This tiny retro camera sold out almost instantly – now the Camp Snap 110D is back for round two!
Missed out on the new Camp Snap 110D? This retro camera sensation is back, with November preorders now open!
If you thought the compact camera revival couldn’t get any more exciting, Camp Snap has just given us another reason to embrace retro photography. The first batch of its wonderfully nostalgic Camp Snap 110D has officially sold out, but if you missed your chance to grab one, there’s some good news.
A second batch is now available to preorder directly from Camp Snap for $74.99 in the US, or just £57 in the UK, with shipping expected to begin in November. Given how quickly the first allocation disappeared, I wouldn’t be surprised if this second run proves just as popular, so now might be the time to get that preorder back in!
US Pre-order
UK Pre-order
The Camp Snap 110D takes its inspiration from the tiny 110 film cameras that became hugely popular during the 1970s, right down to that unmistakably long and slim body. Rather than loading a cartridge of film, however, everything inside is digital. You get an 8MP Sony sensor paired with a fixed 26mm-equivalent lens, while images are saved as straightforward JPEG files to a pre-installed 4GB microSD card that can hold around 2,000 photographs. It is essentially the point-and-shoot simplicity of an old pocket film camera without having to buy or process a single roll of film.
Perhaps more importantly, there is still no rear screen. That has always been one of the biggest attractions of Camp Snap cameras, because you take the photograph and move on rather than immediately checking whether you captured the perfect shot. It brings back a little of that anticipation that made disposable and film cameras so enjoyable, while still giving you the convenience of transferring everything digitally afterward. A USB-C connection handles both charging and image transfer to a smartphone, tablet, or computer, with Camp Snap rating the rechargeable battery for around 500 photographs per charge.
Camp Snap has also built five different looks directly into the 110D, including Standard, Vintage 1, Vintage 2, Analog, and Black & White, which can be selected on the camera without reaching for an app. There is even support for creating your own filters, while the built-in dual-tone flash can provide either a cooler 6,500K or warmer 3,000K light. For something designed to be incredibly simple, there is actually a surprising amount of creative control hiding underneath that retro exterior.
Another important improvement is speed. Camp Snap says this is its fastest shutter-button design yet, with a near-instant response intended to make the 110D feel much snappier than some of its previous screen-free cameras. Its QuickDraw battery-saving system also allows the camera to automatically fall asleep when it isn't being used, but pressing the shutter wakes it ready to shoot without having to fiddle with a power button. That makes far more sense for a camera like this, which will probably spend most of its life sitting in a pocket until something worth photographing suddenly appears.
And that, I suspect, is exactly why the Camp Snap 110D has already become such a hit. It isn't trying to compete with the latest mirrorless camera or even your smartphone on outright image quality; instead, it takes photography back to being uncomplicated, spontaneous, and fun. The fact that the first batch has already sold out suggests there are plenty of photographers who feel exactly the same way, and I can certainly understand the appeal.
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The 110-inspired body gives it bags of nostalgic charm, the screen-free experience makes every photograph slightly more exciting, and at $74.99 in the US or £57 in the UK, it remains inexpensive enough to be the sort of camera you actually take everywhere. With the second batch now open for preorders and November shipping on the horizon, this is another opportunity to get your hands on one of the most charming little cameras of the year. If the first batch is anything to go by, though, I wouldn't leave it too long!
For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.
He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.
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