Rotolight, specialists in continuous lighting systems, are marking the release of their new Rotolight Neo by offering you the chance to learn all about continuous lighting, and try out their products, in a workshop and seminar hosted by the multi-award winning photographer and Sony artisan of imagery Jason Lanier.
When you find a great subject or location that inspires you, make the most of it by really working the scene to maximise your chances of shooting a perfect image. Here’s how it’s done…
In this photo editing tutorial we show you how to convert images from RGB to CMYK in Photoshop to produce perfect colour prints.
In their latest guest post the team at Photoventure have collected a set of ten tips that can help you take your photography to the next level. Or help you stop making the odd mistake…
In our latest photo editing tutorial we show you how to stitch photos together by learning how to apply a range of montage and colour effects in CameraRaw and Photoshop.
Are you looking for constant lighting or something a bit more flash? In this group test we compare 4 flash heads and 4 constant head for your digital studio to find out which is the best studio lighting for photographers.
Don’t settle for any old illumination: fit your flashgun with a light modifier. We test six top options to see which is the best flashgun modifier for your money.
The risk of using software to sharpen if you don’t know what you are doing is that you can ‘solve’ one problem, but can create a much bigger one – over-sharpening your images.
Every photographer aspires to shoot professional-looking images, and in this in-depth tutorial we reveale the recipe that makes up all good outdoor portrait photography, offering expert photography tips on everything you need to know about this subject, from composition and kit to camera tips, flash techniques and more. We’ll start by covering the equipment you’ll… Continue reading
A major bonus of fast lenses is that they allow you to use faster shutter speeds in low light, fending off the problems of both camera shake and motion blur, the latter of which can’t be fixed with any amount of optical image stabilisation.