How to remove people from your photos – in Photoshop AND in-camera!

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Remove tourists from your travel photos with these brilliant techniques – one in-camera, one in post-production

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Watch video: Clear the streets! Remove people from your photos

Some of the world’s most popular and spectacular locations are unsurprisingly very popular as tourists flock in droves, whether it’s Rome’s Colosseum, the Eiffel Tower in Paris or the Great Pyramids of Giza in Egypt. Even busy cities like Edinburgh or seaside beach towns are often full of people and tourists going about their day. 

As a photographer you may be able to perfectly wait for a time when there’s a gap, and you’re able to take a shot without any people. However, for many locations this just isn’t possible due to the high footfall. Another option would be to beat the crowds and arrive early, but this restricts you to the type of available lighting you’ll get at those more unsociable hours.

So, in this project, I'll look at two different ways you can work around this issue for cleaner scenic shots – one in-camera and another method using Photoshop. Let’s get to it! 

Technique 1: Stack and stitch your shots

1. Set up on a tripod

Setting up on a tripod helps ensure that all of your different shots line up perfectly when you stitch them together in Photoshop later, so you'll avoid any alignment woes (Image credit: Future)

You’ll be taking multiple images of the same scene and stitching together the best parts in your editing software. To make the stitching process as simple as possible, it’s best to set up on a tripod and lock off the focus and settings for consistent results.

2. Wait for movement

Waiting a few seconds between shots gives enough time for people to move within the scene, leaving you with enough 'good' parts of the shot that you can stitch together later for one totally clean, tourist-free photo (Image credit: Future)

Now you’ll need to take multiple images, patiently waiting for there to be enough movement between frames, so you have enough of the ‘good’ parts of the scene thaht you can stitch together to make a totally clear street shot in post-production.

3. Blend in Photoshop CC

Using layer masks we can hide the 'bad' parts of any images with people walking through the scene, to reveal the layer below with the 'good' part on it (Image credit: Future)

Select all your images in Adobe Bridge and go to Tools > Photoshop > Load Files into Photoshop Layers. Click the Add Layer Mask icon, then with a soft black Brush tool paint over the area where people are to reveal the clear scene on the layer below.

Technique 2: Blur people with a long exposure

1. Attach your filters

ND filters and polarizing filters will help reduce the flow of light so you can shoot long exposures several minutes in length, long enough to give the camera enough time to make any bystanders seemingly disappear (Image credit: Future)

Another technique is to use a long exposure to blur the people in-camera to remove them, so that only the stationary buildings are left sharp. Set up on a tripod and attach filters like a neutral density or polarizer which will both reduce light flow.

2. Get set up in a busy location

Coastal towns like Lyme Regis, here in the UK, make for brilliant colorful imagery with its vibrant beach huts – but they often see heavy footfall, which can make it difficult to take a decent photo (Image credit: Future)

This busy coastal path in Lyme Regis was perfect to demonstrate this effect, as I wanted a shot of the colorful beach huts without the crowds of people that looked a bit distracting. I set up on a tripod and focused about a third of the way in.

3. Take a long exposure

A super-long shutter speed of four minutes gave the camera enough time to completely remove any pedestrians walking though the scene, leaving us with a clean, people-free shot of the colourful beach huts (Image credit: Future)

Your exposure time will depend on the strength of the ND filter you use and also how much time is needed to blur the people – if they don’t move much during the exposure they will appear as a dark blur, so you’ll need a longer exposure.

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Dan Mold
Dan Mold
Deputy Editor

Deputy Editor on PhotoPlus: The Canon Magazine, Dan also brings his technical wizardry and editing skills to Digital Camera World. He has been writing about all aspects of photography for over 10 years, having previously served as technical writer and technical editor for Practical Photography magazine, as well as Photoshop editor on Digital Photo. 

Dan is an Adobe-certified Photoshop guru, making him officially a beast at post-processing – so he’s the perfect person to share tips and tricks both in-camera and in post. Able to shoot all genres, Dan provides news, techniques and tutorials on everything from portraits and landscapes to macro and wildlife, helping photographers get the most out of their cameras, lenses, filters, lighting, tripods, and, of course, editing software.