There's something about landscapes in black and white that’s so appealing. Mix in some moody weather and you’ve a great visual recipe.
Welcome to the 27th instalment of our Lightroom series, first published in Digital Camera magazine (see below for subscription offers).
More Lightroom articles
If you are already a Lightroom user, you could discover some new tricks and processes you haven't tried yet. If you don't use Lightroom, then scroll down to the bottom where you'll discover how to get it and which Adobe Photography Plan is best.
Lightroom provides more than one way of creating monochrome images, all with differing effects. You can always remove Saturation globally in Basic, or one channel at a time in the HSL panel. The natural way in Lightroom, though, is to use the B&W panel. Of course, you’ll need to get the photo to its best state before the conversion...
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1. Straighten the shot
Straighten the photo by using either the Crop tool’s Auto function, or hold down Ctrl/Cmd and drag a line along the horizon to align it correctly.
2. Dynamic range
To get the best possible dynamic range, the Auto function in the Basic panel (introduced in Lightroom Classic 7.1) is a great start: it uses Adobe’s Sensei technology to compare the photos with a huge database of image edits.
3. Crop the image
The rock on the left in this picture is a distracting element. Rather than try to eliminate it, I used the Crop tool to zoom into the photo a little and create a more pleasing composition.
4. Spot Removal Tool
Press Q for the Spot Removal tool. Press A to engage Visual Spots for difficult-to-see spots. Zoom in and use Page Up and Page Down to navigate through the photo. Use the slider in the toolbar to change the intensity of the spots. Click on a spot to remove it.
5. Black and white
Click B&W in the HSL panel. To reset the sliders, Double-click on Black & White Mix. In the Effects panel, set Dehaze to taste; I used +37 here. This also darkens the image: boosting Exposure by a third of a stop helps. To add impact, increase Contrast and Clarity; I used +27 and +22 respectively. Tweaking White Balance can also change the effect.
6. Final details
As an atmospheric finishing touch, add some Grain via the Effects panel. +20 looks great here, with a little bump to the Size from 25 to 32. And voilà: you’ve got a beautiful black- and-white landscape.
Expert tip: Preview the effect in-camera
Most cameras offer some way of previewing black-and-white photos in-camera. These renderings are applied to the JPEGs created in-camera, but any raw file you shoot always retains the colour information. With Canon, it’s Picture Styles; with Fujifilm, it’s a Film Emulation like Acros. To help visualise how a scene looks in mono, it can be good to use these while you’re out on location. A side option to go with this is to shoot both raw and JPEG. That way you can have a preview version of a black-and-white photo to get a good starting point for your raw using Lightroom Reference View in the Develop Module.
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How to get Adobe Lightroom
Adobe Lightroom is available in two versions: the regular Adobe Lightroom Classic CC designed for desktop users, which is what we cover in this series, and a new cloud-based Adobe Lightroom CC, which stores your files online and offers a similar but reduced set of features. For regular desktop users we recommend Adobe Lightroom Classic CC.
Adobe offers three subscription based Photography Plans which you can click on below. We recommend either the regular Photography Plan, or the Photography Plan (1TB) which costs more but comes with 1TB online storage in case you decide to go with Lightroom CC.
For this set of tutorials and for anyone who likes to work on a single main computer, we recommend the regular Creative Cloud Photography Plan. This is the cheapest way to get started AND it comes with Photoshop CC too.