Here's how to photograph the magic of mushrooms this fall

Watch video: Take magic photos of mushrooms

If you go down to the woods today you’ll be sure to find autumn in full swing, with trees taking on a fiery colour palette, leaves falling as well as fungi and mushrooms sprouting up from the earth.

Mushrooms are the fruiting bodies of mycelium, a huge, fascinating underground network of fungus. All mushrooms belong to the fungi family and make fantastic focal points for photos with their distinctive shapes, intricate details and colours. This season is a brilliant time to head to the forest or your local woods to spot them - mushrooms love dark, damp areas and can magically turn up overnight if there’s been a heavy spell of rain so be sure to explore regularly. 

Due to their diminutive size, naturally, a macro lens that allows you to focus closer to your subject is a great choice here, though there are more budget-friendly options that we’ll outline in this project too. Let’s get to it... 

1. Macro on a budget

Extension tubes fit between your camera body and lens, forcing the lens to focus closer (Image credit: Future)

If a dedicated macro lens is too expensive you can use more budget-friendly accessories such as extension tubes (above) or close-up filters and reversing rings. These accessories give an ordinary lens macro capabilities, forcing it to focus much closer.

2. Beautiful bokeh

A shallow depth of field is created by either focusing closer to your subject, opening up your aperture to a wide value, or a combination of the two and will turn highlights in the background in beautiful bokeh blur (Image credit: Dan Mold)

Bokeh is a Japanese word we that we use to describe the out-of-focus highlights in an image. Bokeh (and a shallow depth of field) is easier to achieve the closer you focus. The shape of your bokeh will also depend on how many blades your lens’ aperture is made of.

3. Cheap frills

Get low to shoot the underside of mushrooms to reveal interesting details in the frills (Image credit: Dan Mold)

The frilly area on the underside of mushroom cap is called its gills and is a wonderful detail to look at closely with a macro lens. The caps are also often semi-translucent so they light up beautifully when backlit by natural light or a torch.

4. Focus peaking

Many modern cameras have a focus peaking feature which makes it easier to see what is sharp when manually focusing (Image credit: Future)

A nifty feature that can help you nail the focus when shooting close-ups and macro is focus peaking. Many mirrorless cameras now offer this feature which shows a bright color around any part of your scene that’s in focus, making it easier to see when your subject is pin-sharp.

5. Bring a bin bag

A cheap bin liner means you won't get dirty clothes when laying down on the ground to get close-ups of mushrooms (Image credit: Future)

Many mushrooms appear at ground level so rather than shooting at head height, you’ll want to get down low to achieve a better angle and blur the background. A good tip is to bring a bin liner with you so you can rest on this without getting your clothes too muddy!

6. Zoom in on details

Focusing at 1:1 brought the details of this stunning fly agaric mushroom into clear view (Image credit: Dan Mold)

Don’t be afraid to get as close as you can to your little subjects as you’ll be able to pick out lovely details that would be difficult to see with the naked eye, like revealing all of the detail in the white spots on this Fly Agaric mushroom. 

7. Macro lens

A 'true' macro lens will have a maximum reproduction ratio of at least 1:1, also called lifesize because it will render your subject at the same size as if it was laid across your camera's sensor (Image credit: Future)

A macro lens has the ability to focus much closer than a standard optic, like a kit lens. A ‘true’ macro lens will be able to focus with a 1:1 reproduction ratio; this is also called lifesize because it means your subject will be caught at the same size as if it was directly laid across your cameras sensor. Some Canon optics are even more powerful, like the Canon RF 100mm f/2.8L Macro IS USM, which can go to 1.4x lifesize and the legendary Canon MP-E 65mm f/2.8 1-5x, which can shoot at 5x lifesize. All of the macro shots in this feature were taken on our Tamron 90mm f/2.8 SP Di USD VC.

8 Extra pair of hands

A clamp like this Wimberley Plamp will have a clamp at one end which you can anchor to a stable object such as a tripod, and another smaller clamp with soft jaws to keep your subject secure and stop it blowing in the breeze (Image credit: Future)

A clamp’, such as The Plamp from Wimberley, is a handy device for macro, still life and studio photography that has a large anchoring clamp at one end and a smaller, more precise clamp at the other, with a series of articulated ball joints in between. They make a fantastic extra pair of hands and can hold delicate plant stems steady, or even hold a reflector, or light, in place while you’re shooting.

9. How low can you go?

1. Mini tripod
Small miniature tripods like a GorillaPod or the LeoFoto LS-223C are great for getting down low. Just be sure to check the maximum load of your mini tripod, as full-frame camera bodies and macro lenses can be quite heavy. Resting your camera on a  beanbag can help you get lower in a pinch. 

2. Invert the center column
Professional tripods might have a center column that can be inverted to get lower to the ground; the only downside with this method is that your camera (and all of its controls) will be the wrong way up. But you can get adapters online, which allow you to hang your camera off its hotshoe instead.

3. Short center column
Some tripods might come with a short, stubby center column. This allows you to remove the standard center column, which would get in the way if you wanted to spread the tripod legs out to get lower to the ground. With the short column in place, the legs can go completely flat.

Read more: The best mini tripods in 2024

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Dan Mold
Deputy Editor

Deputy Editor on PhotoPlus: The Canon Magazine, Dan also brings his technical wizardry and editing skills to Digital Camera World. He has been writing about all aspects of photography for over 10 years, having previously served as technical writer and technical editor for Practical Photography magazine, as well as Photoshop editor on Digital Photo

Dan is an Adobe-certified Photoshop guru, making him officially a beast at post-processing – so he’s the perfect person to share tips and tricks both in-camera and in post. Able to shoot all genres, Dan provides news, techniques and tutorials on everything from portraits and landscapes to macro and wildlife, helping photographers get the most out of their cameras, lenses, filters, lighting, tripods, and, of course, editing software.