The selection of Nikon flashguns (or Speedlights) may be limited, but it offers something for nearly every photographer. From Nikon's professional-grade Speedlight to a mid-range model, a compact budget option, and a dedicated macro photography kit, there’s a flash for everyone. All you need to do is choose the one that fits your style!
Navigating the world of flashguns can feel overwhelming with all the technical jargon. Luckily, we’ve tested Nikon’s latest Speedlights and provided recommendations to help you pick the best one for your photography needs.
While Nikon flashguns are a top choice for many Nikon photographers, there are excellent third-party options, too – check out our comprehensive flashgun buying guide for models from Godox, and Hahnel. In this guide, however, we focus on Nikon’s Speedlight range. For even greater power, don’t miss our guide to the best lighting kits for professional studio or on-location shoots.
Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. As well as being DCW's primary lens tester, he is also a font of knowledge when it comes to photographic accessories of all kinds. A longtime Nikon shooter, he turns his expert eye to the Nikon Speedlights range.
The quick list
Best overall
While it's at the upper end of the price scale, Nikon's Speedlight SB-5000 impresses with fast recycling speeds, a good degree of power and a flexible zoom range.
Best mid-range
Elegantly designed and simple to use, the Nikon Speedlight SB-700 is a well-priced flashgun that offers a broad zoom range – though its power and recycling speed are unexceptional.
Best compact
It ain't fancy, but the small and cheap Nikon Speedlight SB-500 is a portable flash you can take everywhere with you. There's also a handy LED lamp for constant lighting.
Best for macro
It may be showing its age a little, but this twin-light kit is well-suited for creating shadowless close-up images. The power of the two heads is easy to adjust for precise control.
Best Nikon flashguns in 2024
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Best Nikon Speedlight overall
✅ You want flexibility: With its motorized 24-200mm zoom range, the SB-5000 offers great versatility for wide-angle and telephoto shots, along with a flip-down diffuser and catchlight card for added control over light spread.
✅ You want an RF wireless receiver: Built-in RF compatibility allows for remote triggering using Nikon’s RF transmitters and transceivers, simplifying off-camera setups and eliminating the need for line-of-sight.
❌ You want a built-in battery : The SB-5000 doesn’t come with a rechargeable Li-ion battery pack, so it requires frequent battery replacements or an external power pack for extended sessions.
❌ You want advanced wireless options: Since the SB-5000 lacks full RF commander capabilities, using it in multi-flash setups requires additional accessories for full wireless control.
We’ve always been fans of Nikon’s top-end, pro-grade Speedlights, and the SB-5000 is the best yet. It replaces the SB-910 as the Nikon’s flagship Speedlight. Compared with the SB-700, it adds a more powerful Gn 55 rating (at 200mm, which changes to Gn 34 at 35mm), as well as a longer 24-200mm motorized zoom range. That gives more wide-angle potential as well as greater telephoto coverage. As you’d expect, there’s also a pull-out, flip-down wide-angle diffuser panel, and a white catchlight card.
An addition that we like over the SB-700 is the programmable strobe/repeat mode for setting up multiple flashes during a long exposure. Another bonus is the on-board selection of i-TTL and i-TTL BL (Balanced Light) flash metering modes. And although the SB-5000 runs on a conventional set of AA batteries rather than a Li-ion battery, there’s the option of using an external power pack (sold separately). For quick-fire use over extended periods, we like the new integral cooling system that keeps the SB-5000 going for 100 or more shots, even at full output power.
Another neat trick is that the SB-5000 features a built-in RF wireless receiver, which enables remote triggering from Nikon’s optional RF transmitters and transceivers, sold separately. To our minds, however, a built-in transceiver would have been preferable, enabling the SB-5000 to work in RF commander mode rather than just as a slave. Continuous shooting stamina aside, the main performance boost over the SB-700 is in maximum output power. Recycling speeds are quick for such a powerful Speedlight that runs on regular AA batteries rather than a Li-ion battery pack. The total number of flashes and recycling speeds can also be enhanced by using Nikon’s optional SD9 external power pack, which takes eight AA batteries instead of four.
Read our full Nikon Speedlight SB-5000 review for more information.
Best mid-range Nikon Speedlight
✅ You want user-friendly controls: The redesigned, simplified control panel is easy to navigate, making adjustments quick and straightforward even in fast-paced settings.
✅ You want a wide zoom range: Covering a wide focal range, the motorized zoom provides good versatility for different compositions, from wide angles to moderate telephoto shots.
❌ You want fast recycle times: Recycling speeds are somewhat slow, taking 2.7 seconds with NiMH and 5.4 seconds with alkaline batteries, which could limit continuous shooting.
