Photography cheat sheet: low light photography

low-light photography cheat sheet
(Image credit: Future/Shutterstock)

Low-light photography is an enchanting genre, capable of producing images that are unrivaled in their emotive power. The deep shadows, directional lighting and strong, cool color bias can either be unnerving or tranquil, depending on how you approach the creative process.

Low light can give unique image styles that are impossible to create at any other time of day – unlike in daylight hours, the foreground can often be brighter than the sky after the sun has set. 

Of course, shooting with low levels of ambient light can make it tricky to get the right exposures. As good as the best cameras for photography now are at capturing photons and converting these into an electrical signal, they still have their limitations. Let's look at how you can use your camera equipment to its full potential and achieve stunning photos in the hours of darkness. 

Don't forget to scroll to the bottom of this page and save our low-light photography cheat sheet for some at a glance tips when it comes to shooting in darker scenes.

A ‘correct’ exposure isn't always the best option

Michel Dogniaux low-light photography

(Image credit: Michel Dogniaux)
Key tip: work at wide apertures

low light photography

(Image credit: Shutterstock)

Working in low light intensities is a great time to use your lens’ wider aperture settings. This is practical, but there are also creative reasons to make use of low f-numbers. Use a standard 50mm lens or a wider 35mm optic with an f/1.4 maximum aperture, and shoot from a low perspective to show a fall-off in focus, as the eye moves into the frame. Closer working distances will also make the most of this shallow depth of field, reducing background lights to attractive blurred highlights. 

One of the biggest mistakes new photographers make when shooting low-light images is their choice of exposure. Many will look at their images and wonder why they lack the drama of the scene as they remember it. The likely reason is that exposure is too bright. 

When shooting a dark scene you’re likely trying to capture this dark atmosphere, while maintaining digital information where required. Leaving the camera to choose a ‘correct’ exposure will make the scene unrealistically bright, lowering contrast and making it difficult for the viewer to identify when in the day the frame was taken. 

Once you have metered the scene, use negative exposure compensation until the real brightness is reflected in the tonality of the photograph.

Which camera metering mode is best in low light?

evaluative metering

(Image credit: Future)

Low light and night photography sometimes poses a challenge to a camera’s exposure metering systems, and this is because the extremely high contrast can make it difficult to read and produce an exposure that maintains detail in all areas. 

You can set yourself up for success by choosing the best camera metering mode. If you need a refresher, our camera metering modes at a glance can help there. 

Spot metering is an advisable choice in street scenes with extreme local brightness gradients. Place an AF point near a highlight, such as a street lamp, to hold information in all but the brightest zones, then use exposure compensation accordingly. Partial metering is best for natural landscapes with flatter contrast.

Download our low-light photography cheat sheet

Here's our cheat sheet, previously found in Digital Photographer magazine. Why not download the image and save it to your phone's camera roll for later? (Image credit: Future)

Read more

Photography cheat sheets
The best professional cameras
What are the best camera lenses to buy?

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

Digital Photographer

Digital Photographer is the ultimate monthly photography magazine for enthusiasts and pros in today’s digital marketplace.

Every issue readers are treated to interviews with leading expert photographers, cutting-edge imagery, practical shooting advice and the very latest high-end digital news and equipment reviews. The team includes seasoned journalists and passionate photographers such as the Editor Peter Fenech, who are well positioned to bring you authoritative reviews and tutorials on cameras, lenses, lighting, gimbals and more.

Whether you’re a part-time amateur or a full-time pro, Digital Photographer aims to challenge, motivate and inspire you to take your best shot and get the most out of your kit, whether you’re a hobbyist or a seasoned shooter.