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Best light tents for photography

Best light tents for photography
(Image credit: Digital Camera World)

This is a guide to the best light tents for photography – which are essential accessories to those who need to shoot decent product pictures for eBay or for other websites. 

Good lighting is key to photography, particularly when shooting still life subjects or for product photography. Each highlight and shadow must be controlled to ensure your subject looks its best, especially if you’re taking shots for e-commerce, where quality sells.

Soft, shadowless lighting is key, but unlike in portraiture, where you’d fit a softbox over the light source, the smaller size of still life subjects requires a different approach. Here it’s often best to place the object you’re photographing inside the softbox – or in this case, a light tent – and shine one or more lamps through from outside of the tent.

The only trouble with light tents is their fabric construction can leave distracting creases visible in the background of shots. An alternative approach is to use a still life table – this studio accessory is topped by rigid plastic that curves from horizontal to near-vertical, forming an infinity curve. You can direct lights straight onto your subject, or through the table from behind to overexpose the plastic and create a white backdrop.

Tips

Choosing and using a light tent

Five tips for choosing the right light tent and or light table, and how to get the most out of your choices

1: Spatial awareness
Although still life tables can be foldable, their plastic tops aren’t the most compact features. A collapsible tent tends to pack smaller and is much better for staying mobile.

2: Lighten up
You’ll need a form of off-camera light to illuminate a tent or table. Continuous lamps are ideal, but flashguns make a good substitute.

3: A back-up plan
While a white backdrop is best for neutral product shots, a black or coloured paper sheet clipped to the surface of the table can create a much moodier feeling to it.

4: Point of view
Shooting from low angles can suit certain subjects. Try using a small bean bag to rest your camera on the floor, or use a low-level tripod.

5: Take your time
Getting the right lighting, background and composition can require trial and error. Rush it and an even a smallest imperfection in the image can be distracting for a viewer.

Best light tents for photography

(Image credit: Digital Camera World)

1: Orangemonkie Foldio3

Innovative design makes this the best light tent for photography

All-in-one backdrop and lighting; 
Superb folding design
Fair price
The LED arrangement can create strange catchlights on reflective objects if you’re 

The Orangemonkie Foldio3 does away with a conventional table or tent design and instead uses a folding corrugated plastic construction. It’s a slim 60 x 40 x 6cm when packed, but opens to a versatile 62cm wide and 65cm tall, with an elegant magnetic fastening system making setup a breeze. One of the included black or white sheets can then attached via Velcro pads to form a seamless backdrop.

But what really makes the Foldio3 special are three strips of dimmable LEDs lining the underside of the roof panel. They create crisp yet soft continuous illumination, with no need to add your own studio lights or flashguns. For a little extra front or side lighting, we’d recommend adding the £35/$20 Halo-Bars: a pair of compact and dimmable LED lights that can be magnetically clipped to the side or base of the Foldio3.

Orangemonkie even offers an optional Bluetooth turntable so you can easily create 360-degree product images.

FIE=Orangemonkie Halo Bars +

Orangemonkie Turntable

(Image credit: Digital Camera World)

2: Lastolite ePhotomaker kit - Large

This all-in-one kit only needs one light

Very portable; 
Simple assembly 
Good results from a single light source
Crease-prone backdrop 
Lacks structural rigidity

Think of the ePhotomaker as a collapsible diffuser panel on one side and a collapsible reflector on the other, tied at the top and spanned by a white fabric sheet that forms a seamless back/base. The design means you can use just a single light – a regular desk lamp is suggested – shone through the diffusion side of the tent, with the reflector creating a fill light on the opposite side of your subject.

The effect actually works rather well, creating attractively soft and balanced lighting. However, the fabric backdrop creases easily, and though a large aperture easily blurs any background creases, they’re clear to see in closer, in-focus areas. You could line the interior with a sheet of paper instead, but this is tricky to secure.

For some added value, Lastolite includes a cheap tabletop tripod, a daylight-balanced gel for your lamp, and a useful grey card. Everything packs into a very portable 52cm-diameter pouch. Opened up it is 45cm high with a width of 55cm at its base and 27cm width at the top.

• A small version of the Lastolite ePhotomaker Kit is also available - which is suitable for miniature subjects such as jewelry. Opened up it is 35cm high with a width of 35cm at its base and a 20cm width at the top.

(Image credit: Digital Camera World)

3: Lastolite Studio Cubelite 70cm

Professional light tent solution for serious eBayers

Large enough for serious still-life work
Easy to assemble and pack
Requires a good set of lights

Where the Lastolite ePhotomaker is squarely aimed at a novice photographer, the Studio Cubelite is gunning for a semi-pro audience. Despite this being the smaller of two size options, it’s still a huge 150cm tall with a 70cm-square footprint; however it’s not particularly bulky when packed, as everything collapses into a 75cm-square bag. Setup isn’t the fastest, but it is dead easy.

The idea here is that the cube base is large enough to house a full-on studio lamp to uplight the table top. You then add another light behind the diffusion fabric backing cloth, which in turn is covered by a translucent plastic film for a crease-free, seamless backdrop. A hard acrylic disc is also included, to provide a rigid tabletop that’ll also subtly reflect your subject.

Assuming you have at least three good-sized light sources and plenty of space to arrange everything, you can get stunning results with the Studio Cubelite, and its elevated tabletop makes it very comfortable to use.

The Studio Cubelite is also available as a kit with lights – and there is the larger 100cm (39in) version too. 

Best still life tables for photography

(Image credit: Digital Camera World)

4: Kaiser Easy-Fit Shooting Table

Best still life table on a budget

Gives great results with the right lighting; 
Hard-wearing
Relatively bulky when packed
Costly for such a basic design

This still-life table provides a 59 x 37cm flat surface, transitioning smoothly into a 35cm-high backdrop. The table design has several advantages over a tent. Its metal frame elevates your subject off the ground, allowing you to place a light underneath to further separate the subject from the background. A semi-rigid translucent plastic sheet fastens quickly and securely to the support frame. It’s tougher than a rolled plastic film and isn’t vulnerable to creasing like fabric. With a combination of well-placed backlighting plus direct front and side illumination, you can achieve professional-looking results, with a beautifully smooth backdrop.

But there are downsides compared to a pop-up tent. The plastic backdrop is bulkier to store and travel with, and although the metal frame easily folds flat, it ups the combined weight to nearly 3kg. Then there’s the price, which is high for what’s just a basic tubular frame and a sheet of plastic.

(Image credit: Digital Camera World)

5: NanGuang Small Photography Table 3-Head Lighting Kit

Full still life table kit with three LED lights

Includes compact, good-quality lights
LED lights are also useful for video
Best suited to smaller subjects
Hard to find

NanGuang’s still-life table is virtually identical to Kaiser’s, but it’s the trio of well‑specced lamps that sets this kit apart. Two compact NanGuang CN20FC fresnel lights each provide up to 542 lumens of dimmable, color-adjustable front illumination. Then there’s the powerful CN8F to backlight your subject, with its adjustable lens able to create spot or flood effects. Each light has a mains adaptor, or can be powered by AA batteries.

Assembling the kit is easy enough, and the heads attach to the table’s frame via brackets with plenty of positioning adjustment. The result is a highly effective setup for product photography, as the lamps are ideally sized and more than potent enough for such close-range use.

The only issue here is pricing. Although the kit does come with extras like clamps, brackets and background papers, the table and lights can be bought separately – allowing you to buy just the components you actually need.

Read more
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