Sample photo gallery: How good are the images on the OM System 50-200mm f/2.8 world-first lens?

Sample bird image taken on the OM System OM-1 Mark II using the OM System M.Zuiko 50-200mm f/2.8 IS Pro
(Image credit: James Artaius)

I took 2,622 images in my first 3 hours with the OM System M.Zuiko 50-200mm f/2.8 IS Pro lens. And I feel pretty conflicted about that.

I'm old school (and also just plain old) and come from the days of film. So I feel inherently guilty shooting thousands of frames, because my brain is still trained to think that every shot costs money. Heck, when I started using digital cameras, I bought the smallest memory cards possible to discourage me from overshooting.

I still think it's a healthy way to take photos. It's much more pleasurable (and much more responsible for your workflow) to be mindful and considered, rather than spraying and praying. But while putting together my OM System M.Zuiko 50-200mm f/2.8 IS Pro review, I still managed to come home with far too many files on my card.

It's part and parcel of the review process. This is, after all, primarily a lens for bird photography and wildlife – a genre that fundamentally requires volume shooting. Factor in the torture testing and "take a photo at every variable, with every mode" aspects of evaluating camera gear, and you're doomed to this kind of ridiculous hard drive humping.

All of which is a longwinded way of saying that I took a boatload of images with this lens, the world's first 100-400mm f/2.8 lens in equivalent terms. And of those thousands of shots, only seven were out of focus – because I didn't know Pro Capture was turned on and I was focused on the wrong thing.

Otherwise, everything I shot on the 50-200mm with the OM System OM-1 Mark II – even at stupid-fast 50fps bursts and while relying on the subject detection algorithm when I was too lazy to focus properly – was in focus.

Which I think is pretty dang impressive – if not entirely surprising, given the seven stops of stabilization in this setup, along with the impossibly low weight you can achieve thanks to the advantages of Micro Four Thirds cameras and lenses.

Anyway, here's a selection of images I shot while testing this lens. Check out my review for my thoughts on how it performs.

For a 100-400mm f/2.8 equivalent, this lens is super small – even with the extra few inches added by the lens hood (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2000 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO640) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/3200 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO640) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO640) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1200 sec, f/2.8, ISO640) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO640) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/3200 sec, f/2.8, ISO640) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1250 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO640) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1000 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/250 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/3200 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2000 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO640) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1600 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2500 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/1250 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/2000 sec, f/2.8, ISO200) (Image credit: James Artaius)

OM System OM-1 Mark II + M.Zuiko 50-200mm f/2.8 IS Pro (1/3200 sec, f/2.8, ISO640) (Image credit: James Artaius)
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James Artaius
Editor in Chief

James has 25 years experience as a journalist, serving as the head of Digital Camera World for 7 of them. He started working in the photography industry in 2014, product testing and shooting ad campaigns for Olympus, as well as clients like Aston Martin Racing, Elinchrom and L'Oréal. An Olympus / OM System, Canon and Hasselblad shooter, he has a wealth of knowledge on cameras of all makes – and he loves instant cameras, too.

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