Three quarters of photographers don’t trust an AI edit, says AI-editing platform
According to the survey, more often than not, AI creates “unnatural-looking” images, with the vast majority of respondents preferring authenticity over perfection
A new study carried out by the folks behind an AI-powered photo editing software has found that the vast majority of its users don’t like the way its AI adjusts photos, often leaving creators with an “unnatural” final result.
The survey was carried out by Skylum, the parent company of Luminar, which found that, of 1,328 survey respondents, 76% who use Luminar on their smartphones dial back the AI suggestions to create a more “authentic” feel.
What’s more, according to the data, 93% of respondents, whom Skylum has defined simply as “photographers,” said they want results that look “natural.”
I don’t think this study reveals anything starkly different to what the photography community already feels towards AI in general: that part of the problem with the technology is that it can create results that just don’t feel right.
But I do think the study highlights that there is an acceptance within the community to use AI in post-production, as long as it doesn’t edit images in a way that you wouldn’t.
After all, 73% of respondents said staying “natural” mattered more to them than looking “flawless,” while only 39% of respondents said they hold back from AI editing altogether, which leads me to believe that photographers want the time-saving benefits of AI without feeling like AI has taken the reins.
Skylum also said that 80% of respondents would rather a photo captures “feeling” than “technical details”, which I guess does allude to a new insight that there may be a general feeling among photographers that AI oversharpens images, for example. However, that’s my take, as the company didn’t clarify what “technical details” meant.
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I think the overall takeaway here is that, among Luminar users at least, there’s no issue with using AI, as long as it edits images in a way that reflects what they actually saw when pressing the shutter – and that the final result doesn’t deviate from the creative vision they had.
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I’m a writer, journalist and photographer who joined Digital Camera World in 2026. I started out in editorial in 2021 and my words have spanned sustainability, careers advice, travel and tourism, and photography – the latter two being my passions.
I first picked up a camera in my early twenties having had an interest in photography from a young age. Since then, I’ve worked on a freelance basis, mostly internationally in the travel and tourism sector. You’ll usually find me out on a hike shooting landscapes and adventure shots in my free time.
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