"Work really hard and don’t be a dick" says 'Elvis' cinematographer
Award-winning cinematographer of the 'Elvis' biopic shares the best advice she's ever been given
"Work really hard and don’t be a dick." That's the best advice that Mandy Walker, the renowned cinematographer known for her work on films like Mulan and Australia, has ever received.
There was another piece of slightly more technical advice, too. But even for an award-winning director of photography – who made history by becoming the first woman ever to win the Best Cinematography Award from the Australian Academy of Cinema and Television Arts – at the end of the day it all comes down to work ethic and building relationships.
Walker received the award for her work on the 2022 Elvis biopic, directed by Moulin Rouge maestro Baz Luhrmann. The picture was also recognized by the American Society of Cinematographers, which nominated her for a Theatrical Feature Film award nomination.
"I am very honored to receive these awards and nominations," she said in a recent conversation with Panavision . "Hopefully it opens the door for many other female cinematographers to follow."
Panavision not only provided lenses for the Elvis production, but also created a specially made T Series Elvis Anamorphic lens – which, unlike overly pristine modern lenses, produced the kind of vintage flare and aberration that was characteristic of lenses from the Seventies, to depict the second half of Elvis Presley's life.
When asked about the best advice she had ever received, Walker cited words of wisdom from a pair of phenomenal cinematographers. "Two things: John Seale [Mad Max: Fury Road, The English Patient] said to me, 'Day exteriors are the hardest lighting situation,' and Russell Boyd [Master and Commander, Gallipoli] said, 'The best advice I can give you is to work really hard and don’t be a dick.'"
Make sure to check out the full conversation with Mandy Walker over at the Panavision website. Elvis is now streaming on HBO Max and is available to watch on Prime Video.
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James has 22 years experience as a journalist, serving as editor of Digital Camera World for 6 of them. He started working in the photography industry in 2014, product testing and shooting ad campaigns for Olympus, as well as clients like Aston Martin Racing, Elinchrom and L'Oréal. An Olympus / OM System, Canon and Hasselblad shooter, he has a wealth of knowledge on cameras of all makes – and he loves instant cameras, too.