"When you get a good image, keep working the scene" – street photographer Flavio Bosi's power tip

It is titled 'Seeing the world like a street photographer' and will focus on how you can shift your mindset from the landmark of a location to the life of the place.

I'll discuss how a street photographer documents their travels, concentrating on the local life rather than the typical landmarks everyone will seek.

I found an old digital camera left on the bar in the club I was working at as a bartender. After weeks, no one ever claimed it and I was allowed to take it home.

The rest is history. The camera was a Konica Digital Revio KD-400Z. This was in 2008, and the camera was from 2002. It was a magical wonder to me when I started!

When you get a good image, keep working the scene: you might get an even better shot. It is so true, and that's why I never look at the back of the camera until the scene has dissolved.

Usually, you know when you've got a good one, but you still have a chance to capture something even better.

I think the work I have been doing in Cuba is something I am proud of. There are complex, layered images, other simple and powerful ones, and some really good portraits. It's a high quality set of images that is probably going to become a book.

I'm proud of this work because it encapsulates different aspects of my vision: the search for a high-quality image, photographs that can give you a sense of place, and of my empathy for the subjects in the images.

There is always respect for the people portrayed in the photographs, and I hope this transpires from looking at the photographs.

I'm especially excited to explore the Sigma Contemporary prime lens range, either at the Sigma stand itself (E41) or by visiting the various retailers across the show floor. I've fallen in love with the build and optical quality of these lenses.