If you want the best lenses for the Canon M50 you have a dozen or more to choose from, both from Canon itself and also from third-party makers like Tamron and Sigma. But we've picked out six which we think perfectly match the EOS M50 for size and weight, and look right on the camera too.
The Canon EOS M50 (to give it its full name) has been one of the most popular of all the Canon EOS M mirrorless cameras. We like it especially because it has both a vari-angle rear screen and an electronic viewfinder. We think it hits the sweet spot for features, price and value – and it looks cute, too!
Of course, things have changed now that Canon has launched its new APS-S EOS R10 and EOS R7 cameras. These use a new RF-S lens mount that looks as if it will one day replace the EOS M series.
However, Canon has not yet confirmed this will actually happen, and the EOS M50 and the very similar Canon EOS M50 II are still on sale – and at highly competitive prices.
And there are all those happy users out there who have already bought a Canon EOS M50 and now want some extra lenses to really take advantage of this little camera's potential. And that's exactly what this guide is for!
Best lenses for the Canon M50 and M50 II in 2023
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We'll assume you've already got the neat little EF-M 15-45mm standard zoom usually sold with the EOS M50, so we'll start with this. For most people, a telephoto zoom is. the first 'extra' lens they get for their camera, and this one is light and affordable and matches the M50's design perfectly.
The EF-M 55-200mm f/4.5-6.3 IS STM does have a plastic mounting plate, but is still perfectly sturdy and helps to keep the weight down, to just 260g in this case, and the cost too. Measuring 61x87mm, it’s very compact for a telephoto zoom, and offers a very decent focal range of 88-320mm in full frame camera terms.
Read our full Canon EF-M 55-200mm f/4.5-6.3 IS STM review
This little EF-M 11-22mm f/4-5.6 IS STM ultra-wide zoom is a great companion for travel photography, interiors, and sweeping landscapes. It can capture a much wider angle of view than the standard 15-45mm zoom and pretty soon you'll be wondering how you ever managed without a lens like this.
Wide-angle zooms can be notoriously big and heavy, but this one has the same kind of retractable design as the EF-M 15-45mm kit lens, shoehorning seriously wide viewing into physical dimensions of just 61x58mm. It gives a focal range of 18-35mm in full-frame camera terms, and it's small enough to fit in a jacket pocket for when you need it.
A small prime lens with a 35mm focal length is generally regarded as being perfect for street photography, at least on a full-frame camera. This EF-M 22mm brings the same equivalent angle of view to APS-C format shooting on an EOS M camera.
Its ‘pancake’ design enables it to be incredibly small, so you can be as inconspicuous as possible when shooting. It also makes your camera and lens combination even more portable. Best of all, this lens has a fast f/2 maximum aperture, which helps when you want a shallow depth of field in close-ups or faster shutter speeds in low light.
Read our full Canon EF-M 22mm f/2 STM review
Moving on to the second of our trio of neat little Canon prime lenses, this one has a focal length not much longer than 22mm and is equivalent to a 45mm lens in full frame terms. It makes a great standard lens, but it's also a macro lens for ultra close-ups. The short 28mm focal length means a working distance of just 13mm between the front of the lens and the subject in full macro mode.
This can block out ambient lighting, but to get around this, the lens has a built-in LED Macro Lite! The ‘hybrid’ image stabilizer is designed specifically for correcting shakes in close-ups too.
Read our full Canon EF-M 28mm f/3.5 Macro IS STM review
Here's another favorite Canon EF-M prime lens for our list. We're not suggesting you need all three (the 22mm, 28mm, and 32mm), but you will be glad to have at least one of these in your kit bag. With an ‘effective’ focal length of 51.2mm, this lens equates to a ‘nifty fifty’ in full-frame terms when used on an M50.
Despite weighing just 235g and having diminutive physical proportions, it combines a classic ‘standard’ viewing perspective with a fast f/1.4 aperture rating. This gives you the potential to isolate subjects within a scene, thanks to a tight depth of field. This is especially true at shorter focus distances. A 50mm equivalent lens is perhaps a little short for portraits, but it can still give great people shots.
Read our full Canon EF-M 32mm f1.4 STM Lens review
This Laowa lens deserves its place for its unique picture-taking qualities. Mounted on the EOS M50, it gives a mighty viewing angle of about 115 degrees, far wider even than the Canon 11-22mm zoom and roughly equivalent to a 14mm lens on a full-frame camera.
Despite the extra wide-angle coverage, the Laowa lens produces such negligible distortion that it’s essentially a distortion-free optic. However, there are no built-in electronics at all, so focusing is a purely manual affair and you’ll also need to shoot in Manual or Aperture priority mode. In these modes, the camera can adapt to whatever aperture you set on the lens's control ring, but this can't be set from the camera, which rules out the Shutter priority mode.
The enormous depth of field means that focusing isn’t very critical, and you soon adapt to the need to focus manually. This lens comes in a variety of lens mounts, so make sure you get the EF-M version!
Read our full Laowa 9mm f/2.8 Zero-D lens review
You may not be familiar with the Viltrox brand, but it has been coming out with some excellent fast primes for APS-C mirrorless cameras, including for the Canon EF-M mount. The Viltrox AF 56mm F1.4 is our pick for portraiture, as its focal length evens out to a headshot-friendly 90mm when mounted on an APS-C camera.
As we discovered in our review, image quality from the Viltrox is generally very impressive, even when the lens is used wide open at f/1.4, and bokeh from the lens has a lovely dreamy quality to it.
At this price, there’s little to complain about with this lens – it’s heaps more interesting than anything Canon has produced for the EF-M mount. The only real downsides are that it’s not weather-sealed, and stills photographers may find it irritating that the aperture ring doesn't have a clickable option.
See our full Viltrox 56mm F1.4 AF review
Portrait lenses with a telephoto focal length and f/1.4 aperture tend to be big and heavy. By stark contrast, this Sigma prime is blissfully compact and tips the scales at just 280g. It’s supremely well balanced on lightweight EOS M bodies, on which it has a very portrait-friendly 90mm 'effective’' focal length.
Although small and light, it’s well built with a metal mounting plate and Sigma’s usual 'Thermally Stable Composite' material. The high-quality optical path includes two aspherical elements, one of which is made from SLD (Special Low Dispersion) glass.
Autofocus is fast and very accurate, based on a stepping motor, along with an electronically coupled manual focus ring. The net result is a compact lens that combines excellent sharpness with beautifully smooth bokeh, ideal for portraiture.
See our full Sigma 56mm f/1.4 DC DN | C review
This is another of Sigma's Contemporary prime lenses for the Canon EF-M mount – and it is a little beauty! The big attraction is the f/1.4 maximum aperture, coupled with a wide-angle view that gives an effective focal length of 25.6mm. And although the Viltrox prime is wider, the Sigma does give you the distinct benefit of autofocus. This is a useful lens to have in your bag for architecture, landscapes and for group portraits. We loved the build quality of this lens in our test, but were also impressed by the image quality in our laboratory investigations, noting that the sharpness and contrast ar maintained very well even at the widest f/1.4 aperture.
See our full Sigma 16mm f/1.4 DC DN C review
How we test lenses
We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics.
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