“It has never been about asking AI to replace creativity” – Skylum CEO reaffirms Luminar’s commitment to photographers
AI is still a driving force behind Skylum’s flagship photo editing software, but never at the expense of the photographer’s authorship
Skylum is making it very clear that the photographer comes first. That’s right, the company that helped pioneer AI-powered photo editing software, when it launched Luminar Neo (now Luminar) back in 2022, is reaffirming its stance on the relationship between creativity and artificial intelligence.
In a press release for the program’s latest update, Skylum’s CEO, Ivan Kutanin, addressed “growing concerns around tech affecting human talent,” and claimed that Luminar is taking a different approach, “one where technology helps photographers realize their creative potential, rather than overshadow it.”
This might seem a bit rich coming from a program packed with AI-powered tools, but it feels to me like a statement of intent. A promise, if you will, that Skylum will continue to develop its AI attributes, but not at the expense of the creative.
And indeed, Luminar’s current feature set is very much about enhancing existing photographs as opposed to generating an image out of nowhere.
You need look no further than the controversy surrounding EvotoAI at the beginning of the year to understand why Skylum might want to make its stance clear.
When an AI Headshot Generator briefly appeared on Evoto’s website, it received huge backlash from its user base. For a company that had marketed itself on putting professional photographers first, many felt that the move overstepped the mark.
Evoto apologized and explained that the release was a mistake, but the damage had already been done.
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Removing friction, retaining authorship
I got to talk to Skylum’s CEO Ivan Kutanin regarding the shift in the company’s tone, where he was keen to point out that very little has changed: “It has never been about asking AI to replace creativity,” he said. “It is about using AI to remove the friction that stands between a person and their creative intent.”
It has never been about asking AI to replace creativity”
My understanding of this is that Skylum’s goal is to help the photographer get where they want to go as quickly and as easily as possible, without taking away their creative autonomy.
As Ivan puts it: “Technology should expand photographers’ capabilities without taking authorship away from them,” adding that “the photographer should remain the decision-maker”.
As to why the company is so intent on making this clear now, the CEO explained: “As AI is becoming more powerful, this distinction becomes even more important.”
And Skylum has gathered the data to back this up, with internal research finding that “control, authenticity, and personal style are top priorities among photographers.” So much so that these attributes are more important than both speed and automation.
“What they need is AI assistance that understands the image, reduces repetitive work, suggests possibilities and makes difficult techniques more accessible.” Skylum’s goal, then, is to provide AI tools that integrate “seamlessly” into Luminar’s workflow.
“We want the technology to disappear into the workflow and simply help photographers’ creative minds do their magic,” said Ivan.
He used the software’s Atmosphere and Enhance tools as examples. The latter intelligently applies a wide range of tonal adjustments including shadows, contrast, and saturation, in one fell swoop. However, it’s still controlled via a traditional slider.
“AI is not about 'press a button and let AI create.' It is a much deeper collaboration between human creativity and machine intelligence,” he said.
Still an AI photo editing pioneer
I couldn’t help but wonder if all this meant that Skylum’s priorities regarding AI had changed, but Ivan assured me it hasn’t.
“Using technology to expand photographers’ creativity rather than replace it has always been part of our values,” he said. “With this release, no actual change is coming – we are simply underlining what’s been here all along.”
And for existing Luminar fans, that means continuing to strive for improvement but not at the expense of the company’s AI mantra.
Ivan told me that the team is working on tech that’s “more advanced than ever,” but building a clever feature isn’t enough. It must be something that “genuinely helps photographers express their creative vision.”
Luminar update
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The latest update will be released in two phases, with the first phase having already been released on August 05. The second phase is set to launch this fall.
As it stands, you can expect enhancements to the user interface and genAI tools. Export speeds that are up to 25% faster. Masking that uses 33% less RAM. Preset previews that load four times faster. And support for the following new cameras: Panasonic Lumix L10, Sony A7 V and Sony A7R VI.
The fall phase is set to feature a more precise and intelligent Crop tool. Atmosphere – Fog, which is said to give users “a more natural way to shape the mood of their photographs.” Improvements to both AI Assistant and Enhance AI. As well as the introduction of a new Web Editor, boosting its cross-platform workflow via browser support.
Skylum isn’t the only photo editing company affirming its stance on AI. This week, Digital Camera World interviewed Capture One CEO Rafael Orta who said: “We think of ourselves as a photography company… we never had any disposition to reinvent ourselves as an AI company.”
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Mike studied photography at college, honing his Adobe Photoshop skills and learning to work in the studio and darkroom. After a few years writing for various publications, he headed to the ‘Big Smoke’ to work on Wex Photo Video’s award-winning content team, before transitioning back to print as Technique Editor (later Deputy Editor) on N-Photo: The Nikon Magazine.
With bylines in Digital Camera, PhotoPlus: The Canon Magazine, Practical Photography, Digital Photographer, iMore, and TechRadar, he’s a fountain of photography and consumer tech knowledge, making him a top tutor for techniques on cameras, lenses, tripods, filters, and more. His expertise extends to everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...
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