Pixii Max returns: full-frame digital rangefinder is now back on pre-order after a sensor shortage

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Sensor shortage halted Pixii Max production, but now it's back on track for April shipments

Pixii Max
(Image credit: Pixii)

The highly anticipated Pixii Max digital rangefinder is now back on for pre-order once again, following a confirmation email from Pixii of production schedules.

The French camera brand, known for bringing the classic rangefinder experience into the modern era, has announced that sensor shipments have been confirmed. This allows production to commence in March. Deliveries will resume in early April, meaning eager photographers can soon get their hands on this innovative full-frame camera.

Pixii Max sensors in a tray

(Image credit: Pixii)

Marking Pixii’s first foray into the full-frame market, the Pixii Max features a 24.5MP BSI CMOS sensor housed in the same compact, machined aluminum body as its APS-C predecessor. The camera is equipped with a 64-bit processor, 128GB of internal storage, and a Leica M-compatible mount, making it a compelling choice for photographers who appreciate the traditional rangefinder experience while benefiting from state-of-the-art digital imaging technology.

One of the standout features of the Pixii Max is its ability to produce native DNG RAW images in both color and monochrome—a first in the market. The 24 x 36mm sensor size is identical to the standard 35mm film frame, optimizing light capture and enhancing the performance of classic M-mount lenses. Coupled with its advanced processor, the camera delivers sharp, low-noise images with an improved dynamic range, making it an attractive option for professionals and enthusiasts alike.

As a true rangefinder camera, the Pixii Max provides a fully manual focus experience. The M-mount lens focus rings operate a lever inside the camera, aligning images from two viewfinder windows into a single, precisely focused image. This system is particularly effective with shorter focal lengths and in low-light environments. Aperture settings must also be adjusted manually on the lens itself, reinforcing the analog-style control that many rangefinder users cherish.

Pixii Max

(Image credit: Pixii Max)

Connectivity is another strength of the Pixii Max, with built-in Wi-Fi and Bluetooth allowing seamless integration with the Pixii App. This enables remote control, image preview, and quick transfer of images stored in the camera’s internal memory. Additionally, Pixii offers an upgrade path for both hardware and software, ensuring users can keep their cameras up to date with the latest technological advancements.

Now that production has been confirmed, the Pixii Max is once again available for pre-order through authorized retailers and Pixii’s online store.

With manufacturing set to begin in March and deliveries expected to restart in April, photographers looking to experience the fusion of classic rangefinder shooting with modern digital capabilities should act quickly to secure their spot in the first 2025 production batch.

Pre-order Pixii Max 128GB at B&H for $4,799

Pre-order Pixii Max 32GB at B&H for $4,499

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Sebastian Oakley
Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.

He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.

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