The best Olympus OM-D E-M1 Mark II prices and deals
Get the best price on the former flagship Olympus OM-D E-M1 Mark II
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Olympus may have done a great job proving Micro Four Thirds detractors wrong with its original OM-D E-M1, but nobody could have predicted what a leap forwards its Mark II version would be.
Read more: Olympus OM-D E-M1 Mark II review
Not only did the company furnish the model with a new 20MP sensor and TruePic VIII processing engine, but it also ramped up the performance of the image stabilisation system to provide up to 5.5EV stops of compensation – and if you use the camera with the company's 12-100mm f/4 IS Pro optic, this extends to an incredible 6.5EV stops.
Furthermore, now that the Olympus OM-D E-M1 Mark III has gone on sale, it is now possible to pick up some great deals on the Mark II model.
On top of that, the autofocus system gains an extra 40 points over the 81-point system in the previous model to reach 121 points spread right across the frame, while burst shooting now tops out at blistering 60fps. True, this is with AF and exposure locked to the first frame in the sequence, but even with continuous focus enabled, the 18fps maximum burst rate still trounces pro-level DSLRs.
And we haven't even got to video specs yet: 4K video recording in both 4K UHD and 4K DCI flavours, with a 24p option and recording at a maximum bit rate of approx. 237 Mbps, together with the option to extract stills from captured footage.
Add to that the ability to shoot 50MP images in its High-Res Shot mode, and the partnership of a high-resolution OLED electronic viewfinder and articulating display, all inside a weather-sealed body with two SD-type card slots, and you have a formidable challenger to more traditional pro-grade DSLRs.
Olympus OM-D E-M1 Mark II Key Specs
Formidable flagship with speedy burst shooting and excellent video specs
Type: Mirrorless | Sensor: Micro Four Thirds | Megapixels: 20.4MP | Lens mount: Micro Four Thirds | Screen: 3-inch vari-angle touchscreen, 1,037,000 dots | Viewfinder: Electronic | Max burst speed: 60fps | Max video resolution: 4K
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For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science, and is a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected into BEWA, The British Equestrian Writers' Association.
He is familiar with and shows great interest in street, medium, and large format photography with products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2 shooting Street photography or general life as he sees it, usually in Black and White.