Take more control of the light by using your flashgun remotely
(Image credit: Future)
Now that the ISO sensitivity on modern mirrorless cameras is so good, you might be wondering, what is flash, and is it still useful for photography? Working with flash allows you to change the direction of the light, control where the shadows fall, and use an array of modifiers to make the light source less (or more) obvious.
There's nothing wrong with using a flashgun on the hot shoe of your camera, but if you move your light source off-camera this gives you a myriad of new creative options to try.
There are two ways to use your camera flash off-camera: tether your flashgun to your camera’s hot shoe using a cable, or use a two-part ‘master’ and ‘slave’ wireless flash system. The simplest is the traditional sync cable that provides a physical connection between the camera’s hot shoe and the best flashgun or strobe. The problem here is that these cables aren’t typically very long, and there’s a risk of yanking over flashguns and lighting stands if you move the camera.
Wireless flash triggers can offer more flexibility without the trip hazard. It’s a two-part system, with a ‘master’ and one or more ‘slave’ units. The slaves are typically triggered by infrared light, although this requires a line of sight between the master transmitter and a slave’s receiver. Radio control is reserved for higher-end lights; it doesn’t require a line of sight, so you can conceal slave units behind objects or in modifiers.
Wireless has evolved hugely since the days of cheap and cheerful optical flash triggers that made a flashgun fire when they detected light from another flashgun. These days, wireless flash comes in infrared or radio, both of which offer more control over your remote flashguns.
Below, we've created an infographic that you can save and refer back to.
Photography cheat sheet: Using off-camera flash
We've put together this simple infographic/cheat sheet explaining the elements that go into using off-camera flash. Why not open it up in a full window, or save it to your camera roll for reference later? (Image credit: Future)
Lauren is a writer, reviewer, and photographer with ten years of experience in the camera industry. She's the former Managing Editor of Digital Camera World, and previously served as Editor of Digital Photographer magazine, Technique editor for PhotoPlus: The Canon Magazine, and Deputy Editor of our sister publication, Digital Camera Magazine. An experienced journalist and freelance photographer, Lauren also has bylines at Tech Radar, Space.com, Canon Europe, PCGamesN, T3, Stuff, and British Airways' in-flight magazine (among others). When she's not testing gear for DCW, she's probably in the kitchen testing yet another new curry recipe or walking in the Cotswolds with her Flat-coated Retriever.