❌ You want simple i-TTL control: Switching from i-TTL BL (Balanced Light) mode to regular i-TTL requires changing the camera’s metering mode to spot, which is less intuitive.
Taking performance, versatility, and cost into consideration, the SB-700 ticks a lot of the right boxes on our Nikon Speedlight wish list. As the company’s mid-range offering, it’s a significant upgrade over the previous SB-600. We love its elegant and simplified control panel, which is a joy to use. We also like the full master and slave wireless functions, even if they only come with infrared linking rather than RF connectivity. We’re also impressed by the range of three alternative illumination patterns, with narrow, regular, and wide coverage options, and that the head has a downward as well as upward tilt, and a full 180-degree swivel in both directions.
The 24-120mm zoom range gives plenty of flexibility, and we’re fans of the smart range of high-quality accessories that come bundled with the SB-700. These include a diffusion dome and color-matching filters for both tungsten and fluorescent lighting, plus a table-top stand with a tripod socket, all wrapped up in a padded case. We’re not so keen on the fact that you can only switch from Nikon’s i-TTL BL (Balanced Light) flash metering mode to regular i-TTL by changing the host camera’s main metering mode to spot metering.
The power rating of Gn 38 (meters, ISO 100) is adequate rather than generous and recycling is a little pedestrian, measuring 2.7 or 5.4 seconds in our tests, using NiMH and alkaline batteries respectively. Even so, unless you need full-on pro-grade specs and power, or a low-budget Speedlight, the SB-700 is the pick of the bunch.
Read our full Nikon Speedlight SB-700 review for more information.
Best compact Nikon Speedlight
✅ You want easy-to-use basic flash: The SB-500 is straightforward and effective, ideal if you’re looking for a flashgun that’s easy to operate without unnecessary features.
✅ You want built-in LED for constant lighting: The secondary LED lamp provides continuous lighting that’s daylight-balanced and matches the 24mm focal length angle, making it suitable for both photos and videos.
❌ You need a wide-angle diffuser or catchlight card: This model doesn’t include a wide-angle diffuser or catchlight card, reducing options for controlled lighting adjustments and light spread.
❌ You want a display screen: The SB-500 has minimal onboard controls and lacks a rear display screen, requiring users to adjust flash settings through the camera menu.
Sometimes the simple things in life are best. If you’re in the market for a basic flashgun that simply ‘works’, without too many fancy features to get flustered by, this flashgun covers the basics. It’s a Speedlight that we like for journeys – it’s small enough to slip into a small corner of a daily bag or even a coat pocket, and has a lightweight build, running on just two AA batteries.
The flip side is that we’re not that enamored by the lack of a zoom facility. The flashgun has a fixed focal length equivalent of 24mm (in full-frame terms) with neither manual nor motorized extension. You therefore can’t select longer focal lengths and there’s also no wide-angle diffuser panel nor a flip-out catchlight card. The interface is similarly basic, with no rear info screen and only a very rudimentary set of onboard controls. We often find ourselves delving into the host camera’s menu system to make any flash adjustments.
What we do like is that the SB-500 is compatible with the Nikon Creative Lighting System, featuring infrared commander/slave modes, although the Commander mode only works with fairly recent cameras. We also like the secondary LED lamp for constant lighting, which is daylight-balanced and has the same 24mm focal length equivalent beam angle as the main flash tube. Maximum flash power is rather modest. And based on running from two rather than four AA batteries, recycle speeds after a full-power flash are on the slow side, at 4.6 seconds for NiMH and 6.8 seconds with alkaline cells. Ultimately, the SB-500 is a good choice if you want something small, simple, and convenient, rather than a Speedlight with more power and sophistication.
Read our full Nikon Speedlight SB-500 review.
Best Nikon Speedlight for macro
✅ You want to specialize in macro photography: This twin Speedlight kit is designed specifically for extreme close-ups and macro photography, solving common issues like harsh shadows caused by off-axis lighting.
✅ You want flexible positioning for shadow control: the twin SB-R200 units that can be angled and positioned independently, the kit allows you to create shadowless images or introduce subtle shadows for a three-dimensional effect.
❌ You want an easy setup: Attaching the Speedlights and positioning them correctly requires some practice, as the setup is a bit more complex compared to standard flashguns.
❌ You want the latest features: Originally designed for cameras like the Nikon D70s and D200 from 2005, the kit shows its age and may lack newer wireless technology features seen in more recent kits.
We find that two can be better than one, and that’s certainly the case with this twin Speedlight kit. A regular flashgun is far from ideal for extreme close-up and macro photography, as the off-axis flash tends to create dark shadows. To get around the problem, this specialist kit includes a hot shoe-mounting infrared wireless SU-800 commander and two small SB-R200 Remote Speedlight units.
