New tech removes the last mechanical parts from cameras, solves ghosting and rolling shutter
Canon scientists have published a highly technical, but very interesting, paper in the Japanese Journal of Applied Physics detailing its research and development of a new global shutter sensor technology.
A traditional shutter records picture information one line of pixels at a time, from the top of the sensor/image to the bottom. If there is any movement, then by the time the data is recorded by the lower half of the sensor it will be in a slightly different position to when it started – hence the rolling shutter phenomenon where subjects appear to warp.
A global shutter, by contrast, records the entire pixel range to the sensor simultaneously, eradicating any movement artifacts. The downside, however, is that global shutters traditionally have reduced dynamic range. This is because every pixel requires a dedicated memory cell, and thus each one is made smaller to make space for it. Canon's flagship Cinema EOS filmmaking camera the Canon EOS C700 already features a global shutter.
Canon's research addresses this problem in a creative way. "This paper deals with a specific sensor that reads the sensor twice in an HDR mode," explains Canon News. This allows it to overcome some of the dynamic range inefficiencies with global shutter sensors.
"By incorporating dual memory, Canon quickly reads the sensor twice and stores the values into the memory. Those two values then are used to form the HDR image from the sensor. They use special lightguides to take a 2.4um pixel pitch down to a 1.1um actual pixel size. Using the dual memory, Canon eliminates ghosting from appearing on fast moving objects when taking the double images required for HDR."
It's certainly a fascinating innovation and, with global shutters and organic sensors set to be the new frontiers in the photographic industry, we'll be watching the development and implementation of this technology with great interest.
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The editor of Digital Camera World, James has 21 years experience as a journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus). In this time he shot for clients like Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. This has led him to being a go-to expert for camera and lens reviews, photo and lighting tutorials, as well as industry news, rumors and analysis for publications like Digital Camera Magazine, PhotoPlus: The Canon Magazine, N-Photo: The Nikon Magazine, Digital Photographer and Professional Imagemaker, as well as hosting workshops and talks at The Photography Show. He also serves as a judge for the Red Bull Illume Photo Contest. An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.