How to create a soft focus effect in Photoshop Elements

Watch video: 

There are plenty of ways to achieve a soft focus effect – a technique used by portrait photographers in years past to shoot glowing, dreamy portraits (think the black-and-white portraits of movie stars in Hollywood's golden age).

There are a few ways to achieve soft focus in-camera, such as using lens like the Lensbaby Velvet 28 or adding pantyhose to a lens like many cinematographers do (seriously!). With Photoshop Elements, though, you can easily achieve a soft focus effect in post-production – and it can be used to produce creative shots of your non-human subjects as well.

Floral photography can benefit from the uniquely diffused look that soft focus gives you, as it enhances and embellishes the dreamy depth of field that often embodies macro or close-up shots. Other still life subjects also lend themselves well to the technique, giving a painterly touch to a scene. 

The secret to recreating a soft focus effect in Elements is the Gaussian Blur filter. Used as part of considered post-production, this mimics the ethereal quality that soft focus photography is known for. In this tutorial we’re going to use it in conjunction with a layer mask, and we'll then blend the effect using the Brush or Gradient tool. 

The Brush is ideal for situations where only a specific portion of the image features an area of sharpness, such as with floral photography where there is usually a single point of focus. 

The gradient tool is best for images where the depth of field gradually falls off from sharpness into blur, such as our still life shot of mushrooms in a basket. Let's see how it's done!

Soft focus in Photoshop Elements: Method 1

(Image credit: James Artaius / Digital Camera World)

01 Duplicate layer

Start by making a copy of the image. Either click Layer>Duplicate Layer from the drop-down menus, or press Cmd/Ctrl + J (Cmd on a Mac, Ctrl on a PC) to copy the layer without entering the menus.

(Image credit: James Artaius / Digital Camera World)

02 Add blur filter

Now we’re going to add a gaussian blur, which will form the backbone of the effect. From the menus, click Filter>Blur>Gaussian Blur. When the filter’s pop-up window appears, set the Radius to about 25%.

(Image credit: James Artaius / Digital Camera World)

03 Create layer mask

Either click Layer>Layer Mask>Reveal All from the drop-down menus, or click the ‘Add layer mask’ icon in the Layers panel (the fourth icon along, to the left of the padlock). Click the layer mask thumbnail to make sure it is selected.

(Image credit: James Artaius / Digital Camera World)

04 Paint the effect

Select the Brush tool, set the opacity to 20% and make your foreground colour black. Now paint in the areas that you want to be sharp; you can paint over an area multiple times until you achieve the desired sharpness.

Soft focus in Photoshop Elements: Method 2

(Image credit: James Artaius / Digital Camera World)

A) Gradient tool

If your image has focus gradually falling off from sharp to blurry, use this method instead. Repeat steps 01 to 03, then select the Gradient tool. Leave its default settings, click on the area where the image is sharpest, and then drag a line to where it is blurriest.

(Image credit: James Artaius / Digital Camera World)

06 Faithful fall-off

Unlike step 04, where we painted in the areas of sharpness manually, by using the Gradient tool to embellish the existing depth of field we can create a faithful soft focus effect, which wouldn’t work as well on the flower image.

PhotoPlus: The Canon Magazine

PhotoPlus: The Canon Magazine is the world's only monthly newsstand title that's 100% devoted to Canon, so you can be sure the magazine is completely relevant to your system. 

Special digital edition sale - Five issue for $5/£5/€5

Read more: 

Lensbaby Velvet 28 review
Home photography ideas: Take Hollywood headshots using pantyhose!
215 photography tips, techniques and video tutorials

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

James Artaius

The editor of Digital Camera World, James has 21 years experience as a journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus). In this time he shot for clients like Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. This has led him to being a go-to expert for camera and lens reviews, photo and lighting tutorials, as well as industry news, rumors and analysis for publications like Digital Camera MagazinePhotoPlus: The Canon MagazineN-Photo: The Nikon MagazineDigital Photographer and Professional Imagemaker, as well as hosting workshops and talks at The Photography Show. He also serves as a judge for the Red Bull Illume Photo Contest. An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.