“Coloring in buildings forced me to explore the photograph and the city with a depth I’ve never experienced before”

Art of Seeing by Benedict Brain
A experiment in hand-coloring a Tokyo cityscape on an iPad led Ben into exploring the detail of the city and dreaming up stories about what was happening. Nikon D810 with Sigma 70-200mm f/2.8 lens at 150mm. 1/125 sec at f/5.6, ISO 80 (Image credit: Benedict Brain)

In an earlier column, I shared a circular image of the Tokyo skyline, taken from the top of the Tokyo Skytree in 2016. Several weeks later I was experimenting with an iPad Pro and Apple Pencil, and seeing how I could integrate them into my workflow. I grabbed the circular Tokyo image as it was near the top of the Recent Images folder: I simply needed an image to practise painting on with the brush tools. Using the Color Blending Mode, I started coloring in Tokyo as if it was tinted like an old photograph. 

Being able to zoom in and out with simple finger gestures was an effortlessly joyful creative process. It soon became meditative, and I can understand why the coloring-in books for mindfulness that were the craze a few years ago were so popular. It was therapeutic. Zooming out to see the enormity of the Tokyo skyline revealed just how much there was to color in, but it was an enjoyable process, so I decided to continue and commit to coloring in the whole city. 

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Benedict Brain

Benedict Brain is a UK based photographer, journalist and artist. He graduated with a degree in photography from the Derby School of Art in 1991 (now University of Derby), where he was tutored and inspired by photographers John Blakemore and Olivier Richon, amongst others. He is an Associate of the Royal Photographic Society and also sits on the society’s Distinctions Advisory Panel.

Until July 2018 Benedict was editor of Britain’s best-selling consumer photography magazine, Digital Camera Magazine. As a journalist he met and interviewed some of the world’s greatest photographers and produced articles on a wide range of photography related topics, presented technique videos, wrote in-depth features, curated and edited best-in-class content for a range of titles including; Amateur Photographer, PhotoPlus, N-Photo, Professional Photography and Practical Photoshop. He currently writes a regular column, The Art of Seeing, for Digital Camera magazine.