This eerie photograph of the 1933 Nazi book-burning images demonstrates the importance of shutter speed in a terrifying way
This slow shutter image, taken during the infamous Book Burning at the Opernplatz, captured the charged, frightening atmosphere that night in 1933
Shutter speed plays a key role in capturing the “feel” of an image and is arguably the best tool in a photographer's kit for transmitting the energy of a scene. While controversial, the images taken during an infamous night of book burning carried out by the Nazis in Berlin shortly after Hitler’s rise to power in 1933 are perfect examples of this.
The shots were taken on May 10, 1933 during what came to be known as the Book Burning at the Opernplatz (today known as Bebelplatz).
That night, Nazi student groups, professors, and paramilitary members collectively set ablaze some 20,000 volumes of literary work by Jewish, liberal, leftist, and pacifist authors, with Propaganda Minister Joseph Goebbels even appearing to make a speech.
In sharp images of that day, the way in which the books are frozen flying through the air and the arms of their throwers freeze in historic detail. The hatred written on the crowd's faces is terrifyingly frozen in time.
But, take a look at how the mood changes from another photo taken on the same day when the photographer used a slow shutter speed, turning flying books into ghostly blurs and creating an eerie feel that strikes me to my core.
Whether the photographer – most likely George Pahl, a photojournalist – intentionally composed the frame with a slow shutter speed or if this was the result of the technology of the time remains unknown. However, if he’d frozen the motion, I don’t think it would have told the story of the night quite as accurately as the motion blur does.
The Book Burning at the Opernplatz marked the climax of the "Action against the Un-German Spirit," a widespread antisemitic campaign organized by the German Student Association in the spring of 1933. It systematically purged German universities and society of cultural, political, and intellectual works that didn’t align with National Socialist (Nazi) ideology.
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The long exposure photo from that day in 1933 captures the tragic day in history with a ghastly atmosphere that makes the photo feel even more frightening.
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I’m a writer, journalist and photographer who joined Digital Camera World in 2026. I started out in editorial in 2021 and my words have spanned sustainability, careers advice, travel and tourism, and photography – the latter two being my passions.
I first picked up a camera in my early twenties having had an interest in photography from a young age. Since then, I’ve worked on a freelance basis, mostly internationally in the travel and tourism sector. You’ll usually find me out on a hike shooting landscapes and adventure shots in my free time.
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