Welcome to our guide to the best Leica SL lenses – the best of the best you can get for L-mount. While the L-mount alliance between Leica, Sigma and Panasonic has grown to include many lenses at different price points, the SL range sit at the top as the best of the best. For unsurpassed quality and that premium Leica touch, you can't beat them.
Named after its founder, Ernst Leitz, Leica Camera has a rich heritage in designing and manufacturing full-frame cameras and lenses in Germany that stretches back over 100 years. The original concept was to enable large pictures to be created from relatively small negatives, placing great demands on the quality of the lens. That’s every bit as true today, with the 60-megapixel Leica SL3, and the 47-megapixel Leica SL3-S playing host to a range of exotic prime and zoom lenses.
That means these cameras are only as good as their lenses, so let’s take a closer look at all the current SL lenses and what they have to offer. For more affordable options in the same mount, check out our guide to the best L-mount lenses.
For almost twenty years, Sebastian’s photographs have appeared in international publications. Having worked with systems from Phase One, Hasselblad, Alpa, and Sinar, his photography is ultimately rooted in a long-standing dedication to Leica, which remains central to both his craft and his passion.
The quick list
The widest zoom lens in the SL line-up, the 14-24 performs brilliantly for landscapes and astrophotography, not to mention videography as well.
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A workhorse lens in a classically versatile focal range, the Leica VARIO-ELMARIT-SL 24-70 F/2.8 ASPH is so good it's like having multiple prime lenses in one!
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Pros
- Great zoom range
- Brilliant image quality
- Excellent build quality
Cons
- External zoom design
- No stablization
If you're looking to photograph sports and wildlife, the long 100-400mm Vario-Elmarit-SL f/5-6.3 should be your first port of call among the Leica SL lens lineup.
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The widest-ever full-frame APO lens (according to Leica), this brilliant prime delivers superb control of aberrations and distortion for outstanding images.
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It's a big, heavy lens, but this 50mm prime delivers dazzling image quality, with a wide maximum aperture that allows for a narrow depth of field in images.
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This telephoto prime is ideally suited to creating dazzling portraiture, with a flattering focal length and a wide maximum aperture of f/2.
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The Best Leica SL lenses in 2026
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Leica SL zoom lenses
Here we have the zoom lenses in the SL line-up, ordered from the widest to the longest.
14-24 f/2.8
✅You want exceptional sharpness, contrast and edge performance across the frame, even wide open.
✅You want robust construction and full weather sealing that matches the SL system’s professional ethos.
❌You want outstanding results, but the price reflects Leica’s premium positioning.
❌You want simple screw-in filters, but the bulbous front element rules them out.
Taking up the mantle of the widest zoom in the SL range, the Super-Vario-Elmarit-SL 14-24 f/2.8 ASPH. is a powerful wide-angle that's perfectly pitched for landscapes, astrophotography and other applications where you want a generous field of view. Having the fast f/2.8 aperture run right the way through the zoom range helps you open things up creatively, and the sophisticated optical design delivers excellent control of distortion and aberrations.
The bulbous front element of this lens means that it doesn't take front-mounted filters, though there is an option to insert compatible ones via the rear bayonet mount. A premium all-metal build, with Aqua-Dura coating on the outer elements, helps protect the lens from inclement weather.
16-35 f/3.5-4.5
✅You want a single zoom that handles landscapes, street, travel and environmental portraits, and the 16–35 mm range covers it all.
✅You want dependable autofocus and optical performance that pairs well with high-resolution SL cameras.
❌You want peak corner sharpness at all focal lengths, but the optical compromises of a wide zoom mean it doesn’t fully match the best fixed wide primes.
❌You want lightweight gear, but this zoom is still substantial compared with prime alternatives.
Even though it's not the widest in the range, this zoom still gives you plenty of scope for playing the angles. It can shoehorn sweeping vistas and architectural interiors into the image frame, with a relatively mighty 105.6-degree maximum viewing angle.
Meanwhile, the 0.25m minimum focus distance enables you to get in really close to the main subject within a scene, and make it stand out against a rapidly receding backdrop, to exaggerate perspective. Build quality is typically robust and features AquaDura coating, so you can keep shooting whatever the weather. Image quality is amazingly sharp throughout both the zoom and aperture ranges.
24-70 f/2.8
✅You want a go-to all-around lens, and the 24–70 mm range covers landscapes, portraits, events, and everyday shooting without compromise.
✅You want clean contrast, controlled colour and pleasant out-of-focus quality - classic SL system character.
❌You want absolute corner-to-corner sharpness wide open, but the optical compromises of a zoom mean primes still outperform here.
❌You want portability, but this lens is substantial and adds noticeable bulk to any SL camera.
