Luminosity masks: why raw HDR is the best HDR

    | Photoshop Tutorials | Tutorials | 27/11/2012 02:00am

    In the latest post of our ongoing Raw Tuesday series on editing raw format images we show you a luminosity mask technique that enables you to create the perfect raw HDR image by blending two exposures according to lightness, not just area. This is a variation on the traditional HDR photography technique, but because we want to darken highlights and lighten shadows throughout the image rather than in selected areas, we’ll blend the images in a different way.

    How to get the raw HDR look with luminosity masks: step 1

    01 Create a well-exposed sky
    To create a version of the image with a well-exposed sky, we’ve reduced Exposure to -0.40. Now we can open the edited image in Photoshop/Elements or save a copy before producing a second edit. By reopening the original file in Adobe Camera Raw if need be, and increasing Exposure to +2 and dropping Blacks to 2 or 3, we can produce the foreground exposure – you can go back later and try different Adobe Camera Raw settings at this stage if you like.


    How to get the raw HDR look with luminosity masks: step 2

    02 Rename the images
    Now we can open this second edit in Photoshop/Elements (if we’d saved the edits out of Adobe Camera Raw, we’d open both from our desktop). We should also rename the images ‘sky1’ and ‘foreground1’ in case we want to produce more raw edits (bear in mind that if we tried this using a raw file in Elements, we wouldn’t be able to open the RAW file again unless we renamed the second version).


    How to get the raw HDR look with luminosity masks: step 3

    03 Combine the sky and foreground
    Using the sky image, we Select All and Copy. Then on the shadows image, we Paste the sky image into the foreground document as a new layer. (In Elements, we’d see a bit-depth warning if the images were in 16-bit mode; you’d OK this to convert to 8-bit). The new layer is renamed ‘sky’ so we don’t get confused about which layer is which.


    How to get the raw HDR look with luminosity masks: step 4

    04 Make the selection
    Now it’s time to create the luminosity selection that we’ll use to blend the two images. If we were using Photoshop Elements, we’d skip to steps 6 and 7 at this point. Using Adobe Photoshop though, we open the Channels palette and [Ctrl]/[Command]-click on the RGB channel. This action generates a selection of the sky layer’s highlights and light midtones.


    How to get the raw HDR look with luminosity masks: step 5

    05 Photoshop: Add the mask
    With this selection active, we click the ‘Add layer mask’ button at the foot of the Layers palette. The layer mask will be based on the luminosity selection that we’ve just generated: the selected highlight areas of the upper layer will be revealed and its dark areas will be hidden, revealing the correctly-exposed shadow areas on the Background layer, which is the shadows image.


    How to get the raw HDR look with luminosity masks: step 6

    06 Elements: Create the mask
    To create a luminosity mask in Elements, click the sky layer thumbnail and select Select All and Copy. Next, add a Levels adjustment layer, and OK the dialog without touching the sliders (from Elements 8, this will be the Adjustments panel rather than a dialog). To display the mask in the main image window, [Alt]/[Option]-click the mask thumbnail and paste the copied sky image.


    How to get the raw HDR look with luminosity masks: step 7

    07 Elements: Create a clipping mask
    A grayscale version of the sky layer is now visible; the mask will be based on those grayscale values. A quick [Alt]/[Option]-click on the mask thumbnail enables us to view the image again. To apply the mask to the sky layer, we move the Levels layer beneath the sky layer in the stack, then [Alt]/[Option]-click the line between the two layers to create a clipping mask.

    PAGE 1: How to get the raw HDR look with luminosity masks
    PAGE 2: Common questions about raw HDR and luminosity masking


    5 things you need to know before shooting raw files
    The honest truth on what raw files can do for your photography
    Blend modes: the 10 best blends for photographers (and how to use them)
    What to edit (and when) in Adobe Camera Raw

    Posted on Tuesday, November 27th, 2012 at 2:00 am under Photoshop Tutorials, Tutorials.

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