Is Irys the photo-sharing app that FINALLY does what a photo-sharing app should do?
Tired of the video-first algorithm? Street photographer Alan Schaller's new social media app, Irys, is a dedicated, ad-free space bringing the focus back on stills photography

When social platforms such as Instagram started chasing video clicks shortly after TikTok et al crashed their way into the social media landscape, many photographers were left wondering where their pictures belonged. Street photographer Alan Schaller decided to stop waiting for someone else to fix it. He built Irys, a new photo app made by photographers, for photographers, and it’s just gone live…
I had the good fortune to catch up with Alan Schaller and hear his story. He doesn’t strike you as a man with time to spare. When we speak, he’s in Tokyo juggling three exhibitions, a brace of photo shoots, and the global launch of a swanky new social platform, Irys.
Schaller co-founded Street Photography International on Instagram in 2015 and watched it grow into a 1.7-million-strong community. But then along came Reels, a propensity to favour video content and algorithmic chaos. “Photographers helped build those platforms,” he told me. “Then one day they moved on.”
Unlike me, who simply moaned about it all, Schaller took the bull by the horns and built his own app. Irys is his answer to the short-attention-span internet. It’s a clean, high-resolution space for still images. There are no follower counts, no ads, no data sales. Curation is done by real editors, not algorithms. “Numbers became a proxy for merit,” he says. “I want the work to stand on its own.”
Irys bans generative AI and limits screenshots and unauthorized sharing. Fine-art nudity is allowed with context, moderation is handled by humans, and storage supports full-size files so the pictures stay sharp.
There’s a free tier, but the small subscription unlocks pro-level tools. “Hosting, privacy, and proper moderation cost money,” Schaller says. “We’re doing it properly.”
Groups are central to Irys’s mission. Photographers can form communities, post photowalks, or share private collections for workshops and clients. I’m also excited to hear that print fulfilment, publishing and exhibitions is on the imminent horizon. “You make the pictures,” Schaller says. “We’ll handle the rest.”
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Unlike Instagram, Irys isn’t trying to be everything for everyone. It’s a niche built on purpose, not scale. Schaller calls it complementary rather than competitive. “Meta builds for everyone,” he says. “We’re building for photographers.”
In a world where the photograph has been reduced to a thumbnail between videos, Irys feels like a cool place to hang with like-minded photographers. A place to slow down, look harder and remember why we pick up a camera in the first place.
The app has only been live for a couple of weeks, although I did enjoy some time in the pre-release phase and I’ve got to say I have really enjoyed connecting to fellow photographers on a more meaningful level.
Irys is available now on the App Store and Google Play.
Benedict Brain is a UK based photographer, journalist and artist. He graduated with a degree in photography from the Derby School of Art in 1991 (now University of Derby), where he was tutored and inspired by photographers John Blakemore and Olivier Richon, amongst others. He is an Associate of the Royal Photographic Society and also sits on the society’s Distinctions Advisory Panel.
Until July 2018 Benedict was editor of Britain’s best-selling consumer photography magazine, Digital Camera Magazine. As a journalist he met and interviewed some of the world’s greatest photographers and produced articles on a wide range of photography related topics, presented technique videos, wrote in-depth features, curated and edited best-in-class content for a range of titles including; Amateur Photographer, PhotoPlus, N-Photo, Professional Photography and Practical Photoshop. He currently writes a regular column, The Art of Seeing, for Digital Camera magazine.
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