The best video tripods in 2025: camera supports for shooting movies smoothly

Ulanzi VideoGo Travel Video Tripod
(Image credit: Ulanzi)

When shooting stills, I’m generally trying to capture a scene in a single shot or aiming to nail a definitive moment in time. I want a tripod that’s rock steady and won’t budge. Video is a whole different ball game. It's all about moving pictures, and movement is often the key ingredient. I’ll want to pan and tilt at will, to track the action. That means I’ll need a fluid head that lets me move the camera smoothly, giving my footage a dynamic, cinematic quality. Whether you're a vlogger or a filmmaker, a good video tripod is one of the wisest, most effective investments you can make.

Not just different by design in the way they work, video tripods also tend to have longer top plates than photographic ones, giving more versatility in positioning and balancing the camera. Another common feature is a counterbalance system that makes it easier to keep things on the level, and additional threaded sockets for attaching accessories like a mic, light, or monitor. Some also have leg-spreaders for extra stability and spirit levels for perfectly straight horizons. Check out our rundown of 7 ways video tripods are different from regular ones for a more thorough look at the key differences.

I've split this guide into sections for different types of users, from vloggers who want a lightweight solution to bigger, more stable options for filmmakers with heavy payloads. I’ll also be catering to different budgets so, wherever you are in your filmmaking journey, here are the best video tripods you can buy right now.

The Quick List

The best video tripod

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Best overall

(Image credit: Matthew Richards)
This good quality, sensibly priced video tripod is the best deal for most of us

Specifications

Weight: 5.8kg
Folded height, max height: 89.5cm, 171cm
Max load (legs): 12kg
Head: 504X Fluid Video Head

Reasons to buy

+
Smooth pan and tilt, adjustable fluidity
+
4-position counterbalance system
+
Smart range of advanced features

Reasons to avoid

-
Spreader sold as an optional extra
-
Overkill for lightweight cameras
-
Expensive

Built to an exceptional standard, this tripod kit is made with professional-grade video in mind. It’s robust enough to take a specialist cine camera or a pro-level full-frame camera, and gives rock-solid support. In my testing, I was delighted with the ease of setup, with single-twist legs making adjustments a breeze.

The head supplied in this kit is a work of art, with beautifully smooth pan and tilt, and adjustable drag to choose the degree of friction you want. This isn’t a cheap kit, but the fluid filming experience it delivers easily justifies the cost.

Read our full Manfrotto 504X 635 Fast Single Leg Carbon review

Best budget option

(Image credit: Jamie Carter)
This is a decent deal for strapped-for-cash videographers

Specifications

Material: Aluminum alloy
Extended height: 1.86m
Folded height: 0.89m
Weight: 2.86kg
Leg sections: 3
Maximum load: 8kg

Reasons to buy

+
Lightweight design
+
186cm max. height
+
Fluid ball-head
+
Leveling bowl base
+
Multiple threads for accessories

Reasons to avoid

-
Feels a little flimsy
-
For lightweight set-ups only
-
Plastic joints and levers

The SmallRig AD-01 3751 does a convincing impression of a high-end product while being highly affordable. Eschewing any expensive materials, it’s entirely constructed using aluminum alloy and plastic, which makes it best considered for use with mirrorless cameras.

With lots of advanced features for a low price, I think that the SmallRig AD-01 3751 deserves consideration by anyone on a tight budget who’s just starting out in videography and filmmaking and needs a capable entry-level tripod for a mirrorless camera.

Read our full SmallRig Heavy-Duty Fluid Head Tripod review

Best for lightweight

(Image credit: Jamie Carter)
Super-light but super-strong, this is a pro-level video tripod with a price tag to match

Specifications

Material: Carbon fiber
Extended height: 180cm
Folded height: 60cm
Weight: 1.95kg
Leg sections: 4
Maximum load: 27kg

Reasons to buy

+
Excellent carbon fibre build
+
Built-in spirit level

Reasons to avoid

-
Very expensive
-
Spikes are slightly short

It's easily possible to spend a lot of money on a video tripod. The ProMediaGear TR344L certainly won't be for everyone, with a four-figure price tag that rules out casual users and those on a strict budget, however, it really is an excellent video tripod.

With a strong but lightweight carbon fiber build, it's great for run-and-gun filmmaking, with an option to swap out its flat plate for the ProMediaGear 75mm Bowl Head Adapter. It can be manipulated into all manner of unusual configurations for those difficult shots, and its rubber feet conceal little spikes for a bit of extra grip.

Read our full ProMediaGear TR344L Pro-Stix review

Best base

(Image credit: Rod Lawton/Digital Camera World)
These carbon fiber legs provide a solid base, but you'll need to get the head separately

Specifications

Material: Carbon fiber
Extended height: 61.41"
Folded height: 23.22"
Weight: 2.3kg
Leg sections: 3
Maximum load: 59kg

Reasons to buy

+
Surprisingly tall given its folded size
+
Flat and bowl plates included
+
Immensely strong

Reasons to avoid

-
You’ll need to get a head separately
-
No center column
-
It’s expensive!

Make no mistake, the 3 Legged Think Nicky is a professional-level tripod for a discerning audience. Made for photographers and videographers working with heavier kits, it’s strong, straightforward to use, tall, and adaptable.

It’s a base, not a kit, however, so unless you have these things already (many videographers will), you’ll also need to budget for a head and perhaps a leveling bowl too. In my tests, I used the Nicky with 3 Legged Thing AirHed Cine head and 75mm Half Bowl. They play really well together!