The Speedlights themselves attach to an adaptor ring that screws onto the front of a lens, and the kit comes complete with a range of rings to suit popular thread diameters ranging from 52mm to 77mm. It’s a bit fiddly to set up but we found that a little practice goes a long way. By positioning and angling the twin heads appropriately, it’s relatively easy to capture shadowless close-ups and macro images. And if you want to add a little shadow to give a more three-dimensional look, we like that the relative power of the two heads can be adjusted quickly and easily.
A less expensive Nikon Remote Kit R1 is also available, which costs around two-thirds of the price to buy. However, this doesn’t include the SU-800 commander unit. Instead, it’s designed to be triggered from the pop-up flash of a camera, which is a moot point for Nikon Z-system cameras that don’t feature a pop-up flash module. Indeed, the kit was originally advertised as being suitable for use with the pop-up flash of the Nikon D70s and D200, which were launched way back in 2005, which shows its age!
How to choose the best Nikon speedlight
Choosing a good flashgun, as with so many things, is about balancing the features you need with the amount you're willing to spend. As you can see from our list, there's quite a bit of variance in the prices of the flashguns Nikon offers. If all you need is a bit of extra light in certain situations, then the cheapest Speedlight may well suit you just fine.
However, spending a bit more money will get you more advanced features. More advanced flash units will have zoom functionality, for instance, making it easier to get an appropriate level of flash for your chosen focal length of lens. They'll also offer high-speed sync for the use of faster shutter speeds, as well as wireless master/slave communication that allows you to use one flash unit to control others. Scroll down for a full glossary of the technical terms surrounding flashguns.
How we test flashguns
We test all available features for each flashgun that goes through our labs. To test power output, we used a Sekonic flash meter placed at a distance of one meter from each flashgun. We check the complete range of manual power settings, in one-stop increments. Based on a sensitivity of ISO 100, the figures correlate directly with the Gn (Guide number). The results are double-checked by taking shots of a gray card with the appropriate lens apertures and using the camera’s histogram display in playback mode. This is done for flash zoom settings of 24mm, 50mm, and 105mm (in full-frame terms), where available.
We also check the accuracy and consistency of electronic/intelligent TTL (Through The Lens) flash metering, and the speed with which each flashgun can recycle to a state of readiness after a full-power flash, using both Ni-MH and alkaline cells, or a Li-ion power pack where supplied.
For more information on how we test photographic equipment, click here.
Nikon flashguns: frequently asked questions
Will Nikon flashguns work with Canon / Sony / Fujifilm?
The short answer is yes – to an extent. In general, you can use flashguns made by one manufacturer on cameras made by another, and you will be able to at least get the flash to trigger. However, while things do vary case by case, advanced features like i-TTL or high-speed sync generally won't work. For this reason, third-party manufacturers often sell different versions of their flashguns for different makes of camera. So while it probably will work, ultimately it's always best to get a flash unit optimised for the brand of camera you are using.
Which Nikon Speedlight is best?
As has been borne out by our testing, the best Nikon Speedlight is definitely the SB-5000. A sophisticated professional flashgun, this unit offers the most power and functionality for photographers – however, it is also the most expensive. For beginners and mid-range users, the SB-700 may be more appropriate, and if budget is a real issue, you may want to consider the simplistic but portable SB-500.
What are speedlights used for in photography?
Speedlights, or flashguns, provide a very short and powerful burst of illumination on a subject. They're particularly useful for freezing action, as the burst of light allows for faster shutter speeds to be used than would be possible. More fundamentally, however, speedlights are useful for those who want to take control of the shape, direction and intensity of the light in their images. They can fill in shadows and make it easier to get a more balanced exposure of a scene.
Nikon flashguns: technical terms explained
When you're choosing a flashgun, one of the first obstacles it can be tricky to get over is sorting your way through all the unfamiliar technical terms. So, here’s an explanation of the various terms and acronyms, to make light of the situation, so to speak...
AF-assist
You might well use a flashgun in very dull or dark lighting conditions. Traditionally, a red AF-assist beam will give the camera’s autofocus system something to lock on to. However, this doesn’t work with mirrorless cameras, which often feature a built-in AF-assist lamp.
Battery type
Most conventional flashguns run on either two or four AA batteries. Rechargeable NiMH batteries tend to enable a greater number of flashes and faster recycling times, especially after high-power flashes, compared with alkaline batteries. Some of the latest flashguns run on rechargeable Li-ion battery packs, enabling a greater number of flashes and even faster recycling speeds.
Bounce and swivel
A bounce and swivel head enables you to bounce the light off ceilings and walls, for a softer and more natural looking lighting effect. Typically, you’ll get 0-90 degrees of vertical bounce and up to 180 degrees of lateral swivel in both directions, to the left and right. Some flashguns offer more generous vertical bounce, from slightly downward for extreme close-ups to slightly rear-facing. For the latter, you can also swivel the head through 180 degrees and then apply vertical bounce.