We’re well used to hearing about ‘trinity’ zoom lenses nowadays, with wide-angle, standard and telephoto versions all having a fast and constant f/2.8 aperture rating. This standard zoom does all that and more, performing brilliantly at every step of its focal range. Our reviewer, an avowed prime lens user, was bowled over enough that this lens won him over, describing it as essentially being like having four prime lenses in one. It's great for video work as well as stills, making it one of the best all-rounders in the range.
See our full Leica VARIO-ELMARIT-SL 24-70 f/2.8 ASPH review
24-90 f/2.8-4
✅You want one lens that covers wide to short tele - the 24–90 mm range handles landscapes, portraits, travel and everyday shooting without changing glass.
✅You want rich colour, smooth contrast, and pleasing out-of-focus quality - Leica character that enhances images across the range.
❌You want f/2.8 throughout, but this lens slows to f/4 at the long end, making it less capable in dim light than some pro zooms.
❌You want easy, affordable filters, but the front element and hood size mean larger or more costly options.
We’re well used to hearing about ‘trinity’ zoom lenses nowadays, with wide-angle, standard and telephoto versions all having a fast and constant f/2.8 aperture rating.
This standard zoom goes beyond the usual 24-70mm standard zoom, stretching further into telephoto territory, but with the trade-off of having a variable aperture rating, which shrinks from f/2.8 to f/4 at the long end of the range. One upside is that the lens isn’t overly heavy, making it comfortable for long periods of handheld shooting, further enhanced by the inclusion of a 3.5-stop optical image stabilizer.
The complex optical path includes four aspherical elements and 11 ‘anomalous partial dispersion’ elements, the latter being highly effective in controlling chromatic aberrations.
90-280 f/2.8-4
✅You want exceptional clarity and colour fidelity — Leica’s APO (apochromatic) design minimises chromatic aberration and delivers crisp images even at long focal lengths.
✅You want AF that keeps up with fast action — the lens delivers confident focus tracking on SL bodies for both stills and video.
❌You want lighter kit for travel and long handheld days — this lens is still large and weighty compared with shorter zooms or primes.
❌You want simple front filters, but large front elements and its tele design mean bigger, more expensive filter solutions.
Just like with the SL 24-90mm standard zoom, this telephoto lens beats typical 70-200mm zooms with a bigger zoom range that enables longer reach, at the expense of a variable aperture rating that narrows to f/4 at the long end. Even so, at the long end, the focal length and aperture combination equates to using a 70-200mm f/2.8 lens with a 1.4x teleconverter.
The starting point of 90mm is also ideal, neatly taking over from both the standard zoom as well as the longest prime lens in the current SL line-up. It’s comparatively heavy for an SL lens, tipping the scales at 1,710g but is still sufficiently lightweight for comfortable handheld photography which, as with the 24-90mm lens, benefits from a 3.5-stop optical image stabilizer.
100-400 f/5-6.3
✅You want the flexibility to cover wildlife, sports, aviation, birds and distant subjects — 100–400 mm gives you serious reach in one lens.
✅You want sharp, contrasty images with well-controlled colour and minimal aberrations even at the far end of the zoom.
❌You want brighter apertures for dim light or fast action, but the f/5–6.3 range limits light gathering compared with f/4 or f/2.8 tele lenses.
❌You want instant responsiveness in every lighting condition, but this is a more balanced, general-purpose super-tele rather than a high-end pro sports lens.
Super telephoto zooms are all the range due to being relatively lightweight and extremely versatile, and the Leica 100-400mm Vario-Elmar-SL f/5-6.3 is no exception, with this lens you get an extreme amount of coverage in a well-balanced package that's perfect for wildlife, birding or sports.
While its maximum aperture is f/5 at 100mm and goes down to f/6.3 aperture at 400mm this lens is able to produce some beautiful images shot wide-open, and stopped down to f/8- I would say between f5.6 and f/8 is the sweet spot for great images and while it is a bit fiddly to zoom, once you get the hang of it the lens performs extremely well.
Read our full Leica 100-400mm Vario-Elmarit-SL f/5-6.3 review
Leica SL prime lenses
In this section, we're running through the prime lenses for the SL range – once again, in the order of widest-angle to longest telephoto.
21 f/2
✅You want best-in-class sharpness, contrast and resolution across the frame — Leica’s Super-APO design minimises chromatic aberration and delivers outstanding detail, even in the corners.
✅You want a fast f/2 aperture that gives extra headroom in dim conditions and smoother subject isolation than typical wide angles.
❌You want an ultra-light setup, but premium optics and metal build make this lens heavier than many standard wide primes.
❌You want cost-efficient options, but this lens sits at the luxury end of the SL lineup — premium performance with a premium price tag
Leica is clearly very proud of this new super-wide addition to the line-up, stressing to anyone who'll listen that it's the world's first APO (apochromatic) lens with a 21mm focal length. As you might expect, that means this lens is a costly proposition even by the lofty standards of the SL range – however, it's also a truly dazzling performer, with brilliant sharpness and unreal control of chromatic aberration and distortion.
