Skip to main content

Capture One Luma Ranges: how to use them for complex adjustments and masks

Capture One Luma Range
(Image credit: Paul Reiffer)

We continue our series of pro editing secrets for Capture One software with a look at Capture One's Luma Ranges. With these you can make adjustments based on brightness value without the need for time-consuming manual masking.

Capture One secrets

This series on Capture One has been specially commissioned from globetrotting pro photographer and editing expert Paul Reiffer.

See the full Capture One series
Capture One 21 review
Best photo editing software

Capture One has an amazing array of helpful tools designed to select and adjust specific sections of your images – from Gradient Masks to the latest “Magic Brush”, Auto-Mask and, of course, the standard brush.

But it’s sometimes easy to forget one of the most powerful tools available to us in terms of isolating areas of a challenging shot, that can be applied to each and every type of mask – The Luma Range.

With the ability to select specific brightness values of an image, not just being based on a pixel’s position, the Luma Range offers up an unique way of selecting certain areas of a complex photograph in a way that can get the very best from your camera’s dynamic range while keeping the shot true to life.

Often when we’re shooting in high contrast scenes, we’d like to separate out the bright areas from the shadows and treat them differently. While the HDR sliders can help us with brightness, it can’t help adjust white balance or other aspects individually from the rest of the shot, resulting in compromises needing to be made.

We want to enhance the sky in this image, but without a mask there's no combination of adjustments that won't spoil the foreground at the same time. (Image credit: Paul Reiffer)

When we know there is a set region (in brightness terms) of an image that has more detail available to us, but where a blanket change to, say, Exposure won’t help – the Luma Range allows us to refine the selection to only certain values for ultra-sharp, accurate, natural masks.

Step 1: Create a mask

This gradient mask is a rough selection only – it includes the mountains and treeline too. This is where we need the Luma Range controls. (Image credit: Paul Reiffer)

On any mask layer, having created some form of initial mask, click the “Luma Range” tool at the top and you’ll see the popup appear.  That popup will start out with the initial “ramped” selection – starting at 0 masking for values of 0 on the histogram, increasing (ramping up) to 100% mask for values above 20.

Likewise, for the highlights, the default mask will include anything below 235 on our histogram and then slowly fade to having 0% mask on anything that’s 255.

Step 2: Adjust the Luma Range

We can start by making sure all the highlight tones are included in the mask. (Image credit: Paul Reiffer)

In this case, we want to include the brightest parts of the sky, so we slide the upper value to be 255 as well (so there is no falloff, everything under 255 but before 20 is now included). You’ll see the mask itself adapt to show you what’s now included.

Step 3: Exclude the darker tones

Now we need to exclude the darker tones of the mountains. (Image credit: Paul Reiffer)

Doing the same with the shadow end to exclude the mountains, we now slide it up until the mountains are outside of the mask but everything else remains.

Step 4: Check the edges

Zooming in, we can see that the edges around the trees show artefacts. (Image credit: Paul Reiffer)

One quick check on the tree-line (or hair-line, area around the subject, etc) and we can see there’s some mask artefacts around the details. This is simply a by-product of the selection that’s been made to decide what’s included or excluded, and we need to soften that transition.

Step 5: Radius and Sensitivity

Radius and Sensitivity mask adjustments. (Image credit: Paul Reiffer)

Using Option+M, we can bring up a greyscale mask, along with the Luma Range, where we can now use Radius and Sensitivity sliders to soften those boundaries for a perfect line.

Once complete, you now have a selection that only includes the chosen parts of your image based on their initial position (through the brush/gradient tool) and then also their value on the histogram from 0 to 255 (or any range you choose within).

Step 6: Make your adjustments

With the sky alone selected, we can now enhance it however we like without affecting the rest of the scene. (Image credit: Paul Reiffer)

With that in place, you now have complete control of that area to adjust it independently of the rest of the image, allowing the edit to matches what you saw.

Luma Range can be used for any mask

There are a number of different ways to create a mask, but remember, the Luma Range can be applied to each and every one of them to further refine your selection. Especially useful in detailed areas, or where Magic Brush can’t quite guess what you’re trying to do, it’s one of the most powerful ways of selecting a region of an image that exists in Capture One. 


About Capture One

Capture One is an all-in-one non-destructive image cataloguing, raw processing and editing tool, and its closest rival is Adobe Lightroom Classic. Capture One regularly features in our guide to the best photo editing software, thanks to its high-quality raw processing, in-depth color controls and layer and mask based editing.

Get Capture One Pro 22: $299 or $179/year

Get Capture One Pro 22: $299 or $179/year
Capture One Pro is available either for a single one-off license fee on a paid-monthly subscription or an annual subscription which offers a big saving over the monthly option. 

Paul Reiffer
Paul Reiffer

Paul Reiffer is an award-winning photographer and landscape artist. As a global ambassador for both Phase One and Capture One, he specialises in grand vistas, electrifying cityscapes and iconic views. His images have been published all around the world in well-known books, newspapers and magazines as well as supporting global travel and hospitality brands to reach and excite their audiences. His technical expertise is regularly called upon for industry insights, and through his luxury workshop programme as well as online channels, he’s carved out a unique style of teaching that is now appreciated by thousands worldwide. Shooting with ultra-high-resolution Phase One cameras, his work is used commercially by interior designers and clients ranging from National Geographic to British Airways, Marriott, Land Rover and many more.