from 37mm all the way up to 112mm. Each size is available in a choice of five densities running up to 10 stops. (Urth makes square filters and a holder too.)
The Filter Plus+ series uses high-quality Schott glass, with coatings to aid light transmission and making cleaning easier. Each filter is supplied in a classy tin, with its size and strength on the lid so you don’t have to guess. If you like to use step rings to fit a filter on a smaller lens, there should be room in the tin for both filter and tep ring.
During our testing of an Urth 10-stop filter, we were pleased with the accuracy of the rating, and by the level of detail our shots retained. We did notice some difference in color when we used Auto White Balance on two different makes of camera, although switching out of AWB killed the issue. But the attention to detail in the manufacture is impressive, as are the results it gives.
Neutral density filters are made in different strengths, and there a few different scales that are used to measure this. Some manufacturers use an NDxx number; others can quote a number for the optical density; and some use a figure to describe the light reduction in ‘stops’.
This table compares the systems and shows how much slower a shutter speed each filter type will let you achieve with your camera.
Are round filters best?
A circular ND filter is fantastic – as long as you only want to use it with one lens thread diameter. However, it's convenient to use and rarely lets in light leaks. If you want do want to adapt it for other lenses, you can use stepping rings to adapt a larger filter to fit a smaller lens (but you can't do this the other way round).
What about square filters?
While they require a holder and an adaptor ring, the great thing about square ND filters is that they can be used with multiple lenses. To avoid disappointment, make sure the filter is attached properly to prevent light leaks.
Which density should I go for?
If you want to capture deserted cityscapes, you'll need a very dense ND1000 (10-stop) filter to help slow down your shutter speed enough for moving people in your scene to effectively be 'blurred away'. A lighter (4-6 stop) filter will give a sufficient shutter speed reduction to smooth moving water.
Will an ND filter reduce image quality?
Neutral density filters should do what they say on the tin – remain neutral. While color casts can be corrected in image editing programs, the best ND filters shouldn't introduce any unwanted color effects. A decent ND filter shouldn't reduce sharpness at all, as any fuzziness from poor glass quality won't be fixable with image editing.
Can I get more creative with an ND filter?
A square ND system holder opens up possibilities for stacking filters like a polarizer or graduated ND filters for images with even more appeal.
What if I want more versatility?
Consider a variable ND filter. These handy little filters have adjustable density, and are particularly useful for controlling exposure in video, see separate guide to best variable ND filters.
A neutral density (ND) filter should simply block light transmission by its rated density - it should not impact image quality in any way. To test this, we run the same lab testing procedure as we would when reviewing a lens, both with and without the ND filter fitted. We then compare sharpness scores to see if the filter has had any effect on image sharpness, in any part of the image frame.
We also use a color accuracy chart and processing software to check if a filter is causing a color cast; if it is, we can measure the exact deviation from optimal color. We compare a filter's optical performance to its retail pricing, the range of filter sizes/diameters available, and its overall handling quality to give a final value rating.
Ben is the Imaging Labs manager, responsible for all the testing on Digital Camera World and across the entire photography portfolio at Future. Whether he's in the lab testing the sharpness of new lenses, the resolution of the latest image sensors, the zoom range of monster bridge cameras or even the latest camera phones, Ben is our go-to guy for technical insight. He's also the team's man-at-arms when it comes to camera bags, filters, memory cards, and all manner of camera accessories – his lab is a bit like the Batcave of photography! With years of experience trialling and testing kit, he's a human encyclopedia of benchmarks when it comes to recommending the best buys.
