If I were starting my pro sports photography career again, I’d buy this 180-600mm lens - it's currently got $200 off and under $2,000

A hand holding the Nikon Z 180-600mm lens with a great price deal logo
(Image credit: Digital Camera World)

I’ve carried some serious glass in my time, and if there’s one lens I genuinely wish had existed when I was shooting professional sport week in, week out, it’s the Nikon Nikkor Z 180-600mm f/5.6-6.3 VR. Right now, it’s sitting at just $1,996.95, down from $2,196.95, which makes this a $200 saving on a lens that rewrites what a practical sports setup can look like.

Nikon Z 180-600mm f/5.6-6.3 VR
Save $200
Nikon Z 180-600mm f/5.6-6.3 VR : was $2,196.95 now $1,996.95 at BHPhoto

The Nikon Nikkor Z 180–600mm f/5.6–6.3 VR is a true do-everything telephoto, covering almost every sports shooting scenario in a single, surprisingly practical lens at a price that makes professional reach genuinely accessible.

Sebastian Oakley gear

That's me with a Nikon 600mm f/4 flung over my shoulder (Image credit: Future)

Back then, covering sport meant living with a 600mm f/4 slung over one shoulder, another body with a mid-telephoto over the other, and a bag full of compromises in between. It worked, but it was heavy, expensive, and physically punishing over a long season. Looking at the 180–600mm today, it’s hard not to think how much simpler life would have been with one lens covering virtually every telephoto focal length I ever needed.

From touchlines to circuits, athletics tracks to wildlife-style field sports, that 180–600mm range is pretty much the sweet spot. You’ve got reach when the action is distant, flexibility when it suddenly comes close, and the freedom to react without changing lenses or bodies. For a working sports photographer, that kind of coverage is gold.

My colleague Mike Harris using a Nikon Z8 and Z 180-600mm f/5.6-6.3 VR at Thruxton Race Circuit (Image credit: Mike Harris)

The real kicker is how it changes the rest of your kit. Pair this lens with a fast wide-angle or standard zoom, and you’re done. Every sport, every angle, every scenario covered without hauling around a small gym’s worth of equipment. It’s the kind of setup that lets you focus on timing, positioning, and storytelling instead of logistics and sore shoulders.

Sure, there was a time when big primes were the only way to get the shot, and they still have their place. But modern sensors, stabilization, and autofocus mean a lens like this doesn’t feel like a compromise. Instead, it feels like freedom—especially for anyone starting out or looking to streamline a professional workflow.

Image of just some of the kit I used to carry every event! (Image credit: Future)

At just under two grand, this isn’t just a good deal, it’s a smart investment. If I were starting again in pro sports photography today, this is exactly the kind of lens I’d buy first. One lens, endless reach, and far fewer reasons to lug around a 600mm f/4 ever again.

It’s rare that a discount lines up so perfectly with a genuine “where was this years ago?” moment, but this is one of them. The Nikon Z 180–600mm doesn’t just save you $200 right now - it could save your back, your time, and your entire approach to shooting sport.

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Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.

He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.

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