Chris Prestidge's tips on becoming an in-demand Aussie wedding photographer

Post wedding picture of two brides and their bridesmaids
In Love With You | Canon EOS R5 with Canon EF 35mm f/1.4L II USM using the EF-EOS R mount adaptor. (Image credit: Chris Prestidge)

Over the last 15 years, Chris Prestidge has become one of the biggest names in the Australian wedding photography industry. Based in Sydney’s Tamarama Beach, Chris shoots up to four weddings a week, often travelling to stunning destinations like Hawaii, Bali, the Cook Islands and Tahiti for client events. As if that wasn’t enough to make any creative green with envy, Chris’s work often graces the pages of leading bridal publications, from Hello May and Real Weddings to Bride To Be and Cosmo Bride.

We sat down with Chris to discuss the ins-and-outs of his high-flying career and uncover how he stays at the top of his game in such a highly competitive industry. We also asked about the equipment Chris uses to achieve his signature style. Also, check out his advice on how to build a career that could see you shooting in the most picturesque wedding locations in the world. 

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

Australian Camera

Australian Camera is the bi-monthly magazine for creative photographers, whatever their format or medium. Published since the 1970s, it's informative and entertaining content is compiled by experts in the field of digital and film photography ensuring its readers are kept up to speed with all the latest on the rapidly changing film/digital products, news and technologies. Whether its digital or film or digital and film Australian Camera magazine's primary focus is to help its readers choose and use the tools they need to create memorable images, and to enhance the skills that will make them better photographers. The magazine is edited by Paul Burrows, who has worked on the magazine since 1982.