Photographer sets his camera lens on fire to shoot a sports portrait – and the results are 🔥

Short video clip showing front of lens engulfed in flames as photographer captures photo
Now that's what you call a freeze flame! (Image credit: SBJ Studios)

Every so often you capture an image and, just by looking at the back of the camera, you know you’ve got something truly special.

That’s exactly what Midwest sports and events photographer, Josh at SBJ Studios, did a few weeks ago when he doused his Canon RF 28-70mm f/2L USM in flammable liquid and set it ablaze (please don’t try this yourself).

Now, in his own words, he’s “Southwest Michigan’s dumbest photographer”, but you can’t argue with the incredible results! Take a look at the shot in action:

Despite this unconventional method, it’s actually right within the wheelhouse of SBJ Studios, a creative photography outlet that specializes in fiery photography.

I can only assume a special fire gel was used to protect the lens and to cause the flame to burn for only a split second. This meant timing was crucial, so in the video Josh lines up the shot and an assistant leans in with a safety lighter – so all that’s left for the photographer to do is fire the shutter.

The results are as good as you could hope, with the subject surrounded by an almost perfect border of flames. It’s so good that even Josh looks surprised. He says with a cheeky grin, “Sometimes I have a shot that’s so good that I’m like, I don’t care if you love it, ‘cos it’s amazing”.

The only downside to a photo like this is that it’s so perfect, I don’t think anyone will believe it’s not a composite. Then again, as Josh points out: “I don’t know if we could of even Photoshopped that better.”

Thankfully, the Reel immortalized the moment as evidence. While you won’t find me setting any of my lenses alight anytime soon, props to Josh and his team for thinking outside the box.

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Mike Harris
How To Editor

Mike studied photography at college, honing his Adobe Photoshop skills and learning to work in the studio and darkroom. After a few years writing for various publications, he headed to the ‘Big Smoke’ to work on Wex Photo Video’s award-winning content team, before transitioning back to print as Technique Editor (later Deputy Editor) on N-Photo: The Nikon Magazine.

With bylines in Digital Camera, PhotoPlus: The Canon Magazine, Practical Photography, Digital Photographer, iMore, and TechRadar, he’s a fountain of photography and consumer tech knowledge, making him a top tutor for techniques on cameras, lenses, tripods, filters, and more. His expertise extends to everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...

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