I saw red and you should, too! Now’s your last chance to capture vibrant fall colors with your camera

red leaves of autumn falling on the ground in a wood
(Image credit: Westonbirt, The National Arboretum/Johnny Hathaway)

The dictionary might define an arboretum as "a place where trees or shrubs are cultivated for their scientific or educational interest", but I’d say it’s a place you can go to capture a variety of interesting photos, from landscapes, abstracts, and patterns to macro. The best time to go is, of course, fall, because of the red and yellow colors adding to the greens of the all-year-round foliage. Now is pretty much your last chance for the year, as winter weather sweeps in and there are more leaves on the ground than on the trees, which is why I visited Westonbirt National Arboretum in the UK.

What lenses should I take, I hear you ask? Well, surprisingly, I wouldn’t go with a super wide-angle lens (like 18mm), as the widest you’re likely to need is a 24-28mm standard zoom, and often you’ll want to zoom in to frame specific features. The other consideration is that this is a wood/forest, so if you need more space for a shot, simply move backwards, and avoid the heavy distortion that you get with those super wide-angle shots.

The other lens to definitely pack is a 105mm or 150mm macro lens for flowers, mushrooms, berries, and leaf close-ups. In fact, if you really want to set yourself a challenge, just take that 105mm macro lens because you can still use it for your landscape shots as well as the macro ones.

1. The standard landscape shot

A standard landscape image is probably what’s first on your mind when you think of fall photography (Image credit: Wendy Evans)

Here’s a standard landscape shot, using the red foliage to provide depth. I composed the image so that the trees progressively step back as you look into the photo, from the bush-like one in the foreground onwards. I used an aperture of f/8 to maximize the lens's sharpness and depth of field.

2. Flower portraits

Extremely shallow depths of field can prove challenging when capturing close-ups (Image credit: Wendy Evans)

Under the cover of the trees there will be wild flowers and mushrooms growing, especially as we get into the wet season. I brought a mat to kneel/lie on and a beanbag to rest my camera on to keep it steady (If permitted, you could use a travel tripod). This setup allowed me to get down low to photograph at my subject's level. For group shots, I like to put the first flower on a third vertical and focus on the stamen.

3. Let’s get abstract

Woodland always presents a plethora of patterns, textures, and colors that make wonderful abstract images (Image credit: Wendy Evans)

If you’re visiting a managed wood/forest, somewhere there will be a pile of chopped up logs just asking to be photographed. Duly oblige them by filling the frame with the logs and shooting from parallel to the pile to make it about the pattern and textures. Here, I used a 35mm focal length at f/6.3.

4. Launch an ICM

ICM is a fun creative technique that’s ideal if you’re struggling to find a specific subject (Image credit: Wendy Evans)

A classic shot is looking straight up towards the tree canopy, but as the sky was grey and dull, I decided to hone my intentional camera movement (ICM) skills. This is where you use a slow shutter speed to intentionally introduce motion blur as you physically move the camera in the desired direction.

For this image, I paused initially to get a solid recording of the tree and then moved the camera downwards to create streaking highlights. I used a narrow f/22 aperture, blocking enough light so I could reach a 1/4th sec exposure.

5. Turn over a new leaf

Autumnal leaves make great close-up subjects (Image credit: Wendy Evans)

There will likely be flowering trees and trees with fruit, as well as leaves turning a spectacular color, like the image above. I deployed my macro lens with a wide aperture to blur the background. If the sky is blue, you can compose your subject with that as the background; otherwise, try to find a shot where the green foliage is in the distance for a more pleasing backdrop.

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If you’re capturing fall, then the best tripod is essential. You might also use a polarizing filter to banish reflections from rain-soaked leaves. And finally, make sure you’ve got a waterproof bag for your gear if it starts raining.

Wendy Evans
Technique Editor, Digital Camera magazine

Wendy was the Editor of Digital Photo User for nearly five years, charting the rise of digital cameras and photography from expensive fad to mass market technology. She is a member of the Royal Photographic Society (LRPS) and while originally a Canon film user in the '80s and '90s, went over to the dark side and Nikon with the digital revolution. A second stint in the photography market was at ePHOTOzine, the online photography magazine, and now she's back again as Technique Editor of Digital Camera magazine, the UK's best-selling photography title. She is the author of 13 photography/CGI/Photoshop books, across a range of genres.

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