Leica M-10P review

Leica’s latest full-frame rangefinder adds a new ‘silent’ shutter, touch-sensitive screen and discrete styling – but does the M-10P deliver the goods?

Leica M10-P front view

Digital Camera World Verdict

This is a very likeable and beautiful camera... but there is a disconnect between the traditional luxury craftmanship and the modern electronic additions.


  • +

    Beautiful design

  • +

    High-quality finish and build

  • +

    Very quiet rangefinder


  • -

    No video capture

  • -

    Tricky access to battery and SD card slot

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There is something reassuring solid and distinguished about the Leica M10-P. It is in its genes, coming from a long line of M-series rangefinder cameras Leica has produced since 1954. 

Its old-school charm and connotations of luxury are its immediate appeal. But what sets this model apart from the many others in the series that have gone before?

In the same manner as with the M9-P and M240-P before it, this new P-for-Professional version of the M10 the branding of the camera has become more subtle. The red circular Leica logo is removed from above the lens mount; instead, you get a retro-style engraved Leica signature logo on the top plate.

In an effort to make a luxury camera even more luxurious, the plastic hotshoe cover has been replaced with an all-metal one, matching the finish of the top plate. 

See Best Leica M lenses

Front detail shot of the Leica M10-P

But there are significant changes within the brass casing and magnesium die-cast housing. This is Leica’s quietest rangefinder ever – thanks to a redesign of the camera’s shutter. The M-series has a long heritage of discrete, near-silent operation – which has held in it appeal for street photographers, photojournalists and court photographers. But this is now quieter than even earlier analogue models. In an age of Live View shooting, mirrorless mechanisms and digital shutter speeds, its competition in this area has much increased. 

This also becomes the first Leica rangefinder to feature a touch-sensitive LCD screen, and the first to feature an electronic spirit level.

Leica M10-P: specifications

• Sensor: 24MP full-frame CMOS, 23.9 x 35.8mm
Focusing: Manual, via rangefinder or Live View
ISO range: 100 to 50,000
Max image size: 5,976 x 3,992
Metering modes: Spot, centre-weighted or multifield
Video: No
Viewfinder: Direct vision with framing guides
Lens mount: Leica M
Memory card: SD/SDHC/SDXC
LCD: 3-inch fixed, 1,040k dots
Max burst: 5fps
Connectivity: Wi-Fi
Size: 139 x 39 x 80mm
• Weight: 675g (with battery)

Top detail shot of the Leica M10-P

Build and handling

The M10-P often feels like it is two cameras in one. You have the old, much-loved mechanical rangefinder, which makes you focus by lining up a ghost image with the fixed field-of-view optical viewfinder. In practice, many die-hard Leica users use zone focusing.

There are other quirks too. The battery and SD card slot are hidden beneath the chunky metal baseplate, which needs to be removed if you need access. The sensor, despite being full-frame, still only gives a resolution of 24MP. And, lest we forget, there is no video capture.

back view of the Leica M10-P

But the LCD gives you a much more modern approach to your photography. The three-inch screen allows you to use Live View and focus peeking for more accurate framing – and you can either double-tap to zoom into the image for focus precision, or you can set up the camera to do this as you move the lens’s focus dial.

GPS can be added using the optional Leica Visoflex (Typ 020) viewfinder, which attaches to the hotshoe. Costing £390 ($575), this offers a two-million-pixel LCD, and a tilt function (the built-in rear LCD is frustratingly fixed). This accessory can be particularly useful when you’re using ultra-wide and telephoto lenses, which the rangefinder is not well-designed to work with.

Top view of the Leica M10-P


The Leica acquits itself in the lab, as far as we could measure it – but we might expect this for the price. The extra electronics make this much easier to use for subjects (or photographers) where the rangefinder normally fails.

Sample images

Leica M10-P with Summicron 35mm f/2 1/500sec at f/6.8, ISO 00

Leica M10-P with Summicron 35mm f/2 1/125sec at f/11, ISO 200

Leica M10-P with Summicron 35mm f/2 1/45sec at f/8, ISO 200

Lab tests

Signal to noise ratio: 

Despite using similar sensors, the M10-P manages at lower sensitivities to produce cleaner images than the Leica Q. However, the X-Trans III sensor in Fujifilm’s X-Pro2 is still the benchmark.

Dynamic range:

Their sensor specs may differ, but these cameras are closely matched for dynamic range. The M-10P produces marginally superior results up to ISO 400.

Front view of the Leica M10-P


The Leica M10-P is a very likeable and beautiful camera... but there is a disconnect between the traditional luxury craftmanship and the modern electronic additions.


Leica M10

Leica M10

Same, same – but different. This older version has the red dot logo, and doesn’t have a touchscreen – but it is essentially the same camera for less.

Fujifilm X-Pro2

Fujifilm X-Pro2

Fujifilm’s Leica-like X-Pro2 has a smaller APS-C sensor, but also has a much smaller price tag and some great prime lenses in the range. Worth a look.

Leica Q (Typ 116)

Leica Q (Typ 116)

The Q is a bargain for a full-frame Leica. Its fixed Summilux 28mm f/1.7 lens is a beauty – so no need to spend more on lenses. Offers electronic viewfinder and AF.

Read more:

The 10 best digital compact cameras
The 10 best enthusiast cameras 
Digital Camera World Quiz: Full-frame cameras

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Chris George

Chris George has worked on Digital Camera World since its launch in 2017. He has been writing about photography, mobile phones, video making and technology for over 30 years – and has edited numerous magazines including PhotoPlus, N-Photo, Digital Camera, Video Camera, and Professional Photography. 

His first serious camera was the iconic Olympus OM10, with which he won the title of Young Photographer of the Year - long before the advent of autofocus and memory cards. Today he uses a Nikon D800, a Fujifilm X-T1, a Sony A7, and his iPhone 11 Pro.

He has written about technology for countless publications and websites including The Sunday Times Magazine, The Daily Telegraph, Dorling Kindersley, What Cellphone, T3 and Techradar.