The ultimate guide to mountain photography

The ultimate guide to mountain photography

“The mountains are calling and I must go.” The Scottish-American naturalist, John Muir's words continue to chime with walkers, hikers, adventurers and landscape photographers who, given the chance, head for the hills. 

Why? Stunning vistas, 360 panoramas, dramatic craggy peaks covered sometimes in snow, golden sunlight and moving shadows make for endless opportunities for incredible compositions. Above image: CC0 Creative Commons

Where to take photos of mountains

In the UK, head to the Lake District (opens in new tab) in England, Snowdonia (opens in new tab) in Wales, and to the Grampian Mountains (opens in new tab) and the Cairngorms (opens in new tab) in the Scottish Highlands. 

In Europe, the Alps are one of the largest and highest mountain ranges in the world, and stretch across France, Italy, Switzerland, Liechtenstein, Germany, Austria and Slovenia, while the dramatic Pyrenees separate France and Spain. 

At sunrise and sunset you can photograph mountains bathed in soft light. Image: CC0 Creative Commons

At sunrise and sunset you can photograph mountains bathed in soft light. Image: CC0 Creative Commons

The world's highest mountain range is the Himalayas in India and Nepal, while the longest mountain range is the Andes in South America, which touch Venezuela, Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina. There are a ton of others, from the mighty Rocky Mountains of North America to Australia's Great Dividing Range, and Morocco's Atlas Mountains.

However, just as important from a photography point of view are the world's most iconic peaks; Japan's Mount Fuji (opens in new tab), Kilimanjaro (opens in new tab) in Tanzania, Switzerland's Matterhorn (opens in new tab), Table Mountain (opens in new tab) in Cape Town, South Africa, and the Teton Range in Wyoming, USA's Grand Teton National Park (opens in new tab). Closer to home, there are the three highest peaks of Scotland, Wales and England – Ben Nevis (opens in new tab), Snowdonia (opens in new tab) and Scafell Pike (opens in new tab).

Gear you need

A DSLR (opens in new tab) or mirrorless camera (opens in new tab) and a tripod (opens in new tab) are essential. A wide-angle lens is handy for capturing as much of the scene as possible, while a zoom lens will enable you to get more distant peaks, and to pick out interesting details, shadows and light. A versatile zoom lens, such as a 24-105mm option, works well if you're travelling reasonably light, but a telephoto that can reach 300mm will be more useful.

How to take photos of mountains: composition

Although 'mountaineer' photography is perfectly possible given some climbing equipment (or a well-placed ski lift), it's more likely you'll be below the mountains and using them as a backdrop – in which case, you need a subject in the foreground. 

Try to avoid overdone spots; there's not a photographer on the planet that's passed though the Grand Tetons National Park in the US without photographing the T. A. Moulton barn against the Teton Range (opens in new tab). It's a great image, but it's now a cliché, so either ignore it or find an unusual angle. 

The Teton Range in the U.S. is a classic mountain shot. Image: CC0 Creative Commons

The Teton Range in the U.S. is a classic mountain shot. Image: CC0 Creative Commons

However, that shot is a good example of how important a foreground subject is. Others could include animals, trees, churches, a lake that reflects the mountains… something that adds interest and creates a sense of depth. For a sense of scale, include people in the shot; mountains may look vast to you, but in a photo, they often lose their majesty.

How to take photos of mountains: horizons and focus

Once you're set, make sure you're level; there's nothing worse than a wonky mountain. Use the virtual horizon in your camera or the spirit level on your tripod. That tripod is also useful because it's also important to keep everything in the scene in focus, which means using a small aperture. An aperture of f/16 is a good place to start, though it means longer exposures in falling or rising light. 

How to take photos of mountains: coping with changing light

Perhaps the most important rule of all is to head out early and aim for the blue hour (opens in new tab) and the golden hour (opens in new tab), though bear in mind that mountain peaks will block the sun at the crucial moment for many locations.

Photographing mountain landscapes at dawn can be exhilarating, and a very dynamic experience since a sun rising in a clear sky behind you creates a half-hour period where lit-up areas on the mountains in front of you grow in size and change colour. If you're amid red rock, expect a golden glow. The same applies in reverse at sunset, so check your compass (opens in new tab) before choosing a position. 

Although it's tempting to hike somewhere, in reality that will mean getting up in the middle of the night, so scout out places the day before looking for car parks. There's a reason why national parks, with pull-offs and observation decks, are so popular with photographers.