Read our full 3 Legged Thing Nicky review

Best for quick setup

(Image credit: SmallRig)
This levels in an instant using hydraulics to release and lock legs

Specifications

Material: Carbon fiber
Extended height: 168cm
Folded height: 79cm
Weight: 3.7kg
Leg sections: 3
Maximum load: 6kg

Reasons to buy

+
Quite quick and easy to set up
+
Fluid head with counterbalance
+
Good range of adjustments

Reasons to avoid

-
A little lacking in precision
-
Delayed hydraulic locking
-
Not particularly rigid

A collaboration between SmallRig and YouTuber 'Potato Jet', the Tribex's unique feature is that it uses a hydraulic system that allows for quick and easy setup by releasing all leg sections simultaneously with a single lever. The tripod also includes a fluid head for smooth tilting and panning, a counterbalance adjuster, and a simple lever for switching between different types of quick-release plates.

It certainly achieves its goal of speeding up and easing setup; however, achieving absolute levelness is more challenging when compared to tripods with traditional leveling systems. The hydraulic system also has a slight delay in locking the legs, requiring the tripod to be held in position for a moment longer than expected. While the tripod is compact and lightweight, with a good operating height range, it is a little lacking in rigidity and more prone to vibration, especially at maximum height. But it's reasonably priced for an up-market carbon fiber video tripod, making it a good value considering its features and design.

See our full SmallRig x Potato Jet Tribex Hydraulic Carbon Fiber Tripod Kit review

Best for students

(Image credit: Matthew Richards)
Looking for a great feature set at a budget price? Look no further…

Specifications

Material: Aluminum
Extended height: 192cm
Folded height: 91cm
Weight: 4kg
Leg sections: Multitube
Maximum load: 8nkg

Reasons to buy

+
Traditional design with spreader
+
Fast to set up 
+
Comes with carry case

Reasons to avoid

-
Not very compact to carry
-
No drag/counterbalance adjustment
-
Lower head quality

The Neewer LL27 is an attractively priced yet well-featured video tripod that comes complete with a fluid head, and is particularly suitable for those on a budget but who demand pro-like features, such as students. It's quick to set up, has a tall maximum height (192cm), and has a sturdy build that can handle a reasonable load rating of 8kg. There are also a couple of sockets with ¼” threads on the platform to accommodate accessories.

The tripod's legs are constructed from multiple aluminum tubes with single-lock levers for each leg, facilitating speedy height adjustments, while the leveling bowl allows for quick and easy base leveling. The fluid head enables smooth panning and tilting, with a reversible panning handle. A quick-release plate is Arca-Swiss compatible and includes both 1/4" and 3/8” connection screws.

While the Neewer LL27 is not as robust as professional-grade tripods and is prone to vibration at taller heights, it offers a generous feature set and good performance for a very affordable price.

Read our full Neewer LL27 video tripod with fluid head review

How to choose a video tripod

So why would you need a specialized video tripod, and won’t your regular photography tripod do the job? A standard tripod’s main function is to be a rock-solid support to keep the mounted camera perfectly still for the length of an exposure. This will usually mean that it is untouched by the photographer once the shutter is fired (and even then, this is ideally done with a remote to minimize the chance of jogging the camera). A video tripod, by contrast, needs to support a camera that will be constantly operated by a videographer, and able to be manipulated to follow subjects, panned and zoomed, to smoothly record a moving image. Here are the main things to look out for:

Fluid head
This specialist head uses a fluid-filled chamber that provides resistance to allow for smooth panning and tilting to give the steady, controlled movements that are essential for professional-looking footage. Adjustable drag controls determine the amount of resistance, and the head movement is usually controlled by a locking arm that can used single-handedly.

Load capacity
The mirrorless camera at the heart of your video setup may not weigh that much, but add on long pro lenses, follow-focus rigs, monitors, and all the other paraphernalia that recording video entails and the pounds soon pile up. Not only does the tripod have to support all that, but it needs to do so while panning and tilting the whole setup smoothly.

Operating height
You may need to shoot above crowds or get low to the ground for macro work, so minimum and maximum heights are important. An extending center column may give you an extra height boost, but be aware that the higher this extends, the wobblier things get. To get extremely low to the ground, you might want a separate ‘hi-hat’ mini tripod, or a set of video legs that transforms to this.

Leveling bowl
With a regular tripod, the camera is leveled by adjusting the tripod legs, but with video work, a leveling bowl atop the tripod enables quick and easy adjustments as you shoot. It consists of a bowl-and-ball mechanism, that allows for far more precise leveling than adjusting the legs individually, and typically come in 75mm, 100mm and 150mm sizes – the bigger sizes support greater loads but also are heavier and come at a higher cost.

Spreaders
Spreaders provide a further connection between the tripod legs and offer additional stability with heavier rigs. They come in ground and mid-level versions: ground spreaders are exclusively used in studio environments with a flat floor, while mid-level spreaders are suited to uneven terrain and are ideal for location shooting.

How we test video tripods

We test and review at Digital Camera World by subjecting photo and video equipment to a range of in-house lab tests and in-the-field shooting exercises, designed to give us a thorough sense of how a piece of gear performs. For video tripods, we check stability, ease of setup, smoothness of operation, portability and height range, and use our findings to inform our comments in buying guides like this one.

Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.

He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.

With contributions from