With a 21cm minimum focusing distance, you can get good and close to your subjects, and the bokeh quality from the f/2 aperture is also sumptuous. It's a highly creative lens that delivers absolutely fantastic imagery. Yes, there are many options for L-mount that are much, much cheaper – but given that you're already halfway down a Leica lens guide, we're guessing you don't mind spending a bit more to get that irreplaceable quality.
28 f/2
✅You want one of the most useful primes for travel, street, landscapes and everyday work — 28 mm is flexible without compromise.
✅You want a compact, well-balanced lens on SL bodies, with responsive autofocus and tactile controls that feel natural in hand.
❌You want the smallest, lightest glass — this lens is solidly built but still heavier than similar focal lengths on other systems.
❌You want maximum value for money — the premium Leica price reflects optical excellence, but lighter or slower 28 mm options cost less.
Billed by Leica as a modern classic, this prime lens has a focal length that’s been highly popular down the decades, for it’s wide-angle view. Like all the other Summicron lenses in the line-up, it has an f/2 aperture rating which, despite the relatively short focal length, can deliver quite a tight depth of field for isolating the main subject, at least at the short end of the focus distance range, which also enables a 0.2x magnification ratio.
it to say you can get in close and create dramatic wide-angle perspective effects. Image quality is excellent in all respects, boosted by three aspherical elements which have six aspherical surfaces in total.
35 f/2
✅You want a 35 mm prime that excels across genres — from street and travel to portraits and environmental scenes — with no compromises.
✅You want a lens that feels natural on SL bodies — well-weighted, easy to carry and intuitive to use for long shooting days.
❌You want f/1.4-level speed for maximum subject isolation; this f/2 lens is excellent, but not as extreme in bokeh as some alternatives.
❌You want simple, affordable filters — the larger front element and hood design mean bigger, costlier filter solutions.
In full-frame shooting, the 35mm focal length is often preferred for street photography, thanks to its moderately wide-angle perspective. It’s also great for reportage, architectural photography, environmental portraiture and more.
As with other Summicron lenses, there’s a fairly modest f/2 aperture rating but you can still isolate the main subject very effectively. Lecia says this is because the optical design makes perceived contrast particularly strong for in-focus areas, dropping away in defocused areas to give a three-dimensional effect with real ‘snap’.
While autofocus is typically fast and virtually silent, the electromagnetically coupled focus ring works really well for manual focusing, as in other SL lenses, which is a bonus for traditional street photography.
50 f/1.4
✅You want a bright f/1.4 aperture that delivers exceptional exposure latitude, smooth bokeh and strong subject separation in dim conditions.
✅You want one of the most all-purpose focal lengths for portraits, street, travel and everyday shooting — natural perspective with no compromise.
❌You want the smallest possible walkaround lens — this 50 mm Summilux is larger and heavier than slower or smaller-aperture 50 mm options.
❌You want fewer lens swaps — as a prime, it’s brilliant at 50 mm but doesn’t cover wider or longer focal lengths in one package.
Weighing in at over a kilogram, this standard lens is about a third heavier than any of the other SL prime lenses in Leica’s line-up, and noticeably bigger with an 82mm rather than 67mm filter thread. The 82mm attachment thread is also used in all of Leica’s current SL zoom lenses.
The key attraction of the 50mm Summilux over the Summicron edition is that the aperture is boosted from f/2 to f/1.4. A tighter depth of field is therefore available, along with faster shutter speeds for freezing motion. It’s the only SL prime that lacks APO credentials but, even so, both lateral and longitudinal chromatic aberrations are extremely minimal.
The minimum focus distance is about twice as long as in the Summicron 50mm and the maximum magnification ratio is only half, at 0.1x, so it’s less ideal for extreme close-ups.
See our full Leica 50mm Summilux-SL f/1.4 ASPH. review
50 f/2
✅You want superb sharpness and contrast with extremely low chromatic aberration — Leica’s APO design delivers clean, true-to-life images.
✅You want a bright f/2 aperture that gives strong performance in tricky light while keeping overall size and weight reasonable.
❌You want the most dramatic subject separation — this f/2 lens is beautifully balanced, but won’t match the shallower depth of a Summilux f/1.4.
❌You want the smallest possible prime — while reasonably sized for its class, this 50 mm isn’t as compact as lighter, simpler 50 mm lenses on some other systems.
A major handling benefit of Zeiss Summicron SL primes is that, regardless of focal length, they’re all pretty much the same and weight. Handling therefore feels entirely consistent when swapping between lenses, even when focusing manually.
