Leica still gung-ho on film and APS-C, but don't expect IBIS or EVF in M cameras

Leica: no IBIS or EVF in M series, but film and APS-C cameras will continue

Leica has made clear its plans regarding a number of its key product lines, spelling out the future of its film and APS-C cameras, and whether its M series cameras will receive mirrorless conveniences like in-body image stabilization (IBIS) and electronic viewfinders (EVF). 

There has been plenty of speculation about the Leica line-up, with many suggesting that production of its film cameras was coming to an end, and that recent reductions to the Leica CL (which was slashed by $1,495 earlier this year and is now available for just $2,995) likewise spell the end of the manufacturer's APS-C efforts. 

• What's the best Leica camera?

Leica’s global production director, Stefan Daniel, clarified the company's position on these products in recent comments to the International Leica Society, as reported by Macfilos (and spotted by Leica Rumors). 

With regard to film cameras, Daniel confirmed that Leica is still committed to producing analog bodies. "He emphasized that there is a huge growth in demand for second-hand Leica film bodies and new cameras are on backorder," reported Macfilos. "This level of interest in film cameras was something that he hadn’t seen since the arrival of the digital Ms over ten years ago."

Similarly, the company's APS-C aspirations are still very much alive despite the price cuts to the CL – which he noted is “far from being discontinued but needs some stimulation”. There has already been some stimulation from Leica's partner in the L-mount Alliance, with Sigma recently announcing a trio of f/1.4 lenses. While noting that the APS-C market is very competitive, thanks to the efforts of Sony and Fujifilm, Daniel confirmed that the format will continue to be part of the Leica range.

Anyone looking for innovations in the rangefinder line may be disappointed, however, as he noted it was unlikely that EVFs or IBIS would be introduced to the Leica M series.

"He said that there had been many discussions on the subject within Leica and there are 'pro-people and con-people'," wrote Macfilos. "But, he said, the M stands for Messsucher, the traditional rangefinder, and if you take that away it would no longer be an M. An electronic viewfinder would be a nice addition but it can be found on other cameras such as the SL2. The likelihood of a pure EVF M body is 'highly unlikely'. However, he did not mention the possibility of a hybrid finder."

Regarding stabilization, this is again dictated by the integrity of the line. "He said that IBIS is desirable and would work well with M lenses as we have already seen with the SL2. The problem, however, is that IBIS would make the camera bigger, in particular thicker. He said that we would be returning to the dimensions of the M9 and that would be a step backwards after all the efforts that had been made to make the M10 thinner. He did say, however, that if it became feasible to introduce IBIS without increasing size it is something that could be done quickly." 

Leica is often criticized for not being the most innovative manufacturer, more focused on reductive products like the monochrome-only Leica M10 Monochrom than on cutting-edge tech. However, it's commendable that the company cares so much about the purity of its products that it won't introduce certain features if they betray certain principles. 

That said, we'd absolutely love to see a Leica M10 with a hybrid viewfinder like the Fujifilm X-Pro3… 

Read more: 

$1,495 price drop on Leica CL with 18mm f/2.8 lens!
Leica CL review
Leica M10 Monochrom review

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

James Artaius

The editor of Digital Camera World, James has 21 years experience as a journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus). In this time he shot for clients like Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. This has led him to being a go-to expert for camera and lens reviews, photo and lighting tutorials, as well as industry news, rumors and analysis for publications like Digital Camera MagazinePhotoPlus: The Canon MagazineN-Photo: The Nikon MagazineDigital Photographer and Professional Imagemaker, as well as hosting workshops and talks at The Photography Show. He also serves as a judge for the Red Bull Illume Photo Contest. An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.