Catchlight card
This is a small white card that pulls out from the front of the main flash tube, where featured. It enables some forward-facing light when using the flashgun in bounce mode, to fill in shadows and give catchlights in the eyes when taking portraits.
Color filters
Some flashguns are supplied with clip-on color filter panels. Where featured, two are usually included, for balancing the color temperature of the flash with either tungsten or fluorescent ambient lighting. When fitted, the flashgun often conveys information to the host camera so that the appropriate white balance setting can be selected automatically.
Dedication
A dedicated flashgun is designed to work with a specific make of camera, typically enabling TTL (Through The Lens) automatic flash exposure settings for varying lighting conditions and different subject distances. It also allows various flashgun settings to be applied direct from the camera.
Diffusion dome
This is a translucent white plastic dome that fits over the front of the flashgun’s light tube. It gives a softer lighting effect and enables some forward-facing direct flash in addition to flash bounced off walls and ceilings. You’ll typically use it with around a 45-degree vertical bounce angle.
Diffusion panel
Many flashguns feature a diffusion panel that pulls out from the front of the flash tube and swings down with a spring-loaded action. It gives a wider beam angle, to cover the field of view when using a wide-angle lens.
Gn (Guide number)
The maximum power output (light intensity) of a flashgun is usually quoted as a Gn (Guide number). It’s generally quoted at the maximum zoom setting of the flashgun, where power output is at its greatest due to the relatively narrow beam angle, and tends to be given in meters and/or feet using a camera sensitivity of ISO 100.
HSS (Auto FP)
The HSS (High Speed Sync) mode offered by many flashguns enables you to use the flash at a faster shutter speed than the regular sync speed, which usually tops out at around 1/200th of a second. Also called ‘Auto FP’ mode by Nikon, this enables you to use flash at super-fast shutter speeds, albeit with a reduction in maximum flash power.
i-TTL
Nikon uses i-TTL (intelligent Through The Lens) flash metering to work out the required flash power for shooting at any given subject distance and lighting conditions, to gain a ‘correct’ exposure. The flashgun fires a number of pre-flash pulses to make the calculation.
i-TTL BL
This is the default flash metering mode for current and recent Nikon flashguns. It stands for i-TTL Balance Light, and takes ambient lighting more into account than regular i-TTL mode, for a more natural overall look.
Illumination pattern
Some Nikon flashguns offer different illumination patterns, either giving wide and even-looking coverage, a more regular angle, or a tighter angle to concentrate the light in the central region of the image frame.
LED lamp
Some flashguns include a secondary LED lamp. It usually comes with an adjustable output brightness. It’s useful for close-ups stills and video, as well as for use as a modeling lamp (to preview the effect of flash). You can also use it as an AF-assist lamp, useful with mirrorless cameras that can’t use a flashgun’s red AF-assist beam.
Red-eye reduction
This is a flash mode that fires a number of pre-flash pulses to narrow the pupils of the eyes when taking portraits. It reduces the effect of people appearing to have red pupils caused by the flash bouncing off the insides of their eyes.
Rear-curtain sync
With rear-curtain sync, the flash is fired at the end of the exposure rather than at the beginning. It can be useful when capturing light trails from vehicles with long exposures, as the light trails will appear to stretch out behind the vehicle in a natural manner, rather than in front of the vehicle.
Slow sync
Slow sync is a mode for combining flash with long exposures. It’s good for scenarios like night-time portraits, where you might want to photograph somebody set against the lights of a cityscape.
Stroboscopic mode
A programmable stroboscopic mode enables you to automatically fire a number of flashes at a preset interval, throughout a long exposure. This gives you the chance to freeze an object in motion at various stages through its path of movement.
Wireless modes
For using a flashgun off-camera, or in setups with multiple flashguns, one flashgun is configured as the master or commander, the others are set to slave mode. The most basic wireless linkage is ‘optical’ mode, which senses the light from the main flash (pre-flash pulses in TTL mode can often be ignored). Infrared linking is more advanced, enabling TTL and other options, but works over a fairly limited distance. Wireless RF (Radio Frequency) linking is best, as it’s more reliable especially in daylight conditions, doesn’t require ‘line of sight’ so you don’t have to worry about obstacles, and often works over a range of up to 100 meters.
Zoom
Most flashguns feature a zoom head. It’s generally motorized in dedicated flashguns, so the zoom setting of the flashgun can be automatically matched to the focal length or zoom setting of the lens mounted on the camera. A zoom range of 24-105mm (in full-frame terms) is common, whereas some flashguns offer a more generous zoom range of up to 20-200mm, giving greater wide-angle and telephoto potential.
