My technique for creating bizarre portraits will have your people pics looking like a Picasso
Channel your inner Pablo Picasso (or Dr Frankenstein) by assembling a portrait made from a mishmash of body parts
Unlike the aforementioned Frankenstein this particular portrait project doesn’t require you to scour mortuaries or dig up body parts from the local cemetery. All the facial elements are coming from the same person, but once assembled will produce something as weird or wonderful (but mainly weird) as you like. There are different ways of capturing each feature, as well, but the basic plan is to take a head and shoulders shot with a portrait lens, or 50-100mm focal length lens. You can go with a wide aperture and completely throw the background out of focus, but also soften features in front of or further back from the focal point. Or, you can use an f/8 aperture and try to get the base image all in focus.
You then need to switch to a macro lens and shoot close up images of each facial element – eyes, nose, mouth, ears are the basics – but it’s worth including other parts like the forehead or chunks of neck. Don’t be afraid to get pretty close to fill the frame, because otherwise you’ll need to select and mask off parts of these close up images. You can go for detail, with a narrow aperture, or throw it wide open and just add the shallow depth of field to the sense of unreality. The trick is to shoot the close ups from different angles or with different expressions than the main image. Then it’s time to compose your creation.
How to create a bizarre portrait
1 Shoot the baseline portrait
The baseline image is the one onto which everything else will be added. Use a portrait lens to capture a head and shoulders portrait. Either go wide with an aperture such as f/1.8 or add more depth and detail with a narrower aperture such as f/8.
2 Capture the close-ups
Switch to a macro or close-focusing lens for close-up shots of individual features. Use a wide aperture to avoid having to increase the ISO if you're struggling for light. Ask your subject to exaggerate their expressions for a wilder aesthetic.
3 Start your composite
Load your base portrait into your chosen photo editing software then drop in the individual photos. Resize to fit, rotate some for effect and use masks to remove unwanted parts. Also, add a white border! Save the project so you can make variations and then flatten the layers and export your creation as a JPEG.
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Wendy was the Editor of Digital Photo User for nearly five years, charting the rise of digital cameras and photography from expensive fad to mass market technology. She is a member of the Royal Photographic Society (LRPS) and while originally a Canon film user in the '80s and '90s, went over to the dark side and Nikon with the digital revolution. A second stint in the photography market was at ePHOTOzine, the online photography magazine, and now she's back again as Technique Editor of Digital Camera magazine, the UK's best-selling photography title. She is the author of 13 photography/CGI/Photoshop books, across a range of genres.
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