The downside is that, for a 50mm f/2 lens, this one feels a bit on the heavy side, although it’s significantly smaller and lighter than the f/1.4 Summilux lens. That said, it’s wonderfully robust and well-engineered. The range of three aspherical elements with four aspherical surfaces, and the typical use of ‘anomalous dispersion glass’ keeps chromatic aberrations to an absolutely negligible level.
75 f/2
✅You want razor-sharp images with superb contrast and extremely low chromatic aberration — Leica’s APO design delivers clean, detailed results across the frame.
✅You want a 75 mm focal length that’s ideal for portraits, event shooting and environmental close-ups with natural compression and flattering perspective.
❌You want the smallest possible lens — this 75 mm, while compact for its class, is still larger and heavier than shorter primes.
❌You want fewer lens swaps — as a prime, 75 mm is specialist and doesn’t deliver the range of a standard zoom.
Designed as a ‘universal lens for all situations’, this 75mm prime aims to bridge the gap between standard and telephoto focal lengths. As such, it’s highly versatile and works well in all sorts of situations, from street photography to intimate portraiture, as well as being ideal for shooting wildlife and action sports.
As with other SL lenses, the Dual Synchro Drive autofocus system is super-fast and virtually silent, while high-speed communication with the camera body also enables similarly fast and accurate control of the electronically driven aperture diaphragm. Sharpness and contrast are typically excellent, even when shooting wide-open at f/2.
90 f/2
✅You want superb sharpness, contrast and micro-contrast with extremely low chromatic aberration — Leica’s APO design ensures clean, detailed results.
✅You want creamy bokeh and smooth out-of-focus areas that elevate portraits and make subjects truly pop against their backgrounds.
❌You want the smallest possible lens — while well-balanced for its class, this 90 mm is still noticeably larger and heavier than shorter primes.
❌You want super-shallow depth and more dramatic bokeh — f/1.4 options will deliver deeper subject isolation, though at greater size and cost.
Arguably better than the SL 75mm prime for portraiture, this lens enables a more natural working distance for intimate head-and-shoulders portraits, with the added bonus of an even tighter depth of field. Fast and impressively consistent autofocus performance combines with superb optical abilities to deliver superb results time after time.
Thanks to the lens’s short 0.6m minimum focus distance, it delivers the same 0.2x maximum magnification as the 75mm lens, making it highly suitable for isolating small areas in still life images, against defocused surroundings. Despite having the longest focal length of all the Summicron primes in the line-up, it’s still the same size and weight, and is easily manageable.
See our full Leica 90mm APO Summicron-SL f/2 ASPH review
How to choose the best Leica SL lenses
Leica uses the ‘L mount’ for its full-frame digital camera bodies and interchangeable lenses, which have now been adopted in an alliance between Leica Camera, Panasonic, Sigma, DJI, ASTRODESIGN, Blackmagic Design, DJI and Samyang (Rokinon in the US).
The large mounting flange of 51.6mm and its close proximity of 20mm from the image sensor ensures optimum performance with both full-frame and APS-C format camera bodies. The short flange distance also enables the effective use of mount adapters, opening the doors to more than 150 lenses in Leica’s back catalog.
While the L-mount alliance enables you to mix and match camera bodies and L-mount lenses from Leica, Panasonic, and Sigma, we’re focusing on Leica’s own SL prime and zoom lenses in this guide. Indeed, ‘focusing’ is a salient point. Think Leica lenses and you’re probably thinking ‘manual focus’, as with the lenses covered in our guide to the best Leica M lenses. By contrast, the SL line-up boasts fast, virtually silent, and highly precise autofocus technology, based on the combination of advanced control algorithms within the camera body and ‘Dual Synchro Drive’ motors in the lenses.
Famous names feature in the line-up of SL lenses, derived principally from aperture ratings. The 50mm Summilux prime has a fast aperture of f/1.4, whereas the Summicron primes have a more modest aperture rating of f/2. ‘Vario’ applies to zoom lenses, with an Elmar f/3.5-4.5 wide-angle optic available, as well as standard and telephoto Elmarit zooms available, with an f/2.8-4 aperture rating. All but one of the prime lenses in the current line-up have an APO ‘Apochromatic’ designation, along with the telephoto zoom. This signifies that the optical design keeps chromatic aberrations to absolutely negligible levels.
Remarkably, apart from the faster 50mm f/1.4 lens, all of the primes in the range, which stretch from focal lengths of 28mm to 90mm, are the same size and very similar in weight, as well as taking the same 63mm filter thread. They’re designed to deliver sumptuous image quality and superb all-round performance but with a fairly compact and lightweight build.
Naturally, the zoom lenses are larger and heavier but add versatility. They have a bigger 82mm filter thread, as does the 50mm f/1.4 prime, and the two longer zooms also benefit from optical image stabilization.
How we test lenses
We test lenses using a mix of both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics.
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