Canon crams a box lens into a portable package with a new 7.3mm to 197mm and 2x teleconverter!
(Image credit: Canon)
Canon has unveiled a new broadcast lens called CJ27ex7.3B. This latest broadcast lens is tailored for captivating visual storytelling. This innovative lens introduces Canon's first 2/3” portable lens with an impressive 27x optical zoom, expanding the company’s renowned broadcast lens lineup.
This new lens boasts exceptional optical performance, delivering Canon's highest image quality standard for broadcast optics, covering a focal range from 7.3mm to 197mm, the CJ27ex7.3B incorporates a built-in 2x extender, extending its maximum telephoto reach to 394mm.
According to Brian Mahar, senior vice president and general manager of Canon U.S.A "Canon is dedicated to providing top-tier equipment to elevate visual storytelling. This new lens ensures strikingly sharp video footage across news, entertainment, sports, and more."
(Image credit: Canon)
Designed for portability akin to conventional ENG lenses, the CJ27ex7.3B integrates a remarkable 27x zoom ratio previously exclusive to 2/3” box lenses (which are studio lenses) into a portable form.
Its versatile focal length suits various settings, from hand-held news reporting to live sports and broadcast studios. The lens's 7.3mm wide angle sets the scene effectively, while the 197mm telephoto end captures intimate shots of the subject.
Canon's latest drive unit, the e-Xs V, also enhances user experience with features like an angled 20-pin connector and built-in USB-C connector, simplifying equipment setup and maintenance. Additionally, advanced features such as Focus Breathing Compensation and Automatic Restoration of Illumination Attenuation (ARIA) technology minimize image distortion and effects like f-drop/ramping during zooming.
(Image credit: Canon)
The CJ27ex7.3B broadcast lens is scheduled for release in August 2024 but will be showcased at NAB 2024 in Canon's booth at the Las Vegas Convention Center. This lens promises unmatched capabilities for live broadcasts, making it ideal for capturing the excitement of major sporting events or delivering expansive views with exceptional clarity.
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While this might not be a lens choice for many of us it does tech zoom tech to another level that we never thought possible in ENG cameras, which is an exciting time!
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For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science, and is a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected into BEWA, The British Equestrian Writers' Association.
He is familiar with and shows great interest in street, medium, and large format photography with products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2 shooting Street photography or general life as he sees it, usually in Black and White.
