“I used this old-school exposure trick to make these flamingos look like they were photographed in a studio!”
Learn this simple low-key photography technique for capturing striking shots of wildlife outside on sunny winter days
You would be forgiven for thinking I took this shot of a flamingo in a photo studio with lights and a black background. However, for this shot of the flamingo in late winter sunshine at WWT Slimbridge, Gloucestershire, UK, I used a classic ‘low-key’ photography technique.
It’s easier than you might think. First you need subjects to be a lighter colour and brightly lit by the sun, then position yourself so backgrounds behind the subjects are in deep shadow. With the correct exposure for the light levels on the bird, you can render the darker background to appear totally black in the shot.
It’s also easier to achieve this sort of low-key look with jet-black backgrounds when using a long lens so you can isolate subjects against the backdrop in dark shadow. Using a Canon EOS R5 full-frame mirrorless camera, I shot at around 400mm with a Canon RF 100-500mm f/4.5-7.1L IS USM super telephoto zoom lens.
In Manual exposure mode, I dialled in around one stop of underexposure, ending up with an exposure of 1/4000 sec at f/7.1 at ISO2000. The high ISO was to obtain a fast shutter speed to freeze the twitchy flamingos in motion for a super sharp result.
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The former editor of PhotoPlus: The Canon Magazine, Peter has 18 years of experience as both a journalist and professional photographer. He is a hands-on photographer with a passion and expertise for sharing his practical shooting skills. Equally adept at turning his hand to portraits, landscapes, sports and wildlife, he has a fantastic knowledge of camera technique and principles.
He is the author of several published photography books including Portrait Photographer's Style Guide, and The Complete Guide to Organising and Styling Professional Photo Shoots with fellow portrait pro Brett Harkness.
Pete remains a devout Canon user and can often be found reeling off shots with his trusty EOS 5D Mark IV DSLR.
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