Cheat sheet: Wide vs narrow aperture

Scroll down for your cheat sheet

Adjusting the aperture of your lens is one of the key ways in which we can influence how an image turns out. 

Aperture determines how much light can pass through a lens at a given shutter speed. 

Most cameras allow you to adjust this through a control on the body, although some lenses have a physical ring around their barrel. Whichever way you perform this action, what happens is the same: a number of blades inside the lens move so that the opening they create changes in diameter. 

Wide, or large, apertures correspond with small f/ numbers, such as f/2.8 and f/4. Narrow, or small, apertures correspond with high f-numbers such as f/16 or f/22. Learn why small apertures have high f-numbers here (opens in new tab).

When to use a wide or narrow aperture

There are a number of reasons why you may want to adjust this. First, as wide apertures let in more light than narrow ones, they're useful when you're photographing in low light. Here, typically want to want to let as much light in as possible, as you might struggle to get a fast enough shutter speed to get a sharp image.

Read more: Cheat sheet: Three key lessons for every new photographer (opens in new tab)

The reason for this is that shutter speed and aperture are directly related. As you make your aperture smaller, you need to have a longer shutter speed in order to let the same amount of light through to the sensor. Any more or any less and your image will be brighter or darker respectively.

If it helps, think of it like a hourglass. A small opening between the two chambers would only allow sand from the top to trickle down slowly. Make this opening wider, however, and it won't take a as long for the same quantity of sand to pass through to the bottom.

You might also want to use a wider aperture when you want to isolate specific subjects from their backgrounds. 

A portrait photographer, for example, would typically use a wide aperture of f/1.8 or f/2 so that all the focus can be placed on their subject at the expense of details in the background. This is known as having a 'shallow' depth of field.

Read more: Cheat sheet: Depth-of-field decisions (opens in new tab)

Meanwhile, a landscape photographer may use a much smaller aperture such as f/13 or f/16 so that everything in the frame is in focus, from the foreground right through to the background. 

The cheat sheet below goes into more detail, so make sure to keep it handy – and keep us bookmarked so you can check back for more useful cheat sheets! 

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The former editor of Digital Camera World, "Matt G" has spent the bulk of his career working in or reporting on the photographic industry. For two and a half years he worked in the trade side of the business with Jessops and Wex, serving as content marketing manager for the latter. 


Switching streams he also spent five years as a journalist, where he served as technical writer and technical editor for What Digital Camera before joining DCW, taking on assignments as a freelance writer and photographer in his own right. He currently works for SmartFrame, a specialist in image-streaming technology and protection.