Another common technique used by landscape photographers faced with mountains only partly in shadow is bracketing. You basically take a few (or many) shots of the same subject – each exposed for differently-lit areas of the scene (such as a mountain ridge lit by a setting sun, and the valley below it in deep shadow) – then combine them into a single image (opens in new tab).

How to take get aerial shots of mountains

Don't forget aerial views of mountain ranges, which can look stunning from above. Drones (opens in new tab) are an option if they're permitted where you are, as long as you're up early and there's no-one else around (the three golden rules of travel-droning). 

The Pyrenees between France and Spain from an airline's window seat. Image: CC0 Creative Commons

The Pyrenees between France and Spain from an airline's window seat. Image: CC0 Creative Commons

Don't underestimate the window seat on planes, though; you can get some fabulous photos in clear weather. Europeans will most likely be familiar with the Alps and the Pyrenees, but the Flyover Country app (opens in new tab) is handy for what's coming up on your flight path. Using your phone's GPS tracking, it plots your position on offline geologic maps and highlights points of interest and locations below you, complete with offline Wikipedia articles.

How to take photos from a window seat

First, look up your flight path on Flightradar24 (opens in new tab), and if you think you might be passing some mountains, book a window seat in front of the wing and on the side that seems logically most likely to have the best view. You may not get this right, but at least you'll know for the way back. 

Try to avoid being near the wing. Image: CC0 Creative Commons

Try to avoid being near the wing. Image: CC0 Creative Commons

Make sure you have your camera with you in your seat, and when mountains come into view, take some images – with some zoom if possible – while holding the camera face-on to the window (not at an angle). Don't let the lens touch the vibrating glass, and be quick about it because the plane could turn at any moment. 

Some photographers take a tripod or a monopod onto aircraft, but as well as being awkward it's becoming increasingly difficult to guarantee getting full-size tripods through airport security – they’re best checked-in. 

Useful apps for mountain photography

There are now some useful apps that help you plan outdoor photography in natural light. One of the most impressive comes from The Photographer's Ephemeris for Android (opens in new tab) and TPE 3D for iOS (opens in new tab), which offers a map-centric sun and moon calculator that allows you to see how the light will fall on the land for any location on the planet. It's also available as a free web app (opens in new tab). Its latest app, Photo Transit (opens in new tab), even tells you exactly what your field of view will be using a specific camera and lens in a specific location. 

Helio Pro shows how light will illuminate and where shadows will fall. Image: Chemical Wedding

Helio Pro shows how light will illuminate and where shadows will fall. Image: Chemical Wedding

Another one worth considering specifically for the mountains is Helios Pro (opens in new tab), which pinpoints the position of the sun, the moon and stars, and shows you exactly how light will illuminate and where shadows will fall. In the mountains, that’s absolutely crucial. It also includes a night-shoot planner that presents the best dates and times to shoot the Milky Way.

Weather apps for mountains

Mountain photography is not without problems, the biggest being weather. Mountains tend to make their own weather systems, and while that isn't necessarily a bad thing – an early morning mist can be beautiful, as can rainbows – you should know that peaks can be obscured by cloud for days on end. When it's hot, haze and the clarity of the air is an issue. Either way, it's best to go prepared, especially if you're in high-altitude areas where knowing what to expect is important for safety as well as for you photography.

Early morning mist can add a great effect. Image: CC0 Creative Commons

Early morning mist can add a great effect. Image: CC0 Creative Commons

The Dark Sky app (opens in new tab) is good for monitoring satellite images of cloud, while the Yr website (opens in new tab) (from the Norwegian Meteorological Institute and the Norwegian Broadcasting Corporation, but working globally) gives detailed cloud cover images (not so the app). The Windy website (opens in new tab) and app (opens in new tab) and the Windguru app (opens in new tab) are also useful for predicting cloud cover and wind, the latter of which is just as important in the mountains.

Read more: Why landscape photography should always start with a map, a watch and a compass (opens in new tab)

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Jamie Carter

Jamie has been writing about all aspects of technology for over 14 years, producing content for sites like TechRadar, T3, Forbes, Mashable, MSN, South China Morning Post, and BBC Wildlife, BBC Focus and BBC Sky At Night magazines. 

As the editor for, he has a wealth of enthusiasm and expertise for all things astrophotography, from capturing the Perseid Meteor Shower, lunar eclipses and ring of fire eclipses, photographing the moon and blood moon and more.

He also brings a great deal of knowledge on action cameras, 360 cameras, AI cameras, camera backpacks, telescopes, gimbals, tripods and all manner of photography equipment.