Clever girl: Red's 8K Raptor cameras get new Super35 sensors

RED V-Raptor S35 lineup
(Image credit: RED)

Red's 8K Raptor cameras, previously equipped with the company's full-frame Vista Vision sensor, are now available with Super35 sensors. The announcement came without much fanfare, perhaps because it was always on the cards that Red would eventually bring the Super35 format to the DSCM 3 camera lineup.

The Super35 versions of the Red V-Raptor and Red V-Raptor XL camera systems are otherwise essentially the same as their full-frame counterparts, which ranked among the best cinema cameras for hi-res shooting. The new 8K Super35 sensor has the same scan times as the 8K Vista Vision sensor – which is twice as fast as previous generations, while maintaining an impressive dynamic range of 16.5+ stops.

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RED V-Raptor XL 8K S35 (Image credit: RED)

These new Super 35 cameras feature a 35.4MP CMOS sensor with dimensions of 26.21 x 13.82mm, which can be used with lenses that cover up to a 29.63mm image circle – making them a great choice for your next short film, or to pick take your production company to the next level.

The V-Raptor S35 features an integrated Canon RF mount, and it is also compatible with RF/EF mount adapters. With the RF mount, you can also use a variety of adapters to put various different lenses on the camera. 

If your lenses are PL-mount then you might want to take a look at the V-Raptor XL, which comes standard with a PL mount. It comes at a cost, however: a $17,000 premium, which is an insane price increase just to have a standard PL-mount camera. The XL does boast more professional inputs and features than the regular Raptor, but the price really is a bitter pill to swallow.

RED V-Raptor 8K S35 (Image credit: RED)

The V-Rapoter and V-Raptor XL are capable of recording in the following resolutions and frame-rates:

8K: 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456), 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024) 

6K: 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592) 

5K: 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160) 2

4K: 40 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728) 

3K: 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296) 

2K: 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)

The Red V-Raptor 8K S35 and Red V-Raptor XL 8K S35 are available to order directly from or through any of Red's authorized resellers. The standard 8K S35 is priced at $17,995 (approximately £15,114 / AU$27,157) while the XL, which can be equipped in either V-Lock or Gold Mount, retails for a whopping $34,995 (roughly £29,396 / AU$52,813)

While these cameras are going to be out of the price range for many (including me), it's great to see Red expanding its lineup and keeping the Super35 format alive. 

If you're a keen filmmaker you might want to check out the best 8K and 6K cameras or best cameras for filmmaking to give you an idea of which body will best suit your needs. Likewise, the best cine lenses points you towards some of the best lenses for cinematography.

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Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specialising in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound and many more for various advertising campaigns, books and pre/post-event highlights.

He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science and is a Master of Arts in Publishing.  He is member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected in to BEWA, The British Equestrian Writers' Association. 

He is familiar with and shows great interest in medium and large format photography with products by Phase One, Hasselblad, Alpa and Sinar and has used many cinema cameras from the likes of Sony, RED, ARRI and everything in between. His work covers the genres of Equestrian, Landscape, Abstract or Nature and combines nearly two decades of experience to offer exclusive limited-edition prints to the international stage from his film & digital photography.