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170 unseen Elliott Erwitt images, taken over 60 years, presented in new book

Elliott Erwitt – Found, Not Lost
St. James’s Park. London, 1952 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)

A brand new book by Elliott Erwitt features over 170 images never seen before, taken over 60 years, that have been personally selected, edited and sequenced by the legendary photographer.

Found, Not Lost contains a total of 171 images from Erwitt's archive that have remained unseen until now. These photographs were taken over a span of six decades, often during downtime and breaks between shooting assignments.

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The prolific photographer, now 92 years old, first started exploring his archival images in 2018 following the publication of his first retrospective, Home Around The World. The painstaking process of reviewing every photograph in his studio, spurred by the responsibility of being the custodian of his own life's work, took nearly two years to complete.

New York City, 1955 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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Assisted by his trusted studio manager, Mio Nakamura, and Stuart Smith, Erwitt went through the agonizing analyses of some 600,000 images in the form of negatives and contact sheets. These encompassed shots taken when he was 17, developed in his bathroom sink, to recent assignments completed around the world.

The earliest image featured in the book, for example, was taken in 1947. Found, Not Lost collects photojournalistic images of historic moments starting in post-war Europe, as well as personal images from the photographer's private life including his first wife and firstborn daughter. 

Known for his absurdist imagery and "visual one-liners", the new book is a quieter, more contemplative collection that reflects how the artist's eye and interpretation has developed in the decades since he took the images as a young man.

Rio de Janeiro, 1990 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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"In my nineties, my work looks different than I've ever seen it before," says Erwitt, echoing the sentiments of David Bailey (opens in new tab) compiling his own retrospective in his eighties. "There's a time for photographs that say hello, and there's a time to listen."

Found, Not Lost by Elliott Erwitt is available now from Gost Books (opens in new tab) priced £60 (approximately $83 / AU$107). It can also be purchased in two special editions, each costing £500 ($695 / AU$894). 

Trieste, Italy, 1949 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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New Orleans, 1947 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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New York City, 1954 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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New Rochelle, New York, United States, 1960 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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New Rochelle, New York, United States, 1959 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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New York City, 1948 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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Automat. New York City, 1953 © Elliott Erwitt / Magnum Photos (Image credit: Elliott Erwitt)
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The editor of Digital Camera World, James has 21 years experience as a magazine and web journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus). In this time he shot for clients as diverse as Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. This has led him to being a go-to expert for camera and lens reviews, photographic and lighting tutorials, as well as industry analysis, news and rumors for publications such as Digital Camera Magazine (opens in new tab)PhotoPlus: The Canon Magazine (opens in new tab)N-Photo: The Nikon Magazine (opens in new tab)Digital Photographer (opens in new tab) and Professional Imagemaker, as well as hosting workshops and demonstrations at The Photography Show (opens in new tab